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Grajabpi
Krachappi (Thai: กระจับปี่, pronounced ra.tɕàp.pìː, also spelled Grajabpi, is plucked, fretted lute of Thailand, used in central Thai classical music. It has four strings in two courses that are plucked with a plectrum and are constructed of teak or jackfruit wood. It can be played by holding the wand, which is composed of thin wooden planks, in your right hand and flicking the wires in and out while pressing the string with your left finger. Krachappi usually plays in a band called Mahori with four to eight instruments. The Department of Cultural Promotion listed Krachappi as a cultural heritage in 2011. Krachappi is an ancient Thai instrument and has been with the Thai people for over a century. The appearance, playing method, and song of Krachappi are all associated with Thai history. Thai music instruments are divided into 4 groups, namely, strum, string, percussion, and brass. The origin of Krachappi is ambiguous since there is a lack of evide ...
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Traditional Thai Musical Instruments
Traditional Thai musical instruments ( th, เครื่องดนตรีไทย, ) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments played by both the Thai majority as well as the nation's ethnic minorities. In the traditional Thai system of organology, they are classified into four categories, by the action used in playing: #Plucking (plucked string instruments; , ''khrueang dit'') #Bowing (bowed string instruments; , ''khrueang si'') #Striking (percussion instruments and hammered dulcimer; , ''khrueang ti'') #Blowing (wind instruments; , ''khrueang pao'') Traditional Thai musical instruments also are classified into four categories, by the region of Thailand in which they are used. String Plucked *Krachappi (กระจับปี่) - ancient fretted lute * Chakhe (จะเข้) - crocodile-shaped fretted floor zither with three strings. The first two ...
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Cambodian Musician Playing Chapey, 1880
Cambodian usually refers to: * Something of, from, or related to the country of Cambodia ** Cambodian people (or Khmer people) ** Cambodian language (or Khmer language) ** For citizens and nationals of Cambodia, see Demographics of Cambodia ** For languages spoken in Cambodia, see Languages of Cambodia Cambodian may also refer to: Other * Cambodian architecture * Cambodian cinema * Cambodian culture * Cambodian cuisine * Cambodian literature * Cambodian music * Cambodian name * Cambodian nationalism * Cambodian descendants worldwide: ** Cambodian Americans ** Cambodian Australians ** Cambodian Canadians ** Cambodians in France See also * *List of Cambodians {{Short description, none This is a list of notable Cambodian people, persons from Cambodia or of Khmer descent. * Adda Angel * Am Rong * Ampor Tevi * Arn Chorn-Pond * Beat Richner * Bérénice Marlohe * Bour Kry * Chan Nak * Chan Sy * Chantho ... {{disambig Language and nationality disambiguation pages ...
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Cambodia
Cambodia (; also Kampuchea ; km, កម្ពុជា, UNGEGN: ), officially the Kingdom of Cambodia, is a country located in the southern portion of the Indochinese Peninsula in Southeast Asia, spanning an area of , bordered by Thailand to the northwest, Laos to the north, Vietnam to the east, and the Gulf of Thailand to the southwest. The capital and largest city is Phnom Penh. The sovereign state of Cambodia has a population of over 17 million. Buddhism is enshrined in the constitution as the official state religion, and is practised by more than 97% of the population. Cambodia's minority groups include Vietnamese, Chinese, Chams and 30 hill tribes. Cambodia has a tropical monsoon climate of two seasons, and the country is made up of a central floodplain around the Tonlé Sap lake and Mekong Delta, surrounded by mountainous regions. The capital and largest city is Phnom Penh, the political, economic and cultural centre of Cambodia. The kingdom is an elective co ...
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Chapei Dong Veng
The Chapei Dang Veng (Khmer language, Khmer: ចាប៉ីដងវែង) or chapey (ចាប៉ី) is a Cambodian two-stringed, long-necked guitar that is usually plucked. It has two double courses of nylon Strings (music), strings. The top and bottom strings are typically tuned to G and C respectively, with the 12 frets having notes 1 D, 2 E, 3 F, 4 G, 5 A, 6 B, 7 C, 8 D, 9 E, 10 F, 11 G, 12 A. Chapei Dang Veng is a Cambodian musical tradition closely associated with the life, customs and beliefs of the Cambodian people. It features the chapei (a type of lute often played at cultural festivals) accompanied by singing. Song lyrics range from the educational and a type of social commentary, to satire while incorporating traditional poems, folk tales or Buddhist stories. The tradition is considered to have multiple functions within Cambodian communities, such as safeguarding traditional rituals; transmitting social, cultural and religious knowledge and values; providing expos ...
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Ranat Kaeo
The ''ranat kaeo'' ( th, ระนาดแก้ว, ) is a crystallophone consisting of struck glass bars of varying length, used in the classical music of Thailand. It is usually played with a soft padded mallet. Related instruments *Xylophone: an array of wooden bars of various lengths, struck. Greek for "wood sound"; "xylo" is Greek for "wood" and "phone" is Greek for "sound" *Lithophone: an array of rocks... "litho" is Greek for "rock". *Pagophone A hydraulophone is a tonal acoustic musical instrument played by direct physical contact with water (sometimes other fluids) where sound is generated or affected hydraulically."Fluid Melodies: The hydraulophones of Professor Steve Mann" In Wa ...: an array of ice bars... "pago" is Greek for "ice". External links Glass Xylophone, ''PBSKids.org''. Accessed: February 4, 2017. Plaque percussion idiophones Crystallophones Thai musical instruments {{Mallet-stub ...
