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Gravura
Gravura is a script typeface of the copperplate model designed by British type designer Phill Grimshaw Phill Grimshaw (1 February 1950 – 27 July 1998) was an English typeface designer and calligrapher who designed dozens of fonts for Letraset and the International Typeface Corporation (ITC) in the 1980s and 1990s. Biography Grimshaw was born on ... in 1995. This typeface is known for its cursive handwriting style. Notable uses Gravura was used in the book ''Images of Missouri'' by Clair Wilcox''.'' Script typefaces References {{typ-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gravura Sample
Gravura is a script typeface of the copperplate model designed by British type designer Phill Grimshaw Phill Grimshaw (1 February 1950 – 27 July 1998) was an English typeface designer and calligrapher who designed dozens of fonts for Letraset and the International Typeface Corporation (ITC) in the 1980s and 1990s. Biography Grimshaw was born on ... in 1995. This typeface is known for its cursive handwriting style. Notable uses Gravura was used in the book ''Images of Missouri'' by Clair Wilcox''.'' Script typefaces References {{typ-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phill Grimshaw
Phill Grimshaw (1 February 1950 – 27 July 1998) was an English typeface designer and calligrapher who designed dozens of fonts for Letraset and the International Typeface Corporation (ITC) in the 1980s and 1990s. Biography Grimshaw was born on 1 February 1950 in Bolton. He studied art at Bolton College, where he was taught by the typographer Tony Forster, with whom he would later become close friends. Forster encouraged Grimshaw to apply to London's Royal College of Art (RCA). Grimshaw completed a master's degree between 1972 and 1975 at the RCA, where he met David Hockney and John Gorham. He returned to Lancashire after graduating from the RCA and opened a commercial lettering studio focusing on both typography and calligraphy. His calligraphic work was popular in the advertising industry; he produced work for the British Council, Marks & Spencer, Gale's, Littlewoods, Scottish & Newcastle, and BBC North. Grimshaw's professional partnership with Colin Brignall began in the 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Script Typeface
Script typefaces are based upon the varied and often fluid stroke created by handwriting. They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting. Styles Script typefaces are organized into highly regular formal types similar to cursive writing and looser, more casual scripts. Formal scripts A majority of formal scripts are based upon the letterforms of seventeenth and eighteenth century writing-masters like George Bickham, George Shelley and George Snell. The letters in their original form are generated by a quill or metal nib of a pen. Both are able to create fine and thick strokes. Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century. Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matthew Carter's typeface Snell Roundhand. Thes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copperplate Script
A copperplate script is a style of calligraphic writing most commonly associated with English Roundhand. Although often used as an umbrella term for various forms of pointed pen calligraphy, Copperplate most accurately refers to script styles represented in copybooks created using the intaglio printmaking method. The term ''Copperplate Script'' identifies one of the most well-known and appreciated calligraphic styles of all time. Earlier versions of this script required a thin-tipped feather pen. Later, with the rise of industrialization, the use of more flexible and durable fine-point metal nibs became widespread. Many masters offered their contributions in defining the aesthetic canons of the copperplate script, but what really stood out as fundamental was the work of the writing master and engraver George Bickham, who in his book ''The Universal Penman'' (1733–1741) collected script samples from twenty-five of the most talented London calligraphers. Copperplate was undoub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
