Grave Stele Of Hegeso
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Grave Stele Of Hegeso
The Grave Stele of Hegeso, most likely sculpted by Callimachus, is renowned as one of the finest Attic grave stelae surviving (mostly intact) today. Dated from ca. 410 – ca. 400 BCE, it is made entirely of Pentelic marble. It stands 1.49m high and 0.92m wide, in the form of a ''naiskos'', with pilasters and a pediment featuring palmette acroteria. The relief, currently on display at the National Archaeological Museum in Athens (NAMA 3624) was found in 1870 in the Kerameikos in Athens, which now houses a replica of it. In its current condition, it is almost complete, but has been restored around its edges. The plinth has mostly broken off and there is slight damage on the head of Hegeso. The main shows a mature Athenian woman (Hegeso) wearing a chiton (costume) and himation, seated on a chair with her feet resting on an elaborate footstool. In her left hand, she holds an open ''pyxis'', and in her right she holds a piece of (missing) jewelry that was originally painted, at whi ...
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Pyxis (vessel)
A ''pyxis'' (, plural ''pyxides'') is a shape of vessel from the classical world, usually a cylindrical box with a separate lid. Originally mostly used by women to hold cosmetics, trinkets or jewellery, surviving ''pyxides'' are mostly Greek pottery, but especially in later periods may be in wood, metal, ivory, or other materials. The name derived from Corinthian boxes made of wood from the tree ''puksos'' (boxwood), that also came with covers. The shape of the vessel can be traced in pottery back to the Protogeometric period in Athens, however the Athenian ''pyxis'' has various shapes itself. At first, the two varieties of ''pyxis'' included the pointed and the flat-bottomed. The pointed ''pyxis'' didn't last much longer than the ninth century BCE, while the flat-bottomed continued into the late Geometric. It also continued to grow larger and more squat in proportions. The cover often depicts elaborately sculpted handles and the walls tend to be somewhat convex. During the ...
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Funerary Steles
A funeral is a ceremony connected with the final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honor. Customs vary between cultures and religious groups. Funerals have both normative and legal components. Common secular motivations for funerals include mourning the deceased, celebrating their life, and offering support and sympathy to the bereaved; additionally, funerals may have religious aspects that are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation. The funeral usually includes a ritual through which the corpse receives a final disposition. Depending on culture and religion, these can involve either the destruction of the body (for example, by cremation or sky burial) or its preservation (for examp ...
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Sophrosyne
Sophrosyne ( el, σωφροσύνη) is an ancient Greek concept of an ideal of excellence of character and soundness of mind, which when combined in one well-balanced individual leads to other qualities, such as temperance, moderation, prudence, purity, decorum, and self-control. An adjectival form is "sophron." It is similar to the concepts of '' zhōngyōng'' (中庸) of Chinese Confucianism and ''sattva'' () of Indian thought. Ancient Greek literature In Ancient Greek literature, sophrosyne is considered an important quality and is sometimes expressed in opposition to the concept of hubris. A noted example of this occurs in Homer's ''The Iliad''. When Agamemnon decides to take the queen Briseis away from Achilles, it is seen as Agamemnon behaving with hubris and lacking sophrosyne.North, Helen. 1966. ' (''Cornell Studies in Classical Philology'' 35). Ithaca: Cornell University Press. . . In Homer's ''Odyssey'', Odysseus avoids being turned by Circe the enchantress into an ...
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Klismos
A klismos (Greek: κλισμός) or klismos chair is a type of ancient Greek chair, with curved backrest and tapering, outcurved legs. Ancient Greece Klismoi are familiar from depictions of ancient furniture on painted pottery and in bas-reliefs from the mid-fifth century BCE onwards. In epic, ''klismos'' signifies an armchair, but no specific description is given of its form; in ''Iliad'' xxiv, after Priam's appeal, Achilles rises from his ''thronos'', raises the elder man to his feet, goes out to prepare Hector's body for decent funeral and returns, to take his place on his ''klismos''. A vase-painting of a satyr carrying a klismos chair on his shoulder shows how light such chairs were. The curved, tapered legs of the klismos chair sweep forward and rearward, offering stability. The rear legs sweep continuously upward to support a wide concave backrest like a curved tablet, which supports the sitter's shoulders, or which may be low enough to lean an elbow on. The long and elega ...
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Funerary Stele Of Hegeso On The Kerameikos In Athens
A funeral is a ceremony connected with the final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honor. Customs vary between cultures and religious groups. Funerals have both normative and legal components. Common secular motivations for funerals include mourning the deceased, celebrating their life, and offering support and sympathy to the bereaved; additionally, funerals may have religious aspects that are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation. The funeral usually includes a ritual through which the corpse receives a final disposition. Depending on culture and religion, these can involve either the destruction of the body (for example, by cremation or sky burial) or its preservation (for examp ...
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