Griselda (A. Scarlatti)
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Griselda (A. Scarlatti)
''Griselda'' is an opera seria in three acts by the Italian composer Alessandro Scarlatti, the last of Scarlatti’s operas to survive completely today. The libretto is by Apostolo Zeno, with revisions by an anonymous author. Zeno wrote his work in 1701 and it had already been set by Pollarolo and Antonio Maria Bononcini (Tomaso Albinoni, Giovanni Bononcini and Antonio Vivaldi would later produce versions). It is based on the story of Patient Griselda from Boccaccio's tenth day of ''The Decameron''. Scarlatti's opera was first performed at the Teatro Capranica, Rome, in January 1721 with an all-male cast (five castratos and a tenor). Roles Synopsis Act 1 Years before the action begins, Gualtiero, King of Sicily, had married a poor shepherdess, Griselda. The marriage was deeply unpopular with the king's subjects and when a daughter, Costanza, was born, the king had to pretend to have her killed while secretly sending her to be brought up by Prince Corrado of Apulia. Now, ...
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Alessandro Scarlatti - Griselda
Alessandro is both a given name and a surname, the Italian language, Italian form of the name Alexander. Notable people with the name include: People with the given name Alessandro * Alessandro Allori (1535–1607), Italian portrait painter * Alessandro Baricco (born 1958), Italian novelist * Alessandro Bega (born 1991), Italian tennis player * Alessandro Bordin (born 1998), Italian footballer * Alessandro Botticelli (1445–1510), Italian painter * Alessandro Bovo (born 1969), Italian water polo player * Alessandro Cagliostro (1743–1795), alias of occultist and adventurer Giuseppe Balsamo * Alessandro Calcaterra (born 1975), Italian water polo player * Alessandro Calvi (born 1983), Italian swimmer * Alessandro Cattelan (born 1980), Italian television preesenter * Alessandro Cortini (born 1976), Italian musician * Alessandro Criscuolo (1937–2020), Italian judge * Alessandro Del Piero (born 1974), Italian footballer * Alessandro Di Munno (born 2000), Italian footballer * Aless ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ...
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René Jacobs
René Jacobs (born 30 October 1946) is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera. Biography Countertenor Born in Ghent, Jacobs began his musical career as a boy chorister at the Cathedral. Later he studied classical philology at the University of Ghent while continuing to sing in Brussels and in The Hague. The Kuijken brothers, Gustav Leonhardt and Alfred Deller all encouraged him to pursue a career as a countertenor, and he quickly became known as one of the best of his time. He recorded a large amount of less-known Baroque music by such composers as Antonio Cesti, d'India, Ferrari, Marenzio, Lambert, Guédron, William Lawes and others. He also sang in much-acclaimed recordings of the major works of Bach (such as the ''St Matthew Passion'' led by Gustav Leonhardt and Philippe Herreweghe). Conductor In 1977, he founded the ensemble Concerto Vocale. As a conductor, Jacobs r ...
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Akademie Für Alte Musik Berlin
Akademie für Alte Musik Berlin (Academy for Early Music Berlin, short name: Akamus) is a German chamber orchestra founded in East Berlin in 1982. Each year Akamus gives approximately 100 concerts, ranging from small chamber works to large-scale symphonic pieces in Europe's musical centers as well as on tours in Asia, North America and South America. About 30 musicians form the core of the orchestra. They perform under the leadership of their four concertmasters Midori Seiler, Stephan Mai, Bernhard Forck and Georg Kallweit or guest conductors like René Jacobs, Marcus Creed, Daniel Reuss, Peter Dijkstra and Hans-Christoph Rademann. Recording exclusively for harmonia mundi France since 1994, the ensemble’s CDs have earned many international prizes, including the Grammy Award, the Diapason d'Or, the Cannes Classical Award, the Gramophone Award and the Edison Award. In 2011 the recording of Mozarts ''Magic Flute'' was honoured with the German Record Critics' Award. In 2006 the Rec ...
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Bernarda Fink
Bernarda Fink (born 29 August 1955) is an Argentine mezzo-soprano. Born in Buenos Aires to Slovene parents who immigrated from Yugoslavia, Fink studied at the Instituto Superior de Arte del Teatro Colón in Buenos Aires. She won First Prize at the Nuevas Voces Líricas competition in 1985 and moved to Europe. She lives in the southern Austrian province of Carinthia and is married to Valentin Inzko. Her brother is Marcos Fink, a Slovenian classical music singer. Fink has sung with leading orchestras including the Philharmonics of Vienna and London, Gewandhaus Leipzig, Radio-France Philharmonic, Orchestre National de France, Akademie für Alte Musik Berlin, English Baroque Soloists, I Solisti Veneti, les Musiciens du Louvre, and Musica Antiqua Köln; and has performed under the baton of conductors such as René Jacobs, Philippe Herreweghe, John Eliot Gardiner, Nikolaus Harnoncourt, Trevor Pinnock, Neville Marriner, Marc Minkowski, Roger Norrington, Mariss Jansons, Valery Gergie ...
