Grammy Award For Best Ethnic Or Traditional Folk Recording
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Grammy Award For Best Ethnic Or Traditional Folk Recording
The Grammy Award for Best Ethnic or Traditional Folk Recording was awarded from 1960 to 1986. During this time the award had several minor name changes: *From 1960 to 1961 the award was known as Best Performance - Folk *From 1962 to 1967 it was awarded as Best Folk Recording *From 1968 to 1970 it was awarded as Best Folk Performance *In 1971 and from 1973 to 1974 the award was known as Best Ethnic or Traditional Recording (including traditional blues) *In 1972 and from 1975 to 1982 it was awarded as Best Ethnic or Traditional Recording *From 1983 to 1986 it was awarded as Best Ethnic or Traditional Folk Recording In 1987 the award was split into two new awards: the Grammy Award for Best Traditional Folk Album and the Grammy Award for Best Contemporary Folk Album. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Winners and nominees Individuals with multiple wins ;6 wins * Muddy Waters ;2 wins * Harry Belafonte * Pet ...
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Grammy Award
The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most prestigious, significant awards in the music industry worldwide. It was originally called the Gramophone Awards, as the trophy depicts a gilded Phonograph, gramophone. The Grammys are the first of the Big Three television networks, Big Three networks' major music awards held annually, and is considered one of the EGOT, four major annual American entertainment awards, alongside the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The 1st Annual Grammy Awards, first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. History The Grammys ...
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Miriam Makeba (album)
''Miriam Makeba'' is the self-titled debut"Recorded a year after the international hit musical ''King Kong'' (1959), which provided many black South African musicians with the opportunity to escape apartheid, Makeba's debut album paints a compelling portrait of the artist in exile." Miles Keylock, "Miriam Makeba" in ''1001 Albums You Must Hear Before You Die'' (Universe Publishing, 2005), p. 51. album by Miriam Makeba. It was released in 1960 by RCA Victor. Track listing Personnel * Miriam Makeba – vocals * Perry Lopez - guitar * The Belafonte Folk Singers The Belafonte Folk Singers (originally known as The Belafonte Singers) were a vocal group who were active from 1957 to 1965. They were named after singer Harry Belafonte Harry Belafonte (born Harold George Bellanfanti Jr.; March 1, 1927) is an ... conducted by Milt Okun Notes 1960 debut albums Miriam Makeba albums RCA Victor albums Gallo Record Company albums Albums conducted by Milt Okun {{1960s-a ...
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Foggy Mountain Boys
Flatt and Scruggs were an American bluegrass duo. Singer and guitarist Lester Flatt and banjo player Earl Scruggs, both of whom had been members of Bill Monroe's band, the Bluegrass Boys, from 1945 to 1948, formed the duo in 1948. Flatt and Scruggs are viewed by music historians as one of the premier bluegrass groups in the history of the genre.Rosenberg, Neil V. (1998)"Flatt & Scruggs and the Foggy Mountain Boys" ''The Encyclopedia of Country Music'', Oxford University Press, pp. 173-4 Flatt and Scruggs recorded and performed together until 1969. Their backing band, the Foggy Mountain Boys, included fiddle player Paul Warren, a master player in both the old-time and bluegrass fiddling styles whose technique reflected all qualitative aspects of "the bluegrass breakdown" and fast bowing style; dobro player Uncle Josh Graves, an innovator of the advanced playing style of the instrument now used in the genre; stand-up bass player Cousin Jake Tullock; and mandolinist Curly Seckler. ...
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The Ballad Of Jed Clampett
"The Ballad of Jed Clampett" is the theme song for the television series ''The Beverly Hillbillies'' and the later movie of that name, providing the introductory story for the series. The song was composed by Paul Henning, and recorded first by bluegrass musicians Lester Flatt and Earl Scruggs, with Lester Flatt singing. The single phono-album version, released for radio and retail sale, merges both the beginning and ending lyrics of the theme song of the television series. The beginning theme comprises the first two verses (starting with "Come and listen to a story about a man named Jed" and "Well the first thing you know, old Jed's a millionaire"), and the ending theme is the third verse ("Now it's time to say goodbye to Jed and all his kin..."). A banjo-dominated sequence occurs between verses and as the ending fade-out. The song was sung by Jerry Scoggins for the beginning of the series, with instruments played by Flatt and Scruggs. Although the first two seasons of ''The Bev ...
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Peter, Paul And Mary
Peter, Paul and Mary was an American folk group formed in New York City in 1961 during the American folk music revival phenomenon. The trio consisted of tenor Peter Yarrow, baritone Paul Stookey, and contralto Mary Travers. The group's repertoire included songs written by Yarrow and Stookey, early songs by Bob Dylan, and covers of other folk musicians. They were enormously successful in the early- and mid-1960s, with their debut album topping the charts for weeks, and helped popularize the folk music revival. After the death of Travers in 2009, Yarrow and Stookey continued to perform as a duo under their individual names. Mary Travers said she was influenced by Woody Guthrie, Pete Seeger, and the Weavers. In the documentary ''Peter, Paul & Mary: Carry It On — A Musical Legacy'', members of the Weavers discuss how Peter, Paul and Mary took over the torch of the social commentary of folk music in the 1960s. The group was inducted into the Vocal Group Hall of Fame in 1999. Peter, ...
