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Grands Rhétoriqueurs
The grands rhétoriqueurs or simply the "rhétoriqueurs" is the name given to a group of poets from 1460 to 1520 (or from the generation of François Villon (no ''rhétoriqueur'' himself) to Clément Marot) working in Northern France, Flanders, and the Duchy of Burgundy whose ostentatious poetic production was dominated by (1) an extremely rich rhyme scheme and experimentation with assonance and puns and (2) experimentation with typography and the graphic use of letters, including the creation of verbal rebuses. The group is also credited with promoting alternation between "masculine" rhymes (lines ending in a sound other than a mute "e") and "feminine" rhymes (lines ending in a mute "e"). Poets considered "Grands Rhétoriqueurs" include: * Georges Chastellain (1415–1474) * Jean Molinet (1435–1507) * Jean Marot (1450–1526) father of Clément Marot * Jean Meschinot (1420–1491) (active from 1450–1490) * Jean Robertet (active from 1460–1500) * Guillaume Crétin (1461–152 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Villon
François Villon (Modern French: , ; – after 1463) is the best known French poet of the Late Middle Ages. He was involved in criminal behavior and had multiple encounters with law enforcement authorities. Villon wrote about some of these experiences in his poems. Biography Birth Villon was born in Paris in 1431. One source gives the date as .Charpier 1958, "1er avril 1431 (vieux style) ou 19 avril 1432 (nouveau style) : naissance à Paris, de ''François de Montcorbier'', alias ''des Loges'', qui deviendra François Villon pril 1, 1431 (old style) or April 19, 1432 (new style): birth in Paris of ''François de Montcorbier'', alias ''des Loges'', who would become François Villon Early life Villon's real name may have been François de Montcorbier or François des Loges: both of these names appear in official documents drawn up in Villon's lifetime. In his own work, however, Villon is the only name the poet used, and he mentions it frequently in his work. His t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Gringore
Pierre Gringore (; 1475? – 1538) was a popular French poet and playwright. Biography Pierre Gringore was born in Normandy, at Thury-Harcourt, but the exact date and place of his death are unknown. His first work was ''Le Chasteau de Labour'' (1499), an allegorical poem. His birth name, that Pierre Gringore himself chose to modify, was Gringon. From 1506 to 1512, he worked as an actor-manager and playwright in Paris. He is best known for the satirical plays he wrote during this period for the ''Confrérie des Enfants Sans Souci'' or ''Sots'', a famous comedic acting troupe. While in Paris he became a favorite of Louis XII, who employed the troupe to poke fun at the papacy. Tension between France and Rome was building during this period, eventually resulting in the Italian Wars and the formation of the Catholic League in 1511. Gringore wrote several scathing indictments of Pope Julius II, for example, ''La Chasse du cerf des cerfs'' (1510) and the trilogy ''Le Jeu du Prince ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oulipo
Oulipo (, short for french: Ouvroir de littérature potentielle; roughly translated: ''"workshop of potential literature"'', stylized ''OuLiPo'') is a loose gathering of (mainly) French-speaking writers and mathematicians who seek to create works using constrained writing techniques. It was founded in 1960 by Raymond Queneau and François Le Lionnais. Other notable members have included novelists Georges Perec and Italo Calvino, poets Oskar Pastior and Jean Lescure, and poet/mathematician Jacques Roubaud. The group defines the term ''littérature potentielle'' as (rough translation): "the seeking of new structures and patterns which may be used by writers in any way they enjoy". Queneau described Oulipians as "rats who construct the labyrinth from which they plan to escape." Constraints are used as a means of triggering ideas and inspiration, most notably Perec's "story-making machine", which he used in the construction of '' Life: A User's Manual''. As well as established techn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Pléiade
La Pléiade () was a group of 16th-century French Renaissance poets whose principal members were Pierre de Ronsard, Joachim du Bellay and Jean-Antoine de Baïf. The name was a reference to another literary group, the original Alexandrian Pleiad of seven Alexandrian poets and tragedians (3rd century B.C.), corresponding to the seven stars of the Pleiades star cluster. Major figures Notable members of "La Pléiade" consisted of the following people: * Pierre de Ronsard * Joachim du Bellay * Jean-Antoine de Baïf The core group of the French Renaissance "Pléiade"—Pierre de Ronsard, Joachim du Bellay and Jean-Antoine de Baïf—were young French poets who met at the Collège de Coqueret, where they studied under the famous Hellenist and Latinist scholar Jean Dorat; they were generally called the "Brigade" at the time. Ronsard was regarded as the leader of the "Brigade", and remained the most popular and well-known poet of the group. The Pléiade's "manifesto" was penned by Joach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De Ronsard
