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Grateful Dead (folklore)
Grateful dead (or grateful ghost) is both a motif and a group of related folktales present in many cultures throughout the world. The most common story involves a traveler who encounters a corpse of someone who never received a proper burial, typically stemming from an unpaid debt. The traveler then either pays off the dead person's debt or pays for burial. The traveler is later rewarded or has their life saved by a person or animal who is actually the soul of the dead person; the grateful dead is a form of the donor. The grateful dead spirit may take many different physical forms including that of a guardian angel, animal, or fellow traveler. The traveler's encounter with the deceased comes near the end of the traveler's journey. Classification The "grateful dead" story is Aarne–Thompson–Uther type 505. Folkloristic scholarship classify ATU types 505-508 under the umbrella term ''The Grateful Dead'', each subtype referring to a certain aspect of the legend: ATU 505: G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif-Index Of Folk-Literature
The ''Motif-Index of Folk-Literature'' is a six volume catalogue of motifs, granular elements of folklore, composed by American folklorist Stith Thompson (1932–1936, revised and expanded 1955–1958). Often referred to as Thompson's motif-index, the catalogue has been extensively used in folklore studies, where folklorists commonly use it in tandem with the Aarne–Thompson–Uther Index, an index used for folktale type analysis. As standard tools The motif-index and the AT or ATU indices are regarded as standard tools in the study of folklore. For example, folklorist Mary Beth Stein says, "Together with Thompson's six-volume ''Motif-Index of Folk-Literature'', with which it is cross-indexed, ''The Types of Folktale'' constitutes the most important reference work and research tool for comparative folk-tale analysis. Alan Dundes who was an outspoken critic also said substantially the same thing, without confining the application to comparative studies: "he indicesindex const ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Literature
Medieval literature is a broad subject, encompassing essentially all written works available in Europe and beyond during the Middle Ages (that is, the one thousand years from the fall of the Western Roman Empire ca. AD 500 to the beginning of the Renaissance in the 14th, 15th or 16th century, depending on country). The literature of this time was composed of religious writings as well as secular works. Just as in modern literature, it is a complex and rich field of study, from the utterly sacred to the exuberantly profane, touching all points in-between. Works of literature are often grouped by place of origin, language, and genre. Languages Outside of Europe, medieval literature was written in Ethiopic, Syriac, Coptic, Japanese, Chinese, and Arabic, among many other languages. In Western Europe, Latin was the common language for medieval writing, since Latin was the language of the Roman Catholic Church, which dominated Western and Central Europe, and since the Church was v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Golden Bird
''The Golden Bird'' (German: ''Der goldene Vogel'') is a fairy tale collected by the Brothers Grimm (KHM 57) about the pursuit of a golden bird by a gardener's three sons. It is classified in the Aarne–Thompson–Uther Index as type ATU 550, "Bird, Horse and Princess", a folktale type that involves Supernatural Helper (Animal as Helper). Other tales of this type include ''The Bird 'Grip''', '' The Greek Princess and the Young Gardener'', '' Tsarevitch Ivan, the Firebird and the Gray Wolf'', ''How Ian Direach got the Blue Falcon'', and ''The Nunda, Eater of People''. Origin A similar version of the story was previously collected in 1808 and published as ''Die weisse Taube'' ("The White Dove"), provided by Ms. Gretchen Wild and published along ''The Golden Bird'' in the first edition of the Brothers Grimm compilation. In the original tale, the youngest son of the king is known as ''Dummling'', a typical name for naïve or foolish characters in German fairy tales. In newer edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fair Brow
Fair Brow is an Italian fairy tale collected by Thomas Frederick Crane in his ''Italian Popular Tales''. Italo Calvino included a variant from Istria in his ''Italian Folktales''. He noted that the grateful dead man was a common medieval motif.Italo Calvino, ''Italian Folktales'' p 725 Synopsis A merchant sent his son off to make money. Once he spent it all paying off a dead man's debts, so he could be buried, and another time, he bought a slave woman, the Sultan's kidnapped daughter, and married her. His father beat them both and drove them out of his home. The wife said that she would paint, and her husband would sell the paintings, though he must not tell where they came from. Turks saw them, recognized the work, and told him they wanted more. He said to come to his house, where his wife painted them, and they seized her and carried her off. He walked on the shore, and an old man agreed to have him fish with him. They were captured by Turks and sold to the Sultan as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donor (fairy Tale)