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Ranat
''Ranat'' ( th, ระนาด, , also spelled ''ranad'' or ''ranaat'') is the generic name for keyboard percussion instruments used in the music of Thailand. The bars of the various types of ''ranat'' may be made from hardwood or bamboo (''ranat ek'' and ''ranat thum'' ), metal (''ranat ek lek'' and ''ranat thum lek'' ), or, much more rarely, glass (''ranat kaeo'' ). The earliest known description of ''ranat'' in Thailand was written in 19th century (1826 AD), an instrument probably of Burmese origin (pattala) focusing on the foot of the pattala Phanat (ဖိနပ်, lit. "shoes"). See also *Ranat ek *Ranat thum *Ranat ek lek *Ranat thum lek *Ranat kaeo *Bong lang *Traditional Thai musical instruments Traditional Thai musical instruments ( th, เครื่องดนตรีไทย, ) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments ... References External ...
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Khlui
The ''khlui'' ( th, ขลุ่ย, ) is a vertical duct bamboo flute from Thailand. Originated before or during the Sukhothai period (AD 1238–1583) along with many other Thai instruments. But, it was officially recorded as a Thai instrument by king Trailokkanat (1431–1488), who sets the official model of the instruments. It is a reedless instrument, generally made of bamboo, though instruments are also made from hardwood or plastic. After many generations of modifications, it survives to the present day as the khlui phiang aw. Types The Thai Khlui keeps its beauty and look since its ancient times. With a long history, the instrument had been modified to be used in other occasions, making new types of Khlui that was invented. There are 3 main types of Khlui, although there are also many others. The 3 types of Khlui, that is still popular to the present day. # Khlui phiang aw ( ขลุ่ยเพียงออ) # Khlui lib ( ขลุ่ยหลิบ) # Khlui u ( ...
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Saw Sam Sai
The ''saw sam sai'' ( th, ซอสามสาย, , , also spelled ''saw samsai'', and occasionally called simply ''sam sai''; literally 'three-stringed fiddle') is a traditional bowed string instrument of Thailand. It is in the ''saw'' family of Thai fiddles, which also includes the ''saw u'' and ''saw duang'', but unlike the other two, has three strings, with a bow that is separate from the instrument. The ''saw sam sai'' is made up of three parts: the neck, the bout and the bow. It has a three-lobed coconut bowl for a body, and a hardwood or ivory neck that has been cleaned and polished with wood varnish. The coconut bowl is covered on one end with animal skin, and it has three silk strings. Its bow is constructed of horsetail and hardwood. Other elements include the pegs, nut, bridge, gem, lasso, and strings. Typically, the player glues a jewel onto the skin before playing, to reduce the skin's resonance. The instrument is regarded as one of high stature and is often ornatel ...
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Zither
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber (sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert zithe ...
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Suan Pakkad Palace
Suan Pakkad Palace or ''Suan Pakkard Palace'' ( th, สวนผักกาด, , ) is a museum in Bangkok, Thailand. It is located on Sri Ayutthaya Road, south of the Victory Monument (Bangkok), Victory Monument. The museum has Thai antiques on display, including Ban Chiang pottery which are over 4,000 years old. Originally the home of Prince Chumbhotbongs Paribatra (1904–1959) and his wife, they converted it into a museum which opened in 1952. The museum features a group of four traditional Thai houses with covered hallways between them. There is also artwork on display in its Marsi Gallery. The name Suan Pakkad translates as "Cabbage Patch", but the museum's collection of five traditional pavilions is one of the best examples of traditional domestic architecture in the city. The Lacquer Pavilion is the most striking building, and is over 450 years old. References Literature * *''Thailand'', The National Geographic Traveler, page 95, 2001. External links Suan Pakkad ...
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Chulalongkorn
Chulalongkorn ( th, จุฬาลงกรณ์, 20 September 1853 – 23 October 1910) was the fifth monarch of Siam under the House of Chakri, titled Rama V. He was known to the Siamese of his time as ''Phra Phuttha Chao Luang'' (พระพุทธเจ้าหลวง, the Royal Buddha). Chulalongkorn's reign was characterised by the modernisation of Siam, governmental and social reforms, and territorial concessions to the British and French. As Siam was surrounded by European colonies, Chulalongkorn, through his policies and acts, ensured the independence of Siam. All his reforms were dedicated to ensuring Siam's independence given the increasing encroachment of Western powers, so that Chulalongkorn earned the epithet ''Phra Piya Maharat'' (พระปิยมหาราช, the Great Beloved King). Early life King Chulalongkorn was born on 20 September 1853 to King Mongkut and Queen Debsirindra and given the name Chulalongkorn. In 1861, he was designated ' ...
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Rattanakosin Era (calendar Era)
The Thai solar calendar ( th, ปฏิทินสุริยคติ, , "solar calendar") was adopted by King Chulalongkorn (Rama V) in 1888 CE as the Siamese version of the Gregorian calendar, replacing the Thai lunar calendar as the legal calendar in Thailand (though the latter is still also used, especially for traditional and religious events). Years are now counted in the Buddhist Era (B.E.): , () which is 543 years ahead of the Gregorian calendar. Years The Siamese generally used two calendars, a ''sacred'' and a ''popular'' ( ''vulgar'' in the classical sense). The vulgar or minor era (, ''chula sakarat'') was thought to have been instituted when the worship of Gautama was first introduced, and corresponds to the traditional Burmese calendar (abbreviated ME or BE, the latter not to be confused with the abbreviation for the Buddhist Era, which is the sacred era.) Rattanakosin Era King Chulalongkorn decreed a change in vulgar reckoning to the '' Rattanakosin Era ...
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