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Kobie Van Rensburg
Kobie van Rensburg (born 23 May 1969 in Johannesburg) is a South African tenor and opera director. Life Van Rensburg studied singing with Werner Nel at the Northwest University of South Africa,''New Classical Adventure''
retrieved 12 December 2010 (german)
and law and international politics at Potchefstroom University for Christian Higher Education.''Artist Management Augstein & Hahn''
retrieved 12 December 2010
He made his debut in 1991 at the age of 20 as Belmonte in Mozart's ''



Silvia Tro Santafé
Silvia Tro Santafé is a Spanish lyric-coloratura mezzo-soprano. In her early career she was best known for her interpretations of Handel and became notable for her performances of Rossini, Bellini, Donizetti, and in recent years Verdi. Early life and education Born in Valencia (Spain) in 1970, Tro Santafé graduated at the Conservatorio Superior de Música Joaquín Rodrigo in 1992. She won first prize for "Voice" at the International Jeneusse Musicales competition in 1989, and continued her studies at the Juilliard School in New York in 1992–93, winning the Opera Index Prize in 1992. Tro Santafé continued her studies over the next two years with Carlo Bergonzi at the Accademia Chigiana, and was awarded a scholarship by ''La Scala Amici de Loggione'' to study with Magda Olivero. She holds an MA in Arts Policy and Management from University of London Birkbeck College since 2015. Career 1992–2002 Having studied at the Accademia Rossiniana "Alberto Zedda" in Pesaro dur ...
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Dorothea Röschmann
Dorothea Röschmann (born 17 June 1967) is a German soprano. She is famous for her performances in operas by Mozart as well as Lieder. Early life Röschmann was born in Flensburg, and sang with the Flensburg Bach Choir by the age of seven. She studied at the Hochschule für Musik und Theater Hamburg, under Barbara Schlick at the Akademie für Alte Musik in Bremen, and subsequently in Los Angeles, New York, Tel Aviv, and under Vera Rózsa in London. Career Röschmann has been working as a Lieder and concert singer, both in Germany and abroad since 1986. From 1994 to 2000, she was a member of the ensemble at the Berlin State Opera, where she had great success in roles such as Susanna in ''The Marriage of Figaro'', Zerlina in ''Don Giovanni'', Ännchen in ''Der Freischütz'' (conducted by Zubin Mehta), Nannetta in ''Falstaff'' (conducted by Claudio Abbado), Micaëla in ''Carmen'', Pamina in ''The Magic Flute'', Fiordiligi in ''Così fan tutte''. She still returns frequently as a gue ...
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Giovanni Carestini
Giovanni Carestini (13 December 1700 in Filottrano, near Ancona – 1760 in Filottrano) was an Italian castrato of the 18th century, who sang in the operas and oratorios of George Frideric Handel. He is also remembered as having sung for Johann Adolf Hasse and Christoph Willibald Gluck. Career Giovanni Carestini was born on 13 December 1700 in Filottrano. He was the son of Marco Felice Carestini and Vittoria Costantini. He was baptized two days after his birth by Don Nicola Gentiloni, provost of the Church of Santa Maria Assunta in Filottrano. In that occasion it was given the name Giovanni Maria Bernardino. The godfathers of his baptism were Felice Lancioni and Olimpia Felice Gentiloni, wife of Alessandro Gentiloni, a noble man of Filottrano. Since he was a child he had an exquisite and sweet voice. Carestini's career began in Milan in 1719, patronised at the time by the Cusani family (hence the alternative name Cusanino). He sang for Alessandro Scarlatti in Rome in 1721. The ...
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Giacinto Fontana
Domenico Giacinto Fontana (1692–1739), also known as "Farfallino", was an Italian castrato singer active primarily in Rome from 1712 to 1736. He specialised in singing soprano female roles and earned the name "Farfallino" ("Little Butterfly") for his graceful stage appearance. He was born in Perugia and died there at the age of 47. At times he feared ridicule by performing certain roles, such as a pregnant primadonna. Roles created Fontana is known to have created the following roles: *Olimpia in Giovanni Bononcini's ''Crispo'' (1721) *Griselda in Alessandro Scarlatti's '' Griselda'' (1721) *Hippolyte in Vivaldi's ''Ercole su'l Termodonte'' (1723) *Marzia in Leonardo Vinci's ''Catone in Utica'' (1728) *Semiramide in Leonardo Vinci's ''La Semiramide riconosciuta'' (1729) *Mandane in Leonardo Vinci's ''Artaserse ' is the name of a number of Italian operas, all based on a text by Metastasio. ' is the Italian form of the name of the king Artaxerxes I of Persia. There are over ...
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Travesti (theatre)
''Travesti'' is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. For social reasons, female roles were played by boys or men in many early forms of theatre, and ''travesti'' roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime traditionally contains a role for a " principal boy", a breeches role played by a young woman, and also one or more pantomime dames, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles. Etymology The word means "disguised" in French. Depending on sources, the term may be given as travesty, ''travesti'', or ''en travesti''. The ''Oxford Essential Dictionary of Foreign Terms in English'' explains the origin of the latter term as "pseudo- French", although French sources from the mid-19th ...
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