Great Mass In C Minor, K. 427 (Leonard Bernstein Film)
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Great Mass In C Minor, K. 427 (Leonard Bernstein Film)
''Mozart: Grosse Messe c-moll KV 427'' is an 86-minute live video album of Wolfgang Amadeus Mozart's Christian vocal works ''Great Mass in C minor'', ''Ave verum corpus'' and ''Exsultate, jubilate'', performed by Arleen Auger, Cornelius Hauptmann, Frank Lopardo, Frederica von Stade, the Bavarian Radio Symphony Chorus and the Bavarian Radio Symphony Orchestra under the direction of Leonard Bernstein. Deutsche Grammophon issued it on VHS video cassette, Laserdisc and DVD, and also released audio cassette and CD versions of its soundtrack. Mozart, W. A.: ''Great Mass in C minor'', ''Exsultate, jubilate'' and ''Ave verum corpus'', with Arleen Auger, Cornelius Hauptmann, Frank Lopardo, Frederica von Stade, the Bavarian Radio Chorus and the Bavarian Radio Symphony Orchestra, conducted by Leonard Bernstein, Deutsche Grammophon DVD, 00440-073-4240, 2006Mozart, W. A.: ''Great Mass in C minor'',''Exsultate, jubilate'' and ''Ave verum corpus'', with Arleen Auger, Cornelius Hauptmann, Frank Lo ...
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Humphrey Burton
Humphrey is both a masculine given name and a surname. An earlier form, not attested since Medieval times, was Hunfrid. Notable people with the name include: People with the given name Medieval period :''Ordered chronologically'' *Hunfrid of Prüm (Saint Humphrey, died 871), Benedictine monk * Humphrey of Hauteville (c. 1010–1057), Count of Apulia *Humphrey de Bohun (other), various people who lived from the 11th to 14th centuries *Humphrey of Toron (other), four 12th-century nobles *Humphrey, 2nd Earl of Buckingham (1381–1399), English peer and member of the House of Lords *Humphrey, Duke of Gloucester (1390–1447) Modern era *Humphrey Atkins (1922–1996), British politician and a member of the Conservative Party *Humphrey Barclay (1941–), British television comedy producer. * Humphrey Bate (1875–1936), American harmonica player and string band leader *Humphrey Bland (1686–1763), British Army general *Humphrey Bogart (1899–1957), American film a ...
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Venanzio Rauzzini
Venanzio Rauzzini (19 December 1746 – 8 April 1810) was an Italian castrato, composer, pianist, singing teacher and concert impresario. He is said to have first studied singing under a member of the Sistine Chapel Choir. He was a cantante soprano at the Socio Accademico of the Accademia di Santa Cecilia in Rome. He studied with Giuseppe Santarelli in Rome. Though unlikely, it has been suggested that Rauzzini may not in fact have been a castrato, but rather had an endocrine condition that prevented his voice from breaking, hence his many affairs as he was thought to be "safe". That said, scholars such as Paul Rice and Brianna Robertson-Kirkland refute this idea. Life Rauzzini was born in Camerino. He made his opera debut in 1765 at the Teatro Valle in Rome portraying one of the female characters in Niccolò Piccinni's opera ''Il finto astrologo''. He sang at the Teatro San Samuele in Venice in 1766, after which he performed at the Bavarian State Opera, Munich Hofoper in 1766 ...
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St Peter's Abbey, Salzburg
St Peter's Abbey (german: Stift Sankt Peter), or St Peter's Archabbey (German: ''Erzabtei Stift Sankt Peter'', la, Archiabbatia sancti Petri Salisburgensis), is a Benedictine monastery and former cathedral in the Austrian city of Salzburg. It is considered one of the oldest monasteries in the German-speaking area, and in fact the oldest with a continuous history since its foundation in 696. History St Peter's Abbey was founded in 696 by Saint Rupert at the site of a Late Antique church stemming from the first Christianization in the area in the days of Severinus of Noricum. Likewise the establishment of the monastery was meant to advance missionary efforts in the Eastern Alps. Until 987, the office of the abbot was joined to that of the Archbishop of Salzburg: one man fulfilled both duties. In the Middle Ages, St Peter's was known for its exceptional school. In 1074, Archbishop Gebhard of Salzburg sent several monks to found Admont Abbey in the March of Styria. In the 15th cen ...
