Gormenghast (opera)
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Gormenghast (opera)
''Gormenghast'' is an opera in three acts composed by Irmin Schmidt to an English-language libretto by Duncan Fallowell, based on Mervyn Peake's ''Gormenghast Trilogy''. It premiered at the Opernhaus Wuppertal on 15 November 1998. Background Mervyn Peake's ''Gormenghast Trilogy'', on which the opera is based, is a Gothic tale recounting the rise of the evil Steerpike from a kitchen boy in Gormenghast castle to total domination of the castle and its aristocratic inhabitants. Benjamin Britten had contemplated composing an opera based on the trilogy in the 1950s, but then changed his mind. Irmin Schmidt and his librettist Duncan Fallowell, the first to base on opera on the work, began working on it in the early 1990s after receiving a commission from the Wuppertaler Bühnen.Clinch, Dermot (5 November 1995)"The Peake of his career" ''The Independent''. Retrieved 11 July 2013. Schmidt had studied composition with Stockhausen and Ligeti in the 1950s. As an avant-garde rock musician, he ...
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Irmin Schmidt
Irmin Schmidt (born 29 May 1937) is a German keyboardist and composer, best known as a founding member of the band Can (band), Can. Biography Schmidt was born in Berlin, Germany, began his studies in music at the conservatorium in Dortmund, at the Folkwang Hochschule in Essen, the Mozarteum University of Salzburg, Mozarteum in Salzburg, and he studied Musical composition, composition in Karlheinz Stockhausen's Cologne Courses for New Music at the , Cologne. He started work mainly as a conductor and performed in concerts with the Bochum Symphony; the Vienna Symphony; and the Dortmund Ensemble for New Music, which he founded in 1962. During this time, he received several conducting awards. Schmidt also worked as Kapellmeister at the Theater Aachen, as docent for musical theatre and chanson at the Schauspielschule Bochum (drama school), and as concert pianist. In 1968, Schmidt founded the experimental krautrock band Can (band), Can with Holger Czukay, Michael Karoli, and Jaki Liebe ...
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Musiktheater Im Revier
Musiktheater im Revier (MiR) (Music Theatre in the Ruhr) is the venue for performing opera, operetta, musical theatre and ballet in Gelsenkirchen, Germany. It opened on 15 December 1959; it is listed since 1997 as a protected cultural monument. The building offers two performance spaces: the Large House (''Großes Haus'') with 1,008 seats and about 200 performances per year, and the Small House (''Kleines Haus'') with 336 seats and about 120 annual performances. In contrast to the building's outside cubic appearance, the auditoria use a more curved design. Design The building was designed by the German architect . The cubic outer shell of the Large House is formed by a glass facade, which gives view into the interior and the cylindric casing of the auditorium and its stairways, and the two monumental sculptures by the French artist Yves Klein. They consist of one 7×20 m (×) monochrome sponge sculpture in a distinctive blue ("Gelsenkirchen Blue") because Klein's Internationa ...
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Lyric Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally ...
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Coloratura Soprano
A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice. Within the coloratura category, there are roles written specifically for lighter voices known as lyric coloraturas and others for larger voices known as dramatic coloraturas. Categories within a certain vocal range are determined by the size, weight and color of the voice. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color").''Oxford American Dictionaries''. Lyric coloratura soprano A very agile light voice with a high upper extension, capable of fast vocal coloratura. Lyric coloraturas have a range of approximately middle C ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Lyric Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Sepulchrave
Sepulchrave, Earl of Groan is a fictional character in the 1946 novel ''Titus Groan'', the first volume in the '' Gormenghast'' series of fantasy novels by English writer Mervyn Peake. Character Sepulchrave is the 76th Earl of Groan and Lord of Gormenghast, the gigantic, isolate citadel-state which forms the setting/otherworld for the Titus Groan novels of Mervyn Peake. He is father to Titus Groan and Fuchsia Groan, brother to Cora and Clarice Groan, and estranged husband to the Countess Gertrude. He is afflicted by an intense melancholia that leaves him psychologically paralyzed for most of the novel. The movements of his every waking hour are dictated by the "immemorial rites set down in the books of the lore of Groan", a canon of meaningless, endlessly cross-referenced and encoded ritual that forms the foundation of the decaying Gormenghast society. This lore is interpreted for Sepulchrave by his Master of Ritual, Sourdust, who meets him at a lavish breakfast every mornin ...
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Mime
Multipurpose Internet Mail Extensions (MIME) is an Internet standard that extends the format of email messages to support text in character sets other than ASCII, as well as attachments of audio, video, images, and application programs. Message bodies may consist of multiple parts, and header information may be specified in non-ASCII character sets. Email messages with MIME formatting are typically transmitted with standard protocols, such as the Simple Mail Transfer Protocol (SMTP), the Post Office Protocol (POP), and the Internet Message Access Protocol (IMAP). The MIME standard is specified in a series of requests for comments: , , , , and . The integration with SMTP email is specified in and . Although the MIME formalism was designed mainly for SMTP, its content types are also important in other communication protocols. In the HyperText Transfer Protocol (HTTP) for the World Wide Web, servers insert a MIME header field at the beginning of any Web transmission. Clients ...
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Titus Groan
''Titus Groan'' is a novel by Mervyn Peake, first published in 1946. It is the first novel in the ''Gormenghast'' series. Plot introduction The book is set in the huge castle of Gormenghast, a vast landscape of crumbling towers and ivy-filled quadrangles that has for centuries been the hereditary residence of the Groan family and with them a legion of servants. The Groan family is headed by Lord Sepulchrave, the seventy-sixth Earl of Groan. He is a melancholy man who feels shackled by his duties as Earl, although he never questions them. His only escape is reading in his library. His wife is the Countess Gertrude. Large and imposing, with dark red hair, she pays no attention to her family or to the rest of Gormenghast. Instead, she spends her time either in her bedroom or in walking selected areas, in the company of a legion of birds and her white cats that alone command her affections. Their daughter is 15-year-old Fuchsia Groan, attended to by the easily upset Nannie Slagg. ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Grand Théâtre De Luxembourg
The Grand Théâtre de Luxembourg, inaugurated in 1964 as the Théâtre Municipal de la Ville de Luxembourg is the city's major venue for drama, opera and ballet."Grand Théâtre de Luxembourg"
, ''Théâtre Info Luxembourg''. Retrieved 27 December 2010.
It underwent renovation work in 2002–2003 resulting in substantial improvements to the stage technology, acoustics and lighting facilities.


History

Since 1869, 's main theatre had been the located near the centre of the old town. In Dec ...
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World Heritage Site
A World Heritage Site is a landmark or area with legal protection by an international convention administered by the United Nations Educational, Scientific and Cultural Organization (UNESCO). World Heritage Sites are designated by UNESCO for having cultural, historical, scientific or other form of significance. The sites are judged to contain " cultural and natural heritage around the world considered to be of outstanding value to humanity". To be selected, a World Heritage Site must be a somehow unique landmark which is geographically and historically identifiable and has special cultural or physical significance. For example, World Heritage Sites might be ancient ruins or historical structures, buildings, cities, deserts, forests, islands, lakes, monuments, mountains, or wilderness areas. A World Heritage Site may signify a remarkable accomplishment of humanity, and serve as evidence of our intellectual history on the planet, or it might be a place of great natural beauty. A ...
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