Grow Up (The Queers Album)
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Grow Up (The Queers Album)
''Grow Up'' is the debut album by the American punk rock band the Queers. Recorded in multiple sessions between 1986 and 1988, with various band members and session musicians backing singer and guitarist Joe King (aka Joe Queer), it was originally released as an LP record in 1990 by British label Shakin' Street Records. However, the label went out of business after only 1,000 copies were pressed. The Queers had more copies pressed themselves, continuing to list Shakin' Street as the record label, but when they failed to pay their bill the pressing plant destroyed all but approximately 160 copies, which the band released with a photocopied album cover. In 1993 the Queers signed to Lookout! Records, who released their second album, ''Love Songs for the Retarded''. Lookout! reissued ''Grow Up'' the following year, altering the cover art and track order and having the album remixed by Ben Weasel of the band Screeching Weasel. After the Queers rescinded their master recordings from Loo ...
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The Queers
The Queers are an American punk rock band, formed in 1981 by the Portsmouth, New Hampshire native Joseph “Joe” P. King (a.k.a. Joe Queer) along with Scott Gildersleeve (a.k.a. Tulu), and John “Jack” Hayes (a.k.a. Wimpy Rutherford). With the addition of Keith Hages (ex-guitarist of Berlin Brats) joining on bass in 1983 the band started playing their first public performances. This original lineup played a total of 5-6 live shows. The original lineup of The Queers initially broke up in late 1984, but reformed with Joe Queer and a new line-up in 1986. In 1990, the band signed with Shakin' Street Records and released their first album ''Grow Up (The Queers album), Grow Up''. The album earned the band notability within New England, but with the release of their next album 1993's ''Love Songs for the Retarded'', on Lookout! Records, their following grew larger. In 2006, after releasing six albums on Lookout! Records, the band rescinded their master rights from the label, citing ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Larry Livermore
Lawrence Hayes (born October 28, 1947), better known by his stage name Larry Livermore, is an American singer, musician, record producer, and author, best known as the co-founder of Lookout Records. Biography In 1977, Hayes began to attend punk rock shows in the San Francisco bay area. He soon adopted the "punk rock name" Larry Livermore, an allusion to the Lawrence Livermore National Laboratory, a nuclear research and development facility in Livermore, California, run by the University of California. In 1984, he founded ''Lookout'' magazine, based in Laytonville, California, and continued to publish it until 1995. In 1985, he formed the Lookouts, a punk-rock band whose 12-year-old drummer, Tre Cool, later went on to play for Green Day. The Lookouts recorded two LPs, ''One Planet One People'' and ''Spy Rock Road'', and two EPs, ''Mendocino Homeland'' and ''IV'', between 1985 and 1990, with Livermore playing guitar and singing. In 1987, with his friend David Hayes (no relat ...
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Don Giovanni Records
Don Giovanni Records is an independent record label originally specializing in punk rock from the New Brunswick, New Jersey music scene but eventually working with a variety of artists from different genres. History Don Giovanni Records was founded by Joe Steinhardt and Zach Gajewski while they were living in Boston in 2004. The label is best known for developing artists like Screaming Females, Mitski, Waxahatchee, Laura Stevenson, and Moor Mother, as well as fostering a geographically diverse community of artists, including Mal Blum, Native American Music Award “Best Artist” winner Keith Secola, Holy Modal Rounders founder, Peter Stampfel, Lavender Country, Swamp Dogg, Alice Bag, and comedian Chris Gethard. Steinhardt and Gajewski started the label while playing in bands and attending college at Boston University where the two met. After graduation they moved to New Brunswick, where Steinhardt was from, in order to make the label a full-time operation. In 2016, Steinh ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Overdubbing
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ...
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ...
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Martini (cocktail)
The martini is a cocktail made with gin and vermouth, and garnished with an olive or a lemon twist. Over the years, the martini has become one of the best-known mixed alcoholic beverages. A popular variation, the vodka martini, uses vodka instead of gin for the cocktail's base spirit. Preparation By 1922 the martini reached its most recognizable form in which London dry gin and dry vermouth are combined at a ratio of 2:1, stirred in a mixing glass with ice cubes, with the optional addition of orange or aromatic bitters, then strained into a chilled cocktail glass. Over time the generally expected garnish became the drinker's choice of a green olive or a twist of lemon peel. A dry martini is made with little to no vermouth. Ordering a martini "extra dry" will result in even less or no vermouth added. By the Roaring Twenties, it became a common drink order. Over the course of the 20th century, the amount of vermouth steadily dropped. During the 1930s the ratio was 3:1 (gin to v ...
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The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ...
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Jimmy Miller
James Miller (March 23, 1942 – October 22, 1994) was an American record producer and musician. While he produced albums for dozens of different bands and artists, he is most closely associated for his work with several key musical acts of the 1960s and 1970s. Miller rose to prominence working with the various bands of vocalist Steve Winwood (including Spencer Davis Group, Traffic, and Blind Faith). His best acclaimed work was his late 1960s-early 1970s work with the Rolling Stones for whom he produced a string of singles and albums that rank among the most critically and financially successful works of the band's career: '' Beggars Banquet'' (1968), ''Let It Bleed'' (1969), ''Sticky Fingers'' (1971), ''Exile on Main St.'' (1972) and ''Goats Head Soup'' (1973). In the late 1970s, he began working with Motörhead and continued to produce until his death in 1994. Early life Miller was the son of Anne Wingate and Bill Miller, a Las Vegas entertainment director and the man who ...
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DMZ (band)
DMZ was a first-wave American punk rock band from Boston, Massachusetts, strongly influenced by 1960s garage rock. Background In early 1976, Jeff Conolly (sometimes credited as J. Connally, Mono Mann, Monoman, Pokemonoman, etc.) stole the lead vocalist position in the nascent band by out-performing their singer at one of the band's practices. Along with his vocals he brought two things the band lacked: keyboards (an electric piano) and original songs. Just over one year later, in April 1977, the band went into the recording studio with Craig Leon (who had produced the Ramones' first album). Four songs from that session were released by Bomp! on a seven-inch vinyl EP. One of the best known photographs of Bomp! founder Greg Shaw shows him holding this disc. DMZ was later signed by Sire Records and went to New York City to record their debut album, produced by Flo & Eddie. The Album was released in 1978 without much success and by the end of the year the group had splint ...
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The Real Kids
The Real Kids are an American rock band from Boston, Massachusetts, United States, led by guitarist, singer and songwriter John Felice. Career Felice (born 1955) grew up in Natick, Massachusetts, as a neighbor and friend of Jonathan Richman, a fellow fan of the Velvet Underground. At 15 he joined Richman in the first line-up of the Modern Lovers in the early 1970s. He performed with the band intermittently from then until 1973, but because of his school commitments, he was not involved in the 1972 sessions which produced the first ''Modern Lovers'' album, though Felice is featured on a few live Modern Lovers recordings, on lead guitar and backing vocals. Commenting on Richman, Felice has said, "Me and Jonathan, as close as we were, you know, I was like a punk, I was a wise-ass kid. I liked to do a lot of drugs, I liked to drink, and Jonathan was like this wide-eyed, no-drugs, ate nothing but health food..." Felice then decided to start his own band and formed the Real Kids (or ...
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