In fairy tales, a donor is a character who tests the hero (and sometimes other characters as well) and provides magical assistance to the hero upon their success. The fairy godmother is a well-known form of this character. Many other supernatural patrons feature in fairy tales; these include various kinds of animals and the spirit of a dead mother. In fairy tale and legend In his analysis of fairy tales, Vladimir Propp identified this role as the ''donor'' and listed it as one of the seven roles found in fairy tales. Before giving the hero magical support or advice, the donor may also test the hero, by questioning him, setting him tasks, or making requests of him. Then, the donor may directly give the hero a magical agent, advise him on how to find one, or offer to act on his behalf. If the character itself acts on behalf of the hero, it also takes on the role of ''helper'' in Propp's analysis. Because a donor is defined by acts, other characters may fill the role, even the vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divide And Choose
Divide and choose (also Cut and choose or I cut, you choose) is a procedure for fair division of a continuous resource, such as a cake, between two parties. It involves a heterogeneous good or resource ("the cake") and two partners who have different preferences over parts of the cake. The protocol proceeds as follows: one person ("the cutter") cuts the cake into two pieces; the other person ("the chooser") selects one of the pieces; the cutter receives the remaining piece. The procedure has been used since ancient times to divide land, cake and other resources between two parties. Currently, there is an entire field of research, called fair cake-cutting, devoted to various extensions and generalizations of cut-and-choose. History Divide and choose is mentioned in the Bible, in the Book of Genesis (chapter 13). When Abraham and Lot come to the land of Canaan, Abraham suggests that they divide it among them. Then Abraham, coming from the south, divides the land to a "left" (western) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tournament (medieval)
A tournament, or tourney (from Old French ''torneiement'', ''tornei''), was a chivalry, chivalrous competition or Mock combat, mock fight in the Middle Ages and Renaissance (12th to 16th centuries), and is one type of hastilude. Tournaments included melee and hand-to-hand combat (weapons were often blunted to prevent serious injury), contests of strength or History of archery, accuracy, and sometimes Jousting, jousts. Some thought that the tournaments were a threat to public order. The shows were often held because of coronations, marriages of notable figures, births, recent conquests, peace treatises, etc. They were held to welcome of people of perceived high worth, ambassadors, lords, and so on. Finally, some tournaments were held simply for pure entertainment. Such tournaments were depicted throughout the ''Codex Manesse''. Etymology Old French was in use in the 12th century, from a verb , ultimately Latin "to turn". The same word also gave rise to the Italian (modern Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amadas
''Amadas'', or ''Sir Amadace'' is a medieval English chivalric romance, one of the rare ones for which there is neither a known nor a conjectured French original,Laura A. Hibbard, ''Medieval Romance in England'' p73 New York Burt Franklin,1963 like ''Sir Eglamour of Artois''. The hero shares a name but no more with the romance ''Amadas et Idoine''. Manuscripts The tale is found in two medieval manuscripts: National Library of Scotland MS Advocates 19.3.1, dating to the late-fifteenth century and the slightly earlier Taylor MS 9, otherwise known as MS Ireland Blackburn in the Robert H Taylor Collection, Princeton University Libraries, dating to the mid-fifteenth century. Both manuscripts are incomplete, missing the opening lines of the poem.Foster, Edward E (Ed). 1997. ''Amis and Amiloun, Robert of Cisyle and Sir Amadace''. Kalamazoo, Michigan: Western Michigan University, Medieval Institute PublicationsIntroductionto TEAMS Middle English text. Synopsis Sir Amadas wastes his pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Peele
George Peele (baptised 25 July 1556 – buried 9 November 1596) was an English translator, poet, and dramatist, who is most noted for his supposed but not universally accepted collaboration with William Shakespeare on the play ''Titus Andronicus''. Many anonymous Elizabethan plays have been attributed to him, but his reputation rests mainly on ''Edward I'', ''The Old Wives' Tale'', ''The Battle of Alcazar'', '' The Arraignment of Paris'', and ''David and Bethsabe''. '' The Troublesome Reign of John, King of England'', the immediate source for Shakespeare's '' King John'', has been published under his name. Life Peele was christened on 25 July 1556 at St James Garlickhythe in the City of London. His father, James Peele (died 30 December 1585), who appears to have belonged to a Devonshire family, was clerk of Christ's Hospital, a school which was then situated in central London, and wrote two treatises on bookkeeping, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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