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Grand Terrace Cafe
The Sunset Cafe, also known as The Grand Terrace Cafe, was a jazz club in Chicago, Illinois operating during the 1920s, 1930s and 1940s. It was one of the most important jazz clubs in America, especially during the period between 1917 and 1928 when Chicago became a creative capital of jazz innovation and again during the emergence of bebop in the early 1940s. From its inception, the club was a rarity as a haven from segregation, since the Sunset Cafe was an integrated or "Black and Tan" club where African Americans, along with other ethnicities, could mingle freely with white Americans without much fear of reprisal. Many important musicians developed their careers at the Sunset/Grand Terrace Cafe. Original building The building that housed the Cafe still stands at 315 E 35th St in the Bronzeville neighborhood of Chicago. Originally built in 1909 as an automobile garage, after a 1921 remodelling it became a venue with around 100 tables, a bandstand and dance floor. While the hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunset Cafe Chicago C 1923
Sunset, also known as sundown, is the daily disappearance of the Sun below the horizon due to Earth's rotation. As viewed from everywhere on Earth (except the North and South poles), the equinox Sun sets due west at the moment of both the spring and autumn equinoxes. As viewed from the Northern Hemisphere, the Sun sets to the northwest (or not at all) in the spring and summer, and to the southwest in the autumn and winter; these seasons are reversed for the Southern Hemisphere. The time of sunset is defined in astronomy as the moment when the upper limb of the Sun disappears below the horizon. Near the horizon, atmospheric refraction causes sunlight rays to be distorted to such an extent that geometrically the solar disk is already about one diameter below the horizon when a sunset is observed. Sunset is distinct from twilight, which is divided into three stages. The first one is ''civil twilight'', which begins once the Sun has disappeared below the horizon, and continues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell. His solos on seminal recordings such as "Singin' the Blues" and " I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. " In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Capone
Alphonse Gabriel Capone (; January 17, 1899 – January 25, 1947), sometimes known by the nickname "Scarface", was an American gangster and businessman who attained notoriety during the Prohibition era as the co-founder and boss of the Chicago Outfit. His seven-year reign as a crime boss ended when he went to prison at the age of 33. Capone was born in New York City in 1899 to Italian immigrants. He joined the Five Points Gang as a teenager and became a bouncer in organized crime premises such as brothels. In his early twenties, he moved to Chicago and became a bodyguard and trusted factotum for Johnny Torrio, head of a criminal syndicate that illegally supplied alcohol—the forerunner of the Outfit—and was politically protected through the Unione Siciliana. A conflict with the North Side Gang was instrumental in Capone's rise and fall. Torrio went into retirement after North Side gunmen almost killed him, handing control to Capone. Capone expanded the bootlegg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cotton Club (New York City)
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940).Elizabeth Winter"Cotton Club of Harlem (1923- )" Black Past (retrieved September 9, 2014). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall,Iain Cameron Williams, Chapter 15, ''Underneath A Harlem Moon: The Harlem to Paris Years of Adelaide Hall'', Continuum, 2002. Ethel Waters, Cab Calloway, Bessie Smith, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery Choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Lena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz". The trumpeter Dizzy Gillespie (a member of Hines's big band, along with Charlie Parker) wrote, The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn't been for Earl Hines blazing the path for the next generation to come, it's no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines. The pianist Lennie Tristano said, "Earl Hines is the ''only'' one of us capable of creating real jazz and real swing when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carroll Dickerson
Carroll Dickerson (November 1, 1895 – October 9, 1957) was a Chicago and New York-based dixieland jazz violinist and bandleader, probably better known for his extensive work with Louis Armstrong and Earl Hines or his more brief work touring with King Oliver. Dickerson played a major role as a bandleader in Chicago; his sidemen there included Johnny Dunn, Frankie Half Pint Jaxon, Tommy Ladnier, Honore Dutrey, Natty Dominique, Sterling Conaway, Boyd Atkins, Fred Robinson, Jimmy Strong, Mancy Carr, Pete Briggs, and Jimmy Mundy. He first directed a band from 1922 to 1924 in the Sunset Cafe, which led to a longer tour, in which his sideman, Louis Armstrong, quickly became known (and later took his place). He was known for his strictness, issuing penalties to musicians who missed notes. His "Carroll Dickerson Savoyagers" then appeared in the Savoy Ballroom, as well as in New York in the late 1920s. Despite their differences in Chicago over Armstrong taking over th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Vaughan
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed "Sassy" and " The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century". Early life Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. She developed an early love for popular music on records and the radio. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Eckstine
William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of " I Apologize" (MGM, 1948) was given the Grammy Hall of Fame Award in 1999. ''The New York Times'' described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls." Early life and education Eckstine was born in Pittsburgh, Pennsylvania, United States, the son of William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress. Eckstine's paternal grandparents were William F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earl "Fatha" Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz". The trumpeter Dizzy Gillespie (a member of Hines's big band, along with Charlie Parker) wrote, The piano is the basis of modern harmony. This little guy came out of Chicago, Earl Hines. He changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that. If it hadn't been for Earl Hines blazing the path for the next generation to come, it's no telling where or how they would be playing now. There were individual variations but the style of … the modern piano came from Earl Hines. The pianist Lennie Tristano said, "Earl Hines is the ''only'' one of us capable of creating real jazz and real swing when pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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