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Greatest Hits (The Seekers Album)
''Greatest Hits'' is a compilation album by Australian band The Seekers. The album was released in June 2009 and peaked within the top 40 in the UK and Australia. Reception Steve Leggett from AllMusic wrote: "A very generous 28-track single-disc set of the best of The Seekers, this collection has everything the casual listener might need and more. The big hits, "Georgy Girl" and "I'll Never Find Another You," are here, along with pleasant but hardly distinctive versions of an assortment of folk revival-era standards like " Five Hundred Miles" and the dilemma of a singing group caught between folk and AM radio pop without a distinctive in-house songwriter is apparent. Still, the Seekers were a polished, professional group and Judith Durham's warm, appealing Judy Collins-like voice is always a joy to hear." Track listing ; EMI (6956352) # "Morningtown Ride" - 2:41 # " Island of Dreams" - 2:29 # "I'll Never Find Another You" - 2:43 # "Walk with Me" - 3:15 # " Yesterday" - 2:24 # " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seekers
The Seekers were an Australian folk-influenced pop quartet, originally formed in Melbourne in 1962. They were the first Australian pop music group to achieve major chart and sales success in the United Kingdom and the United States. They were especially popular during the 1960s with their best-known configuration of Judith Durham on vocals, piano and tambourine; Athol Guy on double bass and vocals; Keith Potger on twelve-string guitar, banjo and vocals; and Bruce Woodley on guitar, mandolin, banjo and vocals. The group had Top 10 hits in the 1960s with "I'll Never Find Another You", "A World of Our Own", "Morningtown Ride", "Someday, One Day", "Georgy Girl (song), Georgy Girl" and "The Carnival Is Over". Australian music historian Ian McFarlane described their style as "concentrated on a bright, uptempo sound, although they were too pop to be considered strictly folk and too folk to be rock". In 1967, they were named as joint "Australian of the Year, Australians of the Year" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
California Dreamin'
"California Dreamin'" is a song written by John Phillips and Michelle Phillips and first recorded by Barry McGuire. The best-known version is by the Mamas & the Papas, who sang backup on the original version and released it as a single in 1965. The lyrics express the narrator's longing for the warmth of Los Angeles during a cold winter in New York City. It is recorded in the key of C-sharp minor. "California Dreamin'" became a signpost of the California sound, heralding the arrival of the nascent counterculture era. It was certified gold by the Recording Industry Association of America in June 1966 and was inducted into the Grammy Hall of Fame in 2001. In 2021, ''Rolling Stone'' placed the song at number 420 in its "500 Greatest Songs of All Time" list. History The song was written in 1963 while John Phillips and Michelle Phillips were living in New York City during a particularly cold winter, and the latter was missing sunny California. He would work on compositions late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emerald City (song)
"Emerald City" is a 1967 song by The Seekers about a visit to the fictional Emerald City from L. Frank Baum's Oz books. Set to the tune of "Ode to Joy" from Beethoven's Ninth Symphony (sometimes called The Hymn of Joy which is the Vocal Version of Ode to Joy as heard in Sister Act 2), "Emerald City" reached #50 on the UK Charts in 1967. The song was recorded in 1967 and released as a single around Christmas in 1967. The original writing credit was given to Kim Fowley and John Martin, but during a 1993 reunion tour, The Seekers revealed that "John Martin" was actually the pen name of band member Keith Potger Keith Leon Potger (born 21 March 1941) is an Australian musician. He is a founding members of the Australian folk-pop group the Seekers. He was born in Ceylon (now Sri Lanka) and is of Burgher descent. In 1969, Potger and his business partner D .... References External links * 1967 songs Songs written by Kim Fowley Songs written by Keith Potger Columbia Graphoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whiskey In The Jar
"Whiskey in the Jar" ( Roud 533) is an Irish traditional song set in the southern mountains of Ireland, often with specific mention of counties Cork and Kerry. The song, about a rapparee ( highwayman) who is betrayed by his wife or lover, is one of the most widely performed traditional Irish songs and has been recorded by numerous artists since the 1950s. The song first gained wide exposure when Irish folk band The Dubliners performed it internationally as a signature song, and recorded it on three albums in the 1960s. In the U.S., the song was popularised by The Highwaymen, who recorded it on their 1962 album ''Encore''. Irish rock band Thin Lizzy hit the Irish and British pop charts with the song in 1973. In 1990, The Dubliners re-recorded the song with The Pogues with a faster rocky version charting at No. 63 in the UK. American metal band Metallica in 1998 played a version very similar to that of Thin Lizzy's, though with a heavier sound, winning a Grammy for the song in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobody Knows The Trouble I've Seen
"Nobody Knows the Trouble I've Seen" is an African-American spiritual song that originated during the period of slavery but was not published until 1867. The song is well known and many cover versions of it have been done by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Harry James, Paul Robeson, and Sam Cooke among others. Anderson had her first successful recording with a version of this song on the Victor label in 1925. Horne recorded a version of the song in 1946. Deep River Boys recorded their version in Oslo on August 29, 1958. It was released on the extended play ''Negro Spirituals Vol. 1'' (HMV 7EGN 27). The song was arranged by Harry Douglas. Traditional lyrics :Nobody knows the trouble I've been through :Nobody knows my sorrow :Nobody knows the trouble I've seen :Glory hallelujah! :Sometimes I'm up, sometimes I'm down :Oh, yes, Lord :Sometimes I'm almost to the ground :Oh, yes, Lord :Although you see me going 'long so :Oh, yes, Lord :I have my t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A World Of Our Own
"A World of Our Own" is a 1965 single written by Tom Springfield and was an international hit for the Seekers. The single peaked at number 19 on the Hot 100 and number 2 on the Easy Listening charts. It reached number 3 in the U.K. and number 2 in Australia. Three years later, "A World of Our Own" was recorded by Sonny James. It was his sixth number one in a row, and 26th hit on the U.S. country music chart. The single spent three weeks at number one and a total of 15 weeks on the chart. In 1994 the single was re-released in the UK. The four track CD contained the original recording, a new recording of the song, and two B-sides - ''When the Stars begin to fall'' (originally the B-side of ''Morningtown Ride "Morningtown Ride" is a lullaby, written and performed by Malvina Reynolds. It was covered by The Seekers and their recording reached No. 2 on the UK Singles Chart. The song tells the comforting story of the journey through nighttime made by al ...'' and the newly-recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turn! Turn! Turn!
