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Great Guitars (band)
Great Guitars was a supergroup formed by jazz guitarists Charlie Byrd, Herb Ellis, and Barney Kessel in 1973. The trio performed intermittently from 1973 and released several live albums: ''Great Guitars'' (1975), ''Great Guitars 2'' (1976), ''Great Guitars at the Winery'' (1980), ''Great Guitars: Straight Tracks'' (1991), ''Return of the Great Guitars'' (1996), ''Great Guitars Concord Jazz'' (2005). After a stroke ended Kessel's career in 1992, Ron Escheté, Mundell Lowe, Larry Coryell, and Tal Farlow Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. He was nicknamed "Octopus" because of how his large, quick hands spread over the fretboard. As Steve Rochinski notes, "Of all the guitarists to emerge in th ... variously joined Byrd and Ellis in later concerts. References American jazz ensembles Musical groups established in 1973 Jazz supergroups {{US-jazz-band-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supergroup (music)
A supergroup is a musical group whose members are successful as solo artists or as members of other successful groups. The term became popular in the late 1960s when members of already successful rock groups recorded albums together, after which they normally disband. Charity supergroups, in which prominent musicians perform or record together in support of a particular cause, have been common since the 1980s. The term is most common context of rock and pop music, but it has occasionally been applied to other musical genres. For example, opera superstars The Three Tenors ( José Carreras, Plácido Domingo, and Luciano Pavarotti) have been called a supergroup. A supergroup sometimes forms as a side project for a single recording project or other ''ad hoc'' purposes, with no intention that the group will remain together afterwards. In other instances, the group may become the primary focus of the members' career. History ''Rolling Stone'' editor Jann Wenner credited British rock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Byrd
Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album '' Jazz Samba'', a recording which brought bossa nova into the mainstream of North American music. Byrd played fingerstyle on a classical guitar. Early life Charlie Byrd was born in 1925 in Suffolk, Virginia, and grew up in the borough of Chuckatuck. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Gene "Joe" Byrd, who was a bass player. In 1942, Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943, he was drafted into the United States Army, saw combat in World War II, and was stationed in Paris in 1945. There he played in an Army Special Services band and toured occupied Europe in the all-soldier production '' G.I. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herb Ellis
Mitchell Herbert Ellis (August 4, 1921 – March 28, 2010), known professionally as Herb Ellis, was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson. Biography Born in Farmersville, Texas, and raised in the suburbs of Dallas, Ellis first heard the electric guitar performed by George Barnes on a radio program. This experience is said to have inspired him to take up the guitar. He became proficient on the instrument by the time he entered North Texas State University. Ellis majored in music, but because they did not yet have a guitar program at that time, he studied the string bass. Unfortunately, due to lack of funds, his college days were short-lived. In 1941, Ellis dropped out of college and toured for six months with a band from the University of Kansas. In 1943, he joined Glen Gray and the Casa Loma Orchestra, and it was with Gray's band that he got his first recognition in the jazz magazines. After Gray's band, Ellis joined the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Kessel
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew. Biography Kessel was born in Muskogee, Oklahoma in 1923. Kessel's father was an immigrant from Hungary who owned a shoe shop. His only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him "Fruitcake" because he practiced up to 16 hours a day. Kessel gained attention because of his youth and being the only white musician playing in all African American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Escheté
Ronald Patrick Escheté (born August 19, 1948) is an American seven-string jazz guitarist. He is the first person to record a cover version of "Christmas Time Is Here", which Vince Guaraldi wrote for the Charlie Brown television program. Career When Escheté was fourteen, he began playing guitar. During the late 1960s, he studied classical guitar and flute at Loyola University in New Orleans. From 1969–1970, he worked in Las Vegas supporting singer Buddy Greco. He moved to Los Angeles, where he played with Dave Pike and Gene Harris. Escheté has been an educator since the early 1970s when he taught at community colleges in southern California. In the mid 1970s, he began teaching at the Musicians Institute in Hollywood and in the 1990s at California State University at Long Beach. He has written several instruction books, such as ''The Jazz Guitar Soloist'' and ''Melodic Chord Phrases''. His early influences were jazz guitarists Wes Montgomery, Jim Hall, and Howard Roberts. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mundell Lowe
James Mundell Lowe (April 21, 1922 – December 2, 2017) was an American jazz guitarist who worked often in radio, television, and film, and as a session musician. He produced film and TV scores in the 1970s, such as the ''Billy Jack'' soundtrack and music for '' Starsky and Hutch'', and worked with André Previn's Trio in the 1990s. Career The son of a Baptist minister, Lowe grew up on a farm in Shady Grove, Mississippi, near Laurel. He started playing guitar when he was eight years old, with his father and sister acting as his first teachers. When he was thirteen, he began running away from home to play in bands. Occasionally his father would find him, bring him home, and warn him about the dangers of whiskey. At sixteen, Lowe worked in Nashville on the ''Grand Ole Opry'' radio program. He was a member of the Jan Savitt orchestra before serving in the military during World War II. At basic training, he became friends with John Hammond, who organized weekend jam sessions. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Coryell
Larry Coryell (born Lorenz Albert Van DeLinder III; April 2, 1943 – February 19, 2017) was an American jazz guitarist. Early life Larry Coryell was born in Galveston, Texas, United States. He never knew his biological father, a musician. He was raised by his stepfather Gene, a chemical engineer, and his mother Cora, who encouraged him to learn piano when he was four years old. In his teens he switched to guitar. After his family moved to Richland, Washington, he took lessons from a teacher who lent him albums by Les Paul, Johnny Smith, Barney Kessel, and Tal Farlow. When asked what jazz guitar albums influenced him, Coryell cited ''On View at the Five Spot Cafe'' by Kenny Burrell, ''Red Norvo with Strings'', and ''The Incredible Jazz Guitar of Wes Montgomery''. He liked blues and pop music and tried to play jazz when he was eighteen. He said that hearing Wes Montgomery changed his life. Coryell graduated from Richland High School, where he played in local bands the Jailers, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tal Farlow
Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. He was nicknamed "Octopus" because of how his large, quick hands spread over the fretboard. As Steve Rochinski notes, "Of all the guitarists to emerge in the first generation after Charlie Christian, Tal Farlow, more than any other, has been able to move beyond the rhythmic, melodic, and harmonic vocabulary associated with the early electric guitar master. Tal's incredible speed, long, weaving lines, rhythmic excitement, highly developed harmonic sense, and enormous reach (both physical and musical) have enabled him to create a style that clearly stands apart from the rest." Where guitarists of his day combined rhythmic chords with linear melodies, Farlow placed single notes together in clusters, varying between harmonically enriched tones. As music critic Stuart Nicholson put it, "In terms of guitar prowess, it was the equivalent of Roger Bannister breaking the four-minute mile."Stuart Nichol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Jazz Ensembles
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Groups Established In 1973 , the ability to perceive music or to create music
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{{Music disambiguation ...
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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