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Grade I Listed Buildings In The City Of Westminster
There are over 9,000 Grade I listed buildings in England. This page is a list of these buildings in the City of Westminster The City of Westminster is a city and borough in Inner London. It is the site of the United Kingdom's Houses of Parliament and much of the British government. It occupies a large area of central Greater London, including most of the West En .... Buildings Bayswater Belgravia Buckingham Palace complex Charing Cross / Trafalgar Square Covent Garden Hyde Park Kensington Kilburn Maida Vale Marylebone Mayfair Paddington Pimlico Regent's Park St James's Soho Strand Temple Victoria Victoria Embankment Westminster Abbey Precinct and Westminster School Whitehall See also * Grade II* l ...
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Buckingham Palace Garden
Buckingham Palace Garden is a large private park attached to the London residence of the monarch. It is situated to the rear (west) of Buckingham Palace, occupying a site in the City of Westminster and forms the largest private garden in the capital. It is bounded by Constitution Hill to the north, Hyde Park Corner to the west, Grosvenor Place to the south-west, and the Royal Mews, Queen's Gallery, and Buckingham Palace itself to the south and east. The royal connection to the site of the garden dates from 1609 when James I purchased four acres of land "near to his palace of Westminster for the planting of mulberry trees". The garden covers much of the area of the former Goring Great Garden, named after Lord Goring, occupant of one of the earliest grand houses on the site. In 1664 Goring's mansion, and the lease on the grounds, was bought by Henry Bennet, 1st Earl of Arlington. In 1674 the house was destroyed by fire and Arlington built a replacement, named Arlington Hous ...
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Grinling Gibbons
Grinling Gibbons (4 April 1648 – 3 August 1721) was an Anglo-Dutch sculptor and wood carver known for his work in England, including Windsor Castle and Hampton Court Palace, St Paul's Cathedral and other London churches, Petworth House and other country houses, Trinity College, Oxford, and Trinity College, Cambridge. Gibbons was born to English parents in Holland, where he was educated. His father was a merchant. Gibbons was a member of the Drapers' Company of London; he is widely regarded as the finest wood carver working in England, and the only one whose name is widely known among the general public. Most of his work is in lime (''Tilia'') wood, especially decorative Baroque garlands made up of still-life elements at about life size, made to frame mirrors and decorate the walls of churches and palaces, but he also produced furniture and small relief plaques with figurative scenes. He also worked in stone, mostly for churches. By the time he was established he led a large work ...
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Laurens Van Der Meulen
Laurens van der Meulen, also Laureys or Laurent van der Meulen, known in England as Laurence Vander Meulen (Mechelen, 1643 – Mechelen 1719), was a Flemish sculptor, painter and frame-maker who, after training in his native Mechelen, worked for some time in England.Laurent van der Meulen
at the
He is best known there for having created the statue of King James II now in

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Peter Van Dievoet
Peter van Dievoet (; French: Pierre, Dutch: Peeter, Latin: Petrus; 16611729) was a sculptor, statuary, wood carver, and designer of ornamental architectural features from Brussels. He achieved fame for his work on a number of the Baroque guild houses of the Grand-Place (Brussels' main square), which was rebuilt after the bombardment of 1695, as well as on the Statue of James II Horace Walpole, ''Anecdotes of painting in England: with some account of the principal artists; and incidental notes on other arts; collected by the late Mr. George Vertue ; and now digested and published from his original MSS. by Mr. Horace Walpole'', London, 1765, vol. III, p. 91 : "Gibbons had several disciples and workmen; Selden I have mentioned; Watson assisted chiefly at Chatsworth, where the boys and many of the ornaments in the chapel were executed by him. Dievot of Brussels, and Laurens of Mechlin were principal journeymen — Vertue says they modelled and cast the statue I have mentioned i ...
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Statue Of James II, Trafalgar Square
The statue of James II is a bronze sculpture located in the front garden of the National Gallery in Trafalgar Square, London, United Kingdom. Probably inspired by French statues of the same period, it depicts James II of England as a Roman emperor, wearing Roman armour and a laurel wreath (traditionally awarded to a victorious Roman commander). It originally also depicted him holding a baton. It was produced by the workshop of Grinling Gibbons. The execution was most likely, according to contemporary accounts, the work of the Flemish sculptors Peter van Dievoet and Laurens van der Meulen, rather than of Gibbons himself. The statue has been relocated several times since it was first erected in the grounds of the old Palace of Whitehall in 1686, only two years before James II was deposed. Description The statue is executed in bronze and depicts James II as a Roman emperor. He is shown standing in a ''contrapposto'' pose and pointing downwards in "great ease of attitude and a cer ...