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Maria Anna Mozart
Maria Anna Walburga Ignatia Mozart (30 July 1751 – 29 October 1829), called "Marianne" and nicknamed Nannerl, was a musician, the older sister of Wolfgang Amadeus Mozart (1756–1791) and daughter of Leopold (1719–1787) and Anna Maria Mozart (1720–1778). Childhood Maria Anna (Marianne) Mozart was born in Salzburg. When she was seven years old, her father Leopold Mozart started teaching her to play the harpsichord. Leopold took her and Wolfgang on tours of many cities, such as Vienna and Paris, to showcase their talents. In the early days, she sometimes received top billing, and she was noted as an excellent harpsichord player and fortepianist. However, given the views of her parents, prevalent in her society at the time, it became impossible as she grew older for her to continue her career any further. According to ''New Grove'', "from 1769 onwards she was no longer permitted to show her artistic talent on travels with her brother, as she had reached a marriageable ag ...
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Agnus Dei
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebr ...
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Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ...
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Constanze Mozart
Maria Constanze Cäcilia Josepha Johanna Aloysia Mozart (née Weber; 5 January 1762 – 6 March 1842) was a trained Austrian singer. She was married twice, first to Wolfgang Amadeus Mozart; then to Georg Nikolaus von Nissen. She and Mozart had six children: Karl Thomas Mozart, Franz Xaver Wolfgang Mozart, and four others who died in infancy. She became Mozart's biographer jointly with her second husband. Early years Constanze Weber was born in Zell im Wiesental, a town near Lörrach in Baden-Württemberg, in the southwest of Germany, then Further Austria. Her mother was Cäcilia Weber, née Stamm. Her father, Fridolin Weber, worked as a "double bass player, prompter, and music copyist". Fridolin's half-brother was the father of composer Carl Maria von Weber. Constanze had two older sisters, Josepha and Aloysia, and one younger one, Sophie. All four were trained as singers and Josepha and Aloysia both went on to distinguished musical careers, later on performing in the premieres ...
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Mary, Mother Of Jesus
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jews, Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under titles of Mary, various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Holy Bible, Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God in Christianity, God to annunciation, conceive Jesus through the Holy Spirit ...
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Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ...
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Antonio Sacchini
Antonio Maria Gasparo Gioacchino Sacchini (14 June 1730 – 6 October 1786) was an Italian composer, best known for his operas. Sacchini was born in Florence, but raised in Naples, where he received his musical education. He made a name for himself as a composer of serious and comic opera in Italy before moving to London, where he produced works for the King's Theatre. He spent his final years in Paris, becoming embroiled in the musical dispute between the followers of the composers Gluck and Niccolò Piccinni. His early death in 1786 was blamed on his disappointment over the apparent failure of his opera '' Œdipe à Colone''. However, when the work was revived the following year, it quickly became one of the most popular in the 18th-century French repertoire. Life Childhood and education Sacchini was the son of a humble Florentine cook (or coachman), Gaetano Sacchini. At the age of four, he moved with his family to Naples as part of the entourage of the infante Charles of B ...
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Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. Biographical information Early life Jommelli was born to Francesco Antonio Jommelli and Margarita Cristiano in Aversa, a town some north of Naples. He had one brother, Ignazio, who became a Dominican friar and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him for musical instruction to Canon Muzzillo, the director of the choir of Aversa Cathedral. When this proved successful, he was enrolled in 1725 at the Conservatorio di Santo Onofrio a Capuana in Naples, where he studied under Ignazio Prota alongside Tomaso Prota and Francesco Feo. Three years later he was transferred to the Conserva ...
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Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ...
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