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Grógaldr
''Grógaldr'' or ''The Spell of Gróa'' is the first of two poems, now commonly published under the title '' Svipdagsmál'' found in several 17th-century paper manuscripts with ''Fjölsvinnsmál''. In at least three of these manuscripts, the poems are in reverse order and separated by a third eddic poem titled, ''Hyndluljóð''. For a long time, the connection between the two poems was not realized, until in 1854 Svend Grundtvig pointed out a connection between the story told in ''Gróagaldr'' and the first part of the medieval Scandinavian ballad of ''Ungen Sveidal''/''Herr Svedendal''/''Hertig Silfverdal'' (TSB A 45, DgF 70, SMB 18, NMB 22). Then in 1856, Sophus Bugge noticed that the last part of the ballad corresponded to ''Fjölsvinnsmál''. Bugge wrote about this connection in ''Forhandlinger i Videnskabs-Selskabet i Christiania 1860'', calling the two poems together ''Svipdagsmál''. Subsequent scholars have accepted this title. ''Grógaldr'' is one of six eddic poem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svipdagsmál
''Svipdagsmál'' (Old Norse: , 'The Lay of Svipdagr') is an Old Norse poem, sometimes included in modern editions of the ''Poetic Edda'', comprising two poems, '' The Spell of Gróa'' and '' The Lay of Fjölsviðr''. The two works are grouped since they have a common narrator, Svipdagr. Moreover, they would appear to have a common origin since they are closely similar in use of language, structure, style and metre (ljóðaháttr). These two poems are found in several 17th-century paper manuscripts. In at least three of these manuscripts, the poems are in reverse order and separated by a third Eddic poem titled '' Hyndluljóð''.McKinnell (2005:202). For a long time, the connection between the two poems was not realized, until in 1854 Svend Grundtvig pointed out a connection between the story told in ''Grógaldr'' and the first part of the medieval Scandinavian ballad of ''Ungen Sveidal''/''Herr Svedendal''/''Hertig Silfverdal'' (TSB A 45, DgF 70, SMB 18, NMB 22). Then in 185 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svipdagr
Svipdagr (Old Norse: "sudden day"Orchard (1997:157).) is the hero of the two Old Norse Eddaic poems Grógaldr and Fjölsvinnsmál, which are contained within the body of one work; Svipdagsmál. Plot Svipdagr is set a task by his stepmother, to meet the goddess Menglöð, who is his "fated bride." In order to accomplish this seemingly impossible task, he summons by necromancy the shade of his dead mother, Gróa, a völva who also appears in the ''Prose Edda'', to cast nine spells for him. This she does and the first poem abruptly ends. At the beginning of the second poem, Svipdagr arrives at Menglöð's castle, where he is interrogated in a game of riddles by the watchman, from whom he conceals his true name (identifying himself as Vindkald(r) "Wind-Cold" apparently hoping to pass himself off as a frost giant). The watchman is named Fjölsviðr, a name of Odin in Grímnismál 47. He is accompanied by his wolf-hounds Geri and Gifr. After a series of eighteen questions and answ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Necromancy
Necromancy () is the practice of magic or black magic involving communication with the dead by summoning their spirits as apparitions or visions, or by resurrection for the purpose of divination; imparting the means to foretell future events; discovery of hidden knowledge; returning a person to life, or to use the dead as a weapon. Sometimes referred to as "death magic," the term is used in a more general sense to refer to black magic or witchcraft. The word ''necromancy'' is adapted from Late Latin : a loan word from the post-Classical Greek (), a compound of Ancient Greek (, or 'dead body') and (, or 'divination'). The Koine Greek compound form was first documented in the writings of Origen of Alexandria in the 3rd century AD. The Classical Greek term was (), from the episode of the ''Odyssey'' in which Odysseus visits the realm of the dead souls, and in Hellenistic Greek; in Latin, and ''necromancy'' in 17th-century English. Antiquity Early necromancy was related ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddic Poetry
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the ''Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August Strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völva
In Germanic paganism, a seeress is a woman said to have the ability to foretell future events and perform sorcery. They are also referred to with many other names meaning "prophetess", "staff bearer", "wise woman" and "sorceress", and they are frequently called ''witches'' or ''priestesses'' both in early sources and in modern scholarship. They were an expression of the pre-Christian shamanic traditions of Europe, and they held an authoritative position in Germanic society. Mentions of Germanic seeresses occur as early as the Roman era, when, for example, they at times led armed resistance against Roman rule and acted as envoys to Rome. After the Roman Era, seeresses occur in records among the North Germanic people, where they form a reoccurring motif in Norse mythology. Both the classical and the Norse accounts imply that they used wands, and describe them as sitting on raised platforms during séances. Ancient Roman and Greek literature records the name of several Germanic s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thor
Thor (; from non, Þórr ) is a prominent god in Germanic paganism. In Norse mythology, he is a hammer-wielding æsir, god associated with lightning, thunder, storms, sacred trees and groves in Germanic paganism and mythology, sacred groves and trees, Physical strength, strength, the protection of humankind, hallowing, and fertility. Besides Old Norse , the deity occurs in Old English as , in Old Frisian as ', in Old Saxon as ', and in Old High German as , all ultimately stemming from the Proto-Germanic theonym , meaning 'Thunder'. Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman Empire, Roman occupation of regions of , to the Germanic expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, , were worn and Norse paganism, Norse pagan personal names containing the name of the god bear witness to his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Einar Ólafur Sveinsson
Einar Ólafur Sveinsson, often abbreviated Einar Ól. Sveinsson (12 December 1899 – 18 April 1984) was an Icelandic scholar of Old Norse literature who was Professor of Icelandic Literature at the University of Iceland. His writings on and editions of sagas were particularly influential. Life and career Einar Ólafur was born in Mýrdalur, where his father, Sveinn Ólafsson, was a farmer and smith.Robert Kaske, Otto Springer and Theodore M. Andersson, "Einar Ólafur Sveinsson", i"Memoirs of Fellows and Corresponding Fellows of the Medieval Academy of America" '' Speculum'' 60 (1985) 768–77, pp. 776–77, p. 776."Prófessor Einar Ól. Sveinsson látinn" '' |
Sophus Bugge
Elseus Sophus Bugge (5 January 1833 – 8 July 1907) was a Norwegian philologist and linguist. His scholarly work was directed to the study of runic inscriptions and Norse philology. Bugge is best known for his theories and his work on the runic alphabet and the ''Poetic Edda'' and ''Prose Edda''. Background Elseus Sophus Bugge was born in Larvik, in Vestfold county, Norway. His ancestors had been merchants, ship owners and captains of the Larvik for several generations. Bugge was a Candidatus magisterii (1857) and research fellow in comparative linguistics and Sanskrit (1860). He was educated in Christiania, Copenhagen and Berlin. Career In 1866 he became professor of comparative philology, comparative Indo-European linguistics and Old Norse at Christiania University now the University of Oslo. In addition to collecting Norwegian folksongs and traditions and writing on Runic inscriptions, he made considerable contributions to the study of the Celtic, Romance, Oscan, Umbrian an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