"Turn! Turn! Turn!", or "Turn! Turn! Turn! (To Everything There Is a Season)", is a song written by Pete Seeger in the late 1950s and first recorded in 1959. The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a Season" on folk group the Limeliters' album ''Folk Matinee'', and then some months later on Seeger's own ''The Bitter and the Sweet''. The song became an international hit in late 1965 when it was adapted by the American folk rock group the Byrds. The single entered the U.S. chart at number 80 on October 23, 1965, before reaching number one on the ''Billboard'' Hot 100 chart on December 4, 1965. In Canada, it reached number 3 on November 29, 1965, and also peaked at number 26 on the UK Singles Chart. Lyrics The lyrics are taken almost verbatim from the book o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Shall Not Be Moved
"I Shall Not Be Moved", also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. It was likely originally sung at revivalist camp-meetings as a slave jubilee. The song describes being "like a tree planted by the waters" who "shall not be moved" because of faith in God. Secularly, as "We Shall Not Be Moved" it gained popularity as a protest and union song of the Civil Rights Movement. The text is based on biblical scripture: In 1908 Alfred H. and B. D. Ackley copyrighted a hymn by the name "I Shall Not Be Moved". Civil rights movement As "We Shall Not Be Moved" the song gained popularity as a protest and union song of the Civil rights movement. The song became popular in the Swedish anti-nuclear and peace movements in the late 1970s, in a Swedish translation by Roland von Malmborg, "" ('Never shall we give up'). Recorded versions Among others, the following artists recorded "I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Rubber Ball
"Red Rubber Ball" is a pop song written by Paul Simon of Simon & Garfunkel and Bruce Woodley of The Seekers and recorded by The Cyrkle, whose version reached 2 on the US ''Billboard'' Hot 100, and in South Africa and New Zealand. In Canada, the song reached No. 1. Synopsis "Red Rubber Ball" is sung from the perspective of a man at the end of an unfulfilling relationship in which his significant other never gave him much attention or affection. He now looks forward to the future with a positive attitude, proclaiming that “the morning sun is shining like a red rubber ball”. Recordings According to Cyrkle guitarist Tom Dawes, Simon offered "Red Rubber Ball" to the band when they were opening for Simon and Garfunkel on tour. The song's tracks were recorded in stereo, with the bass, lead guitar, and percussion on the right track, acoustic guitar and electric organ on left, and the vocals on both. The Columbia picture sleeve issued with the "Red Rubber Ball" single is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 59th Street Bridge Song (Feelin' Groovy)
"The 59th Street Bridge Song (Feelin' Groovy)" is a song by folk rock duo Simon & Garfunkel, written by Paul Simon and included on their 1966 album ''Parsley, Sage, Rosemary and Thyme''. Its name is based on the 59th Street Bridge (formally known then as the Queensboro Bridge, later renamed the Ed Koch Queensboro Bridge), which is a bridge of New York City that was completed in 1909. ''Cash Box'' called it a "sparkling, spirited lid." The studio version features Dave Brubeck Quartet members Joe Morello (drums) and Eugene Wright (double bass). Footage of Simon and Garfunkel performing the song at the 1967 Monterey Pop Festival is featured in the film ''Monterey Pop''. On his farewell tour, Simon "penalized" himself for wrongly performing the lyrics to another song by singing this song, which he confesses to hating. The song's original length is 1:43, but its subsequent remasters for compilations '' Tales from New York: The Very Best of Simon & Garfunkel'' and ''The Essential Sim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blowin' In The Wind
"Blowin' in the Wind" is a song written by Bob Dylan in 1962. It was released as a single and included on his album ''The Freewheelin' Bob Dylan'' in 1963. It has been described as a protest song and poses a series of rhetorical questions about peace, war, and freedom. The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". In 1994, the song was inducted into the Grammy Hall of Fame. In 2004, it was ranked number 14 on ''Rolling Stone'' magazine's list of the "500 Greatest Songs of All Time". Origins and initial response Dylan originally wrote and performed a two-verse version of the song; its first public performance, at Gerde's Folk City on April 16, 1962, was recorded and circulated among Dylan collectors. Shortly after this performance, he added the middle verse to the song. Some published versions of the lyrics reverse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumbaya
"''Kum ba yah''" ("''Come by here''") is an African American spiritual song of disputed origin, but known to be sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved West Africans. The song is thought to have spread from the islands to other Southern states and the North, as well as other places in the world. The first known recording, of someone known only as H. Wylie, who sang in the Gullah dialect, was recorded by folklorist Robert Winslow Gordon in 1926. It later became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s. The song was originally an appeal to God to come and help those in need. Origins According to Library of Congress editor Stephen Winick, the song almost certainly originated among African Americans in the Southeastern United States, and had a Gullah version early in its history even if it did not originate in that dialect. The two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
