Gospel Book Of Ebbo
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Gospel Book Of Ebbo
The Ebbo Gospels (Épernay, Bibliothèque Municipale, Ms. 1) is an early Carolingian illuminated Gospel book known for an unusual, energetic style of illustration. The book was produced in the ninth century at the Benedictine Abbaye Saint-Pierre d’Hautvillers. Ebbo, Archbishop of Rheims The Gospel book contains a poem to Ebbo (also spelled Ebo), and so is dated within the time he was archbishop, usually to the period c. 816-835 before he was deposed. Ebbo also held Rheims from 840-841 and the Gospel book may have been made for his return (Chazelle, 1074). This gospel book and related works had a direct influence on Carolingian art and the course of medieval art (Berenson, 165). Style Each page is 10 in by 8 in. The illustration has its roots in late classical painting. Landscape is represented in the illusionistic style of late classical painting. Greek artists fleeing the Byzantine iconoclasm of the 8th century brought this style to Aachen and Reims (Berenson, 163). The vibra ...
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CITE
A citation is a reference to a source. More precisely, a citation is an abbreviated alphanumeric expression embedded in the body of an intellectual work that denotes an entry in the bibliographic references section of the work for the purpose of acknowledging the relevance of the works of others to the topic of discussion at the spot where the citation appears. Generally, the combination of both the in-body citation and the bibliographic entry constitutes what is commonly thought of as a citation (whereas bibliographic entries by themselves are not). Citations have several important purposes. While their uses for upholding intellectual honesty and bolstering claims are typically foregrounded in teaching materials and style guides (e.g.,), correct attribution of insights to previous sources is just one of these purposes. Linguistic analysis of citation-practices has indicated that they also serve critical roles in orchestrating the state of knowledge on a particular topic, identi ...
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Aachen
Aachen ( ; ; Aachen dialect: ''Oche'' ; French and traditional English: Aix-la-Chapelle; or ''Aquisgranum''; nl, Aken ; Polish: Akwizgran) is, with around 249,000 inhabitants, the 13th-largest city in North Rhine-Westphalia, and the 28th-largest city of Germany. It is the westernmost city in Germany, and borders Belgium and the Netherlands to the west, the triborder area. It is located between Maastricht (NL) and Liège (BE) in the west, and Bonn and Cologne in the east. The Wurm River flows through the city, and together with Mönchengladbach, Aachen is the only larger German city in the drainage basin of the Meuse. Aachen is the seat of the City Region Aachen (german: link=yes, Städteregion Aachen). Aachen developed from a Roman settlement and (bath complex), subsequently becoming the preferred medieval Imperial residence of Emperor Charlemagne of the Frankish Empire, and, from 936 to 1531, the place where 31 Holy Roman Emperors were crowned Kings of the Germans. ...
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Gospel Books
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independently ...
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Saint Matthew
Matthew the Apostle,, shortened to ''Matti'' (whence ar, مَتَّى, Mattā), meaning "Gift of YHWH"; arc, , Mattai; grc-koi, Μαθθαῖος, ''Maththaîos'' or , ''Matthaîos''; cop, ⲙⲁⲧⲑⲉⲟⲥ, Mattheos; la, Matthaeus also known as Saint Matthew and possibly as Levi, was, according to the New Testament, one of the twelve apostles of Jesus. According to Christian traditions, he was also one of the four Evangelists as author of the Gospel of Matthew, and thus is also known as Matthew the Evangelist, a claim rejected by most biblical scholars, though the "traditional authorship still has its defenders." The New Testament records that as a disciple, he followed Jesus, and was one of the witnesses of the Ascension of Jesus. Later Church fathers such as Irenaeus and Clement of Alexandria claim that Matthew preached the Gospel to the Jewish community in Judea, before going to other countries. In the New Testament Among the early followers and apostles of Je ...
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Evangelist Portrait
Evangelist portraits are a specific type of miniature included in ancient and mediaeval illuminated manuscript Gospel Books, and later in Bibles and other books, as well as other media. Each Gospel of the Four Evangelists, the books of Matthew, Mark, Luke, and John, may be prefaced by a portrait of the Evangelist, usually occupying a full page. Their symbols may be shown with them, or separately. Often they are the only figurative illumination in the manuscript. They are a common feature in larger Gospel Books from the earliest examples in the 6th century until the decline of that format for illustrated books in the High Middle Ages, by which time their conventions were being used for portraits of other authors. Author portraits They originate in the classical secular tradition of the author portrait, which was often the only illustration in a classical manuscript, also used as a frontispiece (not unlike the contemporary author photo, though this is usually shown on the ...
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Utrecht Psalter
The Utrecht Psalter (Utrecht, Universiteitsbibliotheek, MS Bibl. Rhenotraiectinae I Nr 32.) is a ninth-century illuminated manuscript, illuminated psalter which is a key masterpiece of Carolingian art; it is probably the most valuable manuscript in the Netherlands. It is famous for its 166 lively pen illustrations, with one accompanying each psalm and the other texts in the manuscript (Chazelle, 1055). The precise purpose of these illustrations, and the extent of their dependence on earlier models, have been matters of art-historical controversy. The psalter spent the period between about 1000 to 1640 in England, where it had a profound influence on Anglo-Saxon art, giving rise to what is known as the "Utrecht style". It was copied at least three times in the Middle Ages. A complete facsimile edition of the psalter was made in 1875 (Lowe, 237), and another in 1984 (Graz). The other texts in the book include some canticles and hymns used in the Liturgy of the Hours, office of the ...
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Codex Aureus Of St
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. Th ...
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Smarthistory
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner to Khan Academy for art history. Smarthistory started in 2005 as an audio guide series for use at the Metropolitan Museum of Art, The Museum of Modern Art in New York City, and as a resource for students taking introductory art history courses at the college level. In addition to its focus on college-level courses in art history, Smarthistory supports the art history Advanced Placement course and examination developed by The College Board. Smarthistory provides essays, video, photographs, and links to additional resources for each of the 250 works of art and architecture that comprised the 2017 AP art history curriculum. Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleolithic era to the 21st century that include the art of A ...
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Saint Matthew2
In religious belief, a saint is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and denomination. In Catholic, Eastern Orthodox, Anglican, Oriental Orthodox, and Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness that many religions attribute to certain people", referring to the Jewish tzadik, the Islamic walī, the Hindu rishi or Sikh gur ...
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Byzantine Iconoclasm
The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Orthodox Church and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still ...
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Ebbo Gospels St Mark
Ebbo or Ebo ( – 20 March 851) was the Archbishop of Rheims from 816 until 835 and again from 840 to 841. He was born a German serf on the royal demesne of Charlemagne. He was educated at his court and became the librarian and councillor of Louis the Pious, king of Aquitaine, son of Charlemagne. When Louis became emperor, he appointed Ebbo to the see of Rheims, then vacant after the death of Wulfaire. He was an important figure in the spread of Christianity in the north of Europe. At the insistence of Louis, in 822, he went to Rome and asked Pope Pascal I to become the papal legate to the North. He was licensed to preach to the Danes and he and Halitgar, bishop of Cambrai, and Willerich, bishop of Bremen, went there in 823. He made short subsequent trips, but all with little success. Ansgar was more successful a few years later. When Louis's sons by his first marriage to Ermengarde of Hesbaye ( Lothair, Louis, and Pepin) rebelled in 830, Ebbo remained loyal. But i ...
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Carolingian Art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres. There was for the first time a thoroughgoing attempt in Northern Europe to revive and emulate classical Mediterranean art forms and styles, that resulted in a blending of classical and Northern elements in a sumptuo ...
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