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If I Had A Hammer
"If I Had a Hammer (The Hammer Song)" is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, Ronnie Gilbert, and Fred Hellerman. It was a #10 hit for Peter, Paul and Mary in 1962 and then went to #3 a year later when recorded by Trini Lopez in 1963. The Weavers released the song under the title "The Hammer Song" as a 78 rpm single in March 1950 on Hootenanny Records, 101-A, backed with "Banks of Marble". Early versions The song was first performed publicly by Pete Seeger and Lee Hays on June 3, 1949, at St. Nicholas Arena in New York City at a testimonial dinner for the leaders of the Communist Party of the United States, who were then on trial in federal court, charged with violating the Smith Act by advocating the overthrow of the U.S. government. It was not particularly successful in commercial terms when it was first release ...
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5th Grammy Awards
The 5th Annual Grammy Awards were held on May 15, 1963, at Chicago, Los Angeles and New York City. They recognized accomplishments by musicians for the year 1962. Tony Bennett and Igor Stravinsky each won 3 awards. Award winners *Record of the Year **Tony Bennett for "I Left My Heart in San Francisco" * Album of the Year (other than classical) **Vaughn Meader for '' The First Family'' * Song of the Year **Leslie Bricusse & Anthony Newley (songwriters) for "What Kind of Fool Am I?" performed by Sammy Davis, Jr. *Best New Artist **Robert Goulet Children's *Best Recording for Children **Leonard Bernstein (conductor) for '' Saint-Saëns: Carnival of the Animals/Britten: Young Person's Guide to the Orchestra'' Classical * Best Classical Performance - Orchestra **Igor Stravinsky (conductor) & the Columbia Symphony Orchestra for ''Stravinsky: The Firebird Ballet'' * Best Classical Performance - Vocal Soloist (with or without orchestra) **Leonard Bernstein (conductor), Eileen Farr ...
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The Limeliters
The Limeliters are an American folk music group, formed in July 1959 by Lou Gottlieb (bass violin/bass), Alex Hassilev (banjo/baritone), and Glenn Yarbrough (guitar/tenor). The group was active from 1959 until 1965, and then after a hiatus of sixteen years, Yarbrough, Hassilev, and Gottlieb reunited and began performing again as The Limeliters in reunion tours. On a regular basis a continuation of The Limeliters group is still active and performing. Gottlieb died in 1996 (age 72), Yarbrough died in 2016 (age 86), and Hassilev (born 1932), the last founding member, who had remained active in the group, retired in 2006, leaving the group to carry on without any of the original members. Origins Gottlieb performed with the Gateway Singers in the mid-1950s but moved to California to complete his PhD in musicology. Later when he was working as an arranger for the Kingston Trio, Gottlieb was in the audience one night when Alex Hassilev and Glenn Yarbrough appeared on stage to sing a ...
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Alan Lomax
Alan Lomax (; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. He collected material first with his father, folklorist and collector John Lomax, and later alone and with others, Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminum and acetate discs. After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independentl ...
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Tommy Makem
Thomas Makem (4 November 1932 – 1 August 2007) was an internationally celebrated Irish folk musician, artist, poet and storyteller. He was best known as a member of the Clancy Brothers and Tommy Makem. He played the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sang in a distinctive baritone. He was sometimes known as "The Bard of Armagh" (taken from a traditional song of the same name) and "The Godfather of Irish Music". Biography Makem was born and raised in Keady, County Armagh (the "Hub of the Universe" as Makem always said), in Northern Ireland. His mother, Sarah Makem, was an important source of traditional Irish music, who was visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O'Boyle. His father, Peter Makem, was a fiddler who also played the bass drum in a local pipe band named "Oliver Plunkett", after a Roman Catholic martyr of the reign of Charles II of England. His bro ...
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The Clancy Brothers
The Clancy Brothers were an influential Irish folk music group that developed initially as a part of the American folk music revival. Most popular during the 1960s, they were famed for their Aran jumper sweaters and are widely credited with popularising folk music of Ireland, Irish traditional music in the United States and revitalising it in Ireland, contributing to an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers, Patrick Clancy, Patrick Clancy, Tom Clancy (singer), Tom Clancy, and Liam Clancy, are known best for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership. The most notable subsequent member to join was the fourth Clancy brother, Bobby Clancy, Bobby. The group continued in various formations until Paddy Clancy's death in 1998. The Clancy Brothers and Tommy Makem significantly influenced the young ...
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The Clancy Brothers And Tommy Makem
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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