Grizzly Bear (band)
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Grizzly Bear (band)
Grizzly Bear is an American rock band from Brooklyn, New York, formed in 2002. For most of its tenure, the band has consisted of Edward Droste (vocals, keyboards, guitar), Daniel Rossen (vocals, guitar, banjo, keyboards), Chris Taylor (bass, backing vocals, woodwinds, production), and Christopher Bear (drums, percussion, backing vocals). The band employs both traditional and electronic instruments, and their sound has been categorized as psychedelic pop, folk rock, and experimental. The band is known for their use of vocal harmony, with all four members contributing vocals and lead vocals alternating between Rossen and Droste. Initially a solo project for Droste, the first Grizzly Bear album, '' Horn of Plenty'' (2004), was a lo-fi studio project released on Kanine Records. The album featured drumming contributions from Bear, who would go on to join the project full-time in 2004, alongside Taylor and Rossen for live performances. Performing as a four-piece, the resulting chemistry ...
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Times Square
Times Square is a major commercial intersection, tourist destination, entertainment hub, and neighborhood in Midtown Manhattan, New York City. It is formed by the junction of Broadway, Seventh Avenue, and 42nd Street. Together with adjacent Duffy Square, Times Square is a bowtie-shaped space five blocks long between 42nd and 47th Streets. Brightly lit at all hours by numerous digital billboards and advertisements as well as businesses offering 24/7 service, Times Square is sometimes referred to as "the Crossroads of the World", "the Center of the Universe", "the heart of the Great White Way", “the Center of the Entertainment Universe”, and "the heart of the world". One of the world's busiest pedestrian areas, it is also the hub of the Broadway Theater District and a major center of the world's entertainment industry. Times Square is one of the world's most visited tourist attractions, drawing an estimated 50 million visitors annually. Approximately 330,000 people ...
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Christopher Bear
Christopher Bear (born July 19, 1982) is a drummer and multi-instrumentalist member of the Brooklyn-based indie-rock group Grizzly Bear. Bear joined the group with singer Ed Droste for contributions on their first record, '' Horn of Plenty''. He also contributed to Earl Greyhound's self-titled EP in 2004. Bear worked with fellow Grizzly Bear bandmates Daniel Rossen and Chris Taylor on Rossen's project Department of Eagles, contributing drums to their sophomore album, ''In Ear Park''. In addition to his continuing work with Grizzly Bear, Bear was briefly a member of Dirty Projectors. Bear continues developing his independent career most recently working on arranging soundtracks for the HBO series ''High Maintenance''. Bear has also performed live and recorded drums with the band Beach House, and contributed drums and percussion on 9 out of 15 tracks on the 2020 album ''Shore'' by Fleet Foxes Fleet Foxes is an American indie folk band formed in Seattle, Washington, in 2006. ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Veckatimest
''Veckatimest'' () is the third studio album by American rock band Grizzly Bear, released on May 26, 2009, by Warp Records. The album is named after Veckatimest Island, a small island in Dukes County, Massachusetts. Produced by bassist and multi-instrumentalist Chris Taylor, the album entered the US ''Billboard'' 200 at #8, selling 33,000 copies in its first week of release. By September 2012, the album had sold around 220,000 copies in the US. In 2010. It was awarded a gold certification from the Independent Music Companies Association which indicated sales of at least 100,000 copies throughout Europe. The album was also included in the 2011 edition of the book ''1001 Albums You Must Hear Before You Die''. Background and recording The recording of ''Veckatimest'' began in summer 2008 at Allaire Studios in the Catskill Mountains of upstate New York. Regarding the writing process, Ed Droste states: Nico Muhly collaborated with Grizzly Bear on this album. In the interim, t ...
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Two Weeks (Grizzly Bear Song)
"Two Weeks" is a song by the American indie rock band Grizzly Bear, and the first single from the band's third studio album, ''Veckatimest''. Featuring backing vocals from Victoria Legrand, singer and organist for the dream pop duo Beach House, it was released as a single on June 1, 2009. The track met its debut live performance on the ''Late Show with David Letterman'' in July 2008. Music video The video for "Two Weeks" was directed by Patrick Daughters. It features the band members sitting on an altar at an empty church, singing along to the song as slowly their heads and faces start to glow, then sparks fly from their heads and ultimately their heads catch fire as the video ends. When interviewed by Amanda Petrusich, band singer Ed Droste explained: Reception Upon its release, "Two Weeks" was acclaimed by music critics, and many regarded it as a highlight of ''Veckatimest''. ''Pitchfork Media'' ranked the song at No. 162 in their "Top 500 Tracks of the 2000s" list. It was vot ...
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Yellow House (album)
''Yellow House'' is the second studio album by American rock band Grizzly Bear, released on September 5, 2006, by Warp Records. Produced by bass guitarist and multi-instrumentalist Chris Taylor, the album's title refers to vocalist Ed Droste's mother's house where the majority of recording took place. The album is the first to feature both Taylor and vocalist and guitarist Daniel Rossen, and received critical acclaim upon its release, significantly increasing the band's exposure. An EP, ''Friend'', was released the following year featuring material recorded mostly during the same sessions. Background Following the release of '' Horn of Plenty'' in 2004, Grizzly Bear expanded from being the solo moniker for vocalist Ed Droste into a full band, with the addition of ''Horn of Plenty'' collaborator Christopher Bear, bassist and multi-instrumentalist Chris Taylor, and guitarist and vocalist Daniel Rossen. Christopher Bear noted, "Getting together the band for the live show changed t ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Lo-fi
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ...
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Horn Of Plenty (Grizzly Bear Album)
''Horn of Plenty'' is the debut studio album by American rock band Grizzly Bear, released on November 9, 2004, by Kanine Records. Primarily a solo album by founding member Edward Droste, the album also features contributions from future drummer Christopher Bear. In 2006, the band released an EP, ''Sorry for the Delay'', featuring tracks recorded during the same time period. In 2005, a collection of remixes, ''Horn of Plenty (The Remixes)'', was released. Background In 2002, Ed Droste began writing and recording material under the moniker Grizzly Bear, following a painful break-up. Droste subsequently wrote and recorded ''Horn of Plenty'', and subsequent EP, ''Sorry for the Delay'', for "catharsis" and recorded it for friends. ''Horn of Plenty'' was originally released by Droste as CD-R in 2003 before being officially released through Kanine with a revised tracklisting a year later. In 2006, Droste noted that he and Bear: Regarding his contributions to the album, drummer and ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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Psychedelic Pop
Psychedelic pop (or acid pop) is pop music that contains musical characteristics associated with psychedelic music. Developing in the late 1960s, elements included " trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists. Characteristics According to AllMusic, psychedelic pop was not too "freaky", but also not very "bubblegum" either. It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. AllMusic adds: "What's trangeis that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blends of psychedelia and po ...
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