Pierre de Ronsard (; 11 September 1524 – 27 December 1585) was a French poet or, as his own generation in France called him, a "prince of poets". Early life Pierre de Ronsard was born at the Manoir de la Possonnière, in the village of Couture-sur-Loir, Vendômois (in present-day Loir-et-Cher). Baudouin de Ronsard or Rossart was the founder of the French branch of the house, and made his mark in the early stages of the Hundred Years' War. The poet's father was Louis de Ronsard, and his mother was Jeanne de Chaudrier, of a family both noble and well connected. Pierre was the youngest son. Louis de Ronsard was ''maître d'hôtel du roi'' to Francis I, whose captivity after Pavia had just been softened by treaty, and he had to quit his home shortly after Pierre's birth. The future poet was educated at home in his earliest years and sent to the Collège de Navarre in Paris at the age of nine. When Madeleine of France was married to James V of Scotland, Ronsard was attached a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erasmus
Desiderius Erasmus Roterodamus (; ; English: Erasmus of Rotterdam or Erasmus;''Erasmus'' was his baptismal name, given after St. Erasmus of Formiae. ''Desiderius'' was an adopted additional name, which he used from 1496. The ''Roterodamus'' was a scholarly name meaning "from Rotterdam", though the Latin genitive would be . 28 October 1466 – 12 July 1536) was a Dutch philosopher and Catholic theologian who is considered one of the greatest scholars of the northern Renaissance.Gleason, John B. "The Birth Dates of John Colet and Erasmus of Rotterdam: Fresh Documentary Evidence", Renaissance Quarterly, The University of Chicago Press on behalf of the Renaissance Society of America, Vol. 32, No. 1 (Spring, 1979), pp. 73–76www.jstor.org/ref> As a Catholic priest, he was an important figure in classical scholarship who wrote in a pure Latin style. Among humanists he was given the sobriquet "Prince of the Humanists", and has been called "the crowning glory of the Christian humanists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foundations Of The Abundant Style
Foundation may refer to: * Foundation (nonprofit), a type of charitable organization ** Foundation (United States law), a type of charitable organization in the U.S. ** Private foundation, a charitable organization that, while serving a good cause, might not qualify as a public charity by government standards * Foundation (cosmetics), a multi-coloured makeup applied to the face * Foundation (evidence), a legal term * Foundation (engineering), the element of a structure which connects it to the ground, and transfers loads from the structure to the ground Arts, entertainment, and media Film and TV * ''The Foundation'', a film about 1960s-1970s Aboriginal history in Sydney, featuring Gary Foley * ''Foundation'' (TV series), an Apple TV+ series adapted from Isaac Asimov's novels * "The Foundation" (''Seinfeld''), an episode * ''The Foundation'' (1984 TV series), a Hong Kong series * ''The Foundation'' (Canadian TV series), a 2009–2010 Canadian sitcom Games * ''Foundation'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known ''Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgundian School
The Burgundian School was a group of composers active in the 15th century in what is now northern and eastern France, Belgium, and the Netherlands, centered on the court of the Dukes of Burgundy. The school inaugurated the music of Burgundy. The main names associated with this school are Guillaume Dufay, Gilles Binchois, Antoine Busnois and (as an influence), the English composer John Dunstaple. The Burgundian School was the first phase of activity of the Franco-Flemish School, the central musical practice of the Renaissance in Europe. Background In late Medieval and early Renaissance Europe, cultural centers tended to move from one place to another due to changing political stability and the presence of either the spiritual or temporal power, for instance the Pope, Anti-pope or the Holy Roman Emperor. In the 14th century, the main centers of musical activity were northern France, Avignon, and Italy, as represented by Guillaume de Machaut and the '' ars nova'', the '' ars subti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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