|
Grongar Hill
Grongar Hill is located in the Welsh county of Carmarthenshire and was the subject of a loco-descriptive poem by John Dyer. Published in two versions in 1726, during the Augustan period, its celebration of the individual experience of the landscape makes it a precursor of Romanticism. As a prospect poem, it has been the subject of continuing debate over how far it meets artistic canons. The location The hill lies in the parish of Llangathen and rises abruptly not far from the River Tywi. The Ordnance Survey reference is SN573215 / Sheet: 159 and the co-ordinates are latitude 51° 52' 23.85" N and longitude 4° 4' 23.17" W. Its name derives from the Iron Age hillfort on its summit, in Welsh ''gron gaer'' (circular fort). At the hill's foot is the restored mansion of Aberglasney that once belonged to John Dyer's family and where he grew up from 1710. The area was important during the Mediaeval period of Welsh independence and from the 150 metre summit of the hill the ruins of sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmarthenshire
Carmarthenshire ( cy, Sir Gaerfyrddin; or informally ') is a county in the south-west of Wales. The three largest towns are Llanelli, Carmarthen and Ammanford. Carmarthen is the county town and administrative centre. The county is known as the "Garden of Wales" and is also home to the National Botanic Garden of Wales. Carmarthenshire has been inhabited since prehistoric times. The county town was founded by the Romans, and the region was part of the Kingdom of Deheubarth in the High Middle Ages. After invasion by the Normans in the 12th and 13th centuries it was subjugated, along with other parts of Wales, by Edward I of England. There was further unrest in the early 15th century, when the Welsh rebelled under Owain Glyndŵr, and during the English Civil War. Carmarthenshire is mainly an agricultural county, apart from the southeastern part which was once heavily industrialised with coal mining, steel-making and tin-plating. In the north of the county, the woollen industr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachel Trickett
Rachel Trickett (20 December 1923 – 24 June 1999) was an English novelist, non‑fiction writer, literary scholar, and a prominent British academic; she served as Principal of St Hugh's College, Oxford, for nearly twenty years, between 1973 and 1991. Education Trickett was educated at Lady Margaret Hall, Oxford. She became a lecturer in English at the University of Hull in 1946 and in 1954 she returned to Oxford as a fellow and tutor at St Hugh's College. Principal of St. Hugh's College As Principal of St. Hugh's College, Trickett often showed a side of gaiety: on her instruction, the chapel at the college was redecorated in 18th-century colours. Her friend Laurence Whistler Sir Alan Charles Laurence Whistler (21 January 1912 – 19 December 2000) was a British glass engraver and poet. He was both the first President of the British Guild of Glass Engravers and the first recipient of the Queen's Gold Medal for Po ... designed the college's beautiful gilded wrought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Barrell
John Charles Barrell FBA FEA (born February 1943) is a British scholar of eighteenth and early nineteenth century studies. Early life John Barrell was born in February 1943. He took his first degree at Trinity College, Cambridge, and his PhD at the University of Essex. Career Barrell was a lecturer in the Department of Literature at Essex for four years from 1968. In 1972 he took up a lectureship in the Faculty of English at Cambridge and a fellowship at King's College, Cambridge. He was appointed to a chair in English at the University of Sussex in 1985 and was Professor of English at the University of York from 1993 to 2012, where he was one of the founders of the Centre for Eighteenth Century Studies. In January 2013 he became Professor of English at Queen Mary, University of London, and, since January 2016, has been Professor Emeritus there. He has held a British Academy readership and a Leverhulme Major Research Fellowship. Research Barrell's main research is within t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Hussey (historian)
Christopher Edward Clive Hussey (21 October 1899 – 20 March 1970) was one of the chief authorities on British domestic architecture of the generation that also included Dorothy Stroud and Sir John Summerson. Career His first major ventures both appeared in 1927. One was a collaboration with his mentor and predecessor at '' Country Life'' magazine, H. Avray Tipping, in Tipping's series ''In English Homes, Period IV, vol. 2, The Work of Sir John Vanbrugh and his School, 1699–1736'' (1927). English garden history was an unexplored field when Hussey broke ground the same year with ''The Picturesque: Studies in a Point of View'' (1927; reprinted 1967), which was a pioneer in the history of taste that rediscovered from obscurity figures like Richard Payne Knight, "a Regency prophet of modernism" in Hussey's estimation. Later in Hussey's career, ''English Gardens and Landscapes 1700–1750'' (1967), also covered fresh territory, as a complement to his Georgian volumes ''English C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Sawrey Gilpin