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Hubert Le Sueur
Hubert Le Sueur (c. 1580 – 1658) was a French sculptor with the contemporaneous reputation of having trained in Giambologna's Florentine workshop. He assisted Giambologna's foreman, Pietro Tacca, in Paris, in finishing and erecting the equestrian statue of Henri IV on the Pont Neuf. He moved to England and spent the most productive decades of his working career there, providing monuments, portraits and replicas of classical antiquities for the court of Charles I, where his main rival was Francesco Fanelli. Career Henry Peacham was informed that Le Sueur was a pupil of Giambologna in Florence. Though he is not otherwise documented in Florence, in Paris he was recorded as ''sculpteur du Roy'' at the baptism of his son at Saint-Germain l'Auxerrois in 1610, when a royal secretary and the daughter of another served as witnesses. In London he and his second wife were of the Huguenot congregation in Threadneedle Street. He worked with Pietro Tacca's assistants on the equestrian bronz ...
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Equestrian Statue Of Charles I, Charing Cross
The equestrian statue of Charles I at Charing Cross, London, is a work by the French sculptor Hubert Le Sueur, probably cast in 1633. It is considered the central point of London. Its location at Charing Cross is on the former site of the most elaborate of the Eleanor crosses erected by Edward I, which had stood for three and a half centuries until 1647. Charing Cross is used to define the centre of London and a plaque by the statue indicates that road signage distances are measured from this point. The statue faces down Whitehall towards Charles I's place of execution at Banqueting House. The first Renaissance-style equestrian statue in England, it was commissioned by Charles's Lord High Treasurer Richard Weston for the garden of his country house in Roehampton, Surrey (now in South London). Following the English Civil War the statue was sold to a metalsmith to be broken down, but he hid it until the Restoration. It was installed in its current, far more prominent l ...
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Thomas Brock
Sir Thomas Brock (1 March 184722 August 1922) was an English sculptor and medallist, notable for the creation of several large public sculptures and monuments in Britain and abroad in the late nineteenth and early twentieth centuries. His most famous work is the Victoria Memorial in front of Buckingham Palace, London. Other commissions included the redesign of the effigy of Queen Victoria on British coinage, the massive bronze equestrian statue of Edward, the Black Prince, in City Square, Leeds and the completion of the statue of Prince Albert on the Albert Memorial. Biography Brock was born on 1 March 1847 in Worcester. He was the only son of a painter and decorator and attended the Government School of Design in Worcester, after which he undertook an apprenticeship in modelling at the Worcester Royal Porcelain Works. In 1866 he became a pupil of the sculptor John Henry Foley and also enrolled in the Royal Academy Schools, where he won a gold medal for sculpture in 1869. ...
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Victoria Memorial, London
The Victoria Memorial is a monument to Queen Victoria, located at the end of The Mall in London, and designed and executed by the sculptor (Sir) Thomas Brock. Designed in 1901, it was unveiled on 16 May 1911, though it was not completed until 1924. It was the centrepiece of an ambitious urban planning scheme, which included the creation of the Queen’s Gardens to a design by Sir Aston Webb, and the refacing of Buckingham Palace (which stands behind the memorial) by the same architect. Like the earlier Albert Memorial in Kensington Gardens, commemorating Victoria's consort, the Victoria Memorial has an elaborate scheme of iconographic sculpture. The central pylon (architecture), pylon of the memorial is of Pentelic marble, and individual statues are in Lasa marble and gilt bronze. The memorial weighs 2,300 tonne, tonnes (about 2535 Short ton, short tons) and is 104 ft wide. In 1970 it was Listed building, listed at Grade I. History Proposal and announcements King Edward VII su ...
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Royal Mews
The Royal Mews is a mews, or collection of equestrian stables, of the British Royal Family. In London these stables and stable-hands' quarters have occupied two main sites in turn, being located at first on the north side of Charing Cross, and then (since the 1820s) within the grounds of Buckingham Palace. The Royal Mews, Buckingham Palace includes an extensive display of royal carriages and other associated items, and is open to the public for much of the year. It is also a working part of the palace, where horses and people live and work, and where carriages and cars are in daily use supporting the work of the King as head of state. At Charing Cross The first set of stables to be referred to as a mews was at Charing Cross at the western end of Strand, London, The Strand. The royal hawks were kept at this site from 1377 and the name originates from the fact that they were confined there at moulting time ("mew" being derived from the French verb "muer", to moult). The build ...
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Richard Westmacott
Sir Richard Westmacott (15 July 17751 September 1856) was a British sculptor. Life and career Westmacott studied with his father, also named Richard Westmacott, at his studio in Mount Street, off Grosvenor Square in London before going to Rome in 1793 to study under Antonio Canova. Westmacott devoted all his energies to the study of classical sculpture, and throughout his life his real sympathies were with pagan rather than with Christian art. Within a year of his arrival in Rome he won the first prize for sculpture offered by the Florentine Academy of Arts, and in the following year he gained the papal gold medal awarded by the Academy of St Luke with his bas-relief of Joseph and his brothers. On returning to England in 1797, he set up a studio, where John Edward Carew and Musgrave Watson gained experience. Westmacott had his own foundry at Pimlico, in London, where he cast both his own works, and those of other sculptors, including John Flaxman's statue of Sir ...
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