William Sawrey Gilpin (4 October 1762 – 4 April 1843) was an English artist and drawing master, and in later life a landscape designer. Biography Gilpin was born at Scaleby Castle, Cumbria on 4 October 1762, the son of the animal painter Sawrey Gilpin. He attended the school of his uncle, William Gilpin (originator of the Picturesque), at Cheam in Surrey. He married Elizabeth Paddock; they had two (or possibly three) sons, one of whom seems to have remained dependent on his father. He died at Sedbury Hall, North Yorkshire, the house of his cousin the Reverend John Gilpin, and is buried nearby in the churchyard at Gilling West. Artist In the 1780s, Gilpin taught himself the relatively new aquatint process of printmaking, to produce plates to illustrate his uncle's books on picturesque scenery. Gilpin specialised in watercolours; and in 1804 was elected first President of the Society of Painters in Water-Colours. He was patronised by Sir George Beaumont, through whom he met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Jebb (bishop)
John Jebb (7 September 1775 – 9 December 1833) was an Irish churchman and writer. Biography John Jebb was born in Drogheda, younger son of John Jebb senior, an alderman of the town of Drogheda, and his second wife Alicia Forster.Ball, F. Elrington ''The Judges in Ireland 1221-1921'' London John Murray 1926 Vol, 2 p.340 His father had an estate at Leixlip in County Kildare: his grandfather Richard Jebb had come to Ireland from Nottinghamshire. His father was in reduced financial circumstances for a time, but later recovered his fortunes, and at his death in 1796 he left John £2000 He was educated at the local school in Celbridge, then at Free Grammar School, Derry (later renamed Foyle College, now part of Foyle and Londonderry College) where he formed a lifelong friendship with the theologian Alexander Knox, and at Trinity College Dublin. Ordained in 1799, he became curate of Swanlinbar, County Cavan; and in 1801 of Mogorbane, County Tipperary. In 1805 he became pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Dayes
Edward Dayes (1763 in London – May 1804 in London) was an English watercolour painter and engraver in mezzotint. Life He studied under William Pether, and began to exhibit at the Royal Academy in 1786, when he showed a portrait and views of Waltham Cross and Canterbury. In the three following years he exhibited both miniatures and landscapes. He continued to exhibit at the Academy regularly until the year of his death, contributing a total of 64 works. He also was an exhibitor at the Society of Artists of Great Britain, Society of Artists. Dayes drew from nature in various parts of England, including the Lake District and Wales. Much of his topographical work depicted ruins, painted in a palette dominated by blues and greens, which had an influence on the early work of J.M.W. Turner. He laid out detailed rules for the correct method of laying down the colours in landscape in his ''Instructions for Drawing and Colouring Landscapes'', published posthumously. The art hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Picturesque
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770'', a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. The term "picturesque" needs to be understood in relationship to two other aesthetic ideals: the ''beautiful'' and the '' sublime''. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as non-rational. Aesthetic experience was not just a rational decision – one did not look at a pleasing curved form and decide it was beauti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Gilpin (priest)
William Gilpin (4 June 1724 – 5 April 1804) was an English artist, Church of England cleric, schoolmaster and author. He is best known as a travel writer and as one of those who originated the idea of the picturesque.Malcolm Andrews"Gilpin, William (1724–1804)"''Oxford Dictionary of National Biography''. Retrieved 20 March 2016 Oxford, UK: OUP, 2004, pay-walled. Life Gilpin was born in Cumberland, the son of Captain John Bernard Gilpin, a soldier and amateur artist. From an early age he was an enthusiastic sketcher and collector of prints, but while his brother Sawrey Gilpin became a professional painter, William opted for a career in the church, graduating from Queen's College, Oxford in 1748. While still at Oxford, Gilpin anonymously published ''A Dialogue upon the Gardens... at Stow in Buckinghamshire'' (1748). Part guidebook to Stowe, part essay on aesthetics, it shows that Gilpin had already begun to develop his ideas on the picturesque. Unusually for the time, Gilpin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Richardson
Jonathan Richardson (12 January 1667 – 28 May 1745), sometimes called "the Elder" to distinguish him from his son (Jonathan Richardson the Younger), was an English artist, collector of drawings and writer on art, working almost entirely as a portrait-painter in London. He was considered by some art-critics as one of the three foremost painters of his time. He was the master of Thomas Hudson and George Knapton. Richardson was even more influential as a writer; he is credited with inspiring Joshua Reynolds to paint and theorise with his book ''An Essay on the Theory of Painting''.Jonathan Richardson London – National Portrait Gallery, accessed January 2010 This book is credited with being "the first significant work of artistic theory in English." Life [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Gilpin Dinevawr
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name shoul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
