Good Morning, School Girl
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Good Morning, School Girl
"Good Morning, School Girl" is a blues standard that has been identified as an influential part of the blues canon. Pre-war Chicago blues vocalist and harmonica pioneer John Lee "Sonny Boy" Williamson first recorded it in 1937. Subsequently, a variety of artists have recorded versions of the song, usually calling it "Good Morning Little Schoolgirl". Original song Sonny Boy Williamson I recorded "Good Morning, School Girl" in 1937 during his first recording session for Bluebird Records. The song is an uptempo blues with an irregular number of bars. Although identified with Chicago blues, a write-up in the Blues Hall of Fame notes "it was a product of Sonny Boy’s west Tennessee roots and his pre-Chicago ensemble work". The melody has been traced to “Back and Side Blues”, a 1934 blues song recorded by Son Bonds. "Good Morning, School Girl" features Williamson's vocal and harmonica with accompaniment by Big Joe Williams and Robert Lee McCoy (also known as Robert Nighthawk ...
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Sonny Boy Williamson I
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player, singer and songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of recordings by many pre–World War II blues artists. Under his own name, he was one of the most recorded blues musicians of the 1930s and 1940s and is closely associated with Chicago producer Lester Melrose and Bluebird Records. His popular songs, original or adapted, include "Good Morning, School Girl", " Sugar Mama", " Early in the Morning", and " Stop Breaking Down". Williamson's harmonica style was a great influence on postwar performers. Later in his career, he was a mentor to many up-and-coming blues musicians who moved to Chicago, including Muddy Waters. In an attempt to capitalize on Williamson's fame, Aleck "Rice" Miller began recording and performing as Sonny Boy Williamson in the early 1940s, and later, to distinguish the two, Joh ...
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Joe Hill Louis
Joe Hill Louis (September 23, 1921 – August 5, 1957), born Lester Hill, was an American singer, guitarist, harmonica player and one-man band. He was one of a small number of one-man blues bands (along with fellow Memphis bluesman Doctor Ross) to have recorded commercially in the 1950s. He was also a session musician for Sun Records. Life and career Early life Louis was born Lester (or possibly Leslie) Hill on September 23, 1921,Harris, 1989, p. 337. in Raines, Tennessee. His nickname "Joe Louis" arose as a result of a childhood fight with another youth. At the age of 14 he left home to work as a servant for a wealthy Memphis family. He also worked at the Peabody Hotel in Memphis in the late 1930s. From the early 1940s onwards he worked as a musician and one-man band. Recording and radio career Louis made his recording debut on Columbia Records in 1949, and his music was released on a variety of labels through the 1950s, such as Modern, Checker, Meteor, and Big Town. Loui ...
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Larry Williams
Larry Williams (born Lawrence Eugene Williams, a.k.a. Lawrence Edward Williams; May 10, 1935 – January 7, 1980) was an American rhythm and blues and rock and roll singer, songwriter, producer, and pianist from New Orleans, Louisiana. Williams is best known for writing and recording some rock and roll classics from 1957 to 1959 for Specialty Records, including " Bony Moronie", "Short Fat Fannie", "Slow Down", "Dizzy, Miss Lizzy" (1958), " Bad Boy" and "She Said Yeah" (1959). John Lennon was a fan, and The Beatles and several other British Invasion groups recorded several of his songs. Williams' life mixed tremendous success with violence and drug addiction. He was a longtime friend of Little Richard, with whom his life intertwined personally and professionally from their meeting in 1955 to Williams' death in 1980. Early life Born in New Orleans, Louisiana, on May 10, 1935, Williams moved west with his family early in his childhood. He spent some time with relatives in Chicago ...
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Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel music, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Bri ...
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I'm Ready (Muddy Waters Album)
''I'm Ready'' is a studio album by the Chicago blues musician Muddy Waters. The second of his Johnny Winter-produced albums for the Blue Sky Records label, ''I'm Ready'' was issued one year after he found renewed commercial and critical success with ''Hard Again''. The album earned Waters a Grammy Award in 1978. It was reissued in 2004 by the Epic/Legacy, with three additional songs. Track listing All tracks are composed by Muddy Waters (listed as McKinley Morganfield), except where noted. Personnel * Muddy Waters – vocal, guitar * Jimmy Rogers – guitar, vocals (track 11) * Big Walter Horton – harmonica * Bob Margolin – guitar, bass * Pinetop Perkins – piano * Willie "Big Eyes" Smith – drums * Johnny Winter – guitar (tracks 1, 3, 4, 5, 7, 9) * Jerry Portnoy Jerry Portnoy (born November 25, 1943 in Evanston, Illinois, United States) is an American harmonica blues musician, who has toured with Muddy Waters and Eric Clapto ...
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Live In New York (Fred McDowell Album)
''Live in New York'' is the final album recording by the American country blues musician Mississippi Fred McDowell. New York-based American independent Oblivion Records released the first edition in the Spring of 1972, months before McDowell's death in July 1972. A subsequent Oblivion issue with a one song substitution, and new and redesigned liner notes came out one year later. Recording Producer/engineer Fred Seibert (assisted by Roy "Slim" Langbord) recorded Fred McDowell's November 1971 performance at The Gaslight Cafe in Greenwich Village for radio broadcast over Columbia University's WKCR-FM, in New York City. He hosted the station's Saturday blues show and was hometown friends with McDowell's second on the performance, bassist Tom Pomposello. Recording was done with Shure Electronics microphones and mixers and a one-track monaural Nagra tape recorder. Editing was accomplished in one 14-hour session at WKCR using Ampex tape decks. Release The album has remained available ...
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Hoodoo Man Blues
''Hoodoo Man Blues'' is the debut album of blues vocalist and harmonica player Junior Wells, performing with the Junior Wells' Chicago Blues Band, an early collaboration with guitarist Buddy Guy. Released on LP by Delmark Records in November 1965,Koester, BobCan I do it like I want to? Bob Koester remembers Junior Wells Delmark. Accessed October 5, 2020. the album has been subsequently reissued on CD and LP by Delmark and Analogue Productions. The album of Chicago blues music was solicited by Bob Koester, the founder of Delmark Records, who liked Wells' music enough to give the musician considerable freedom on the album despite concerns of commercial response. The resultant innovative album became Delmark's best-seller, establishing Wells' career and receiving critical acclaim as being among the best albums Wells ever produced and among the greatest blues albums ever made. Background Record producer Bob Koester, the founder of Delmark Records who is credited with discovering We ...
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Chicago Blues
Chicago blues is a form of blues music developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. It developed alongside the Great Migration of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as the Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive. Muddy Waters, a colleague of Delta blues musicians Son House and Robert Johnson, migrated to Chicago in 1943, joining the established Big Bill Broonzy, where they developed a distinctive style of blues music. Joined by artists such as Willie Dixon, Howlin' Wolf, and John Lee Hooker, Chicago Blues reached an international audience by the late 1950s and early 1960s, directly influencing not only the development of early rock and roll musicians such as Chuck Berry and Bo Diddley, bu ...
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Buddy Guy
George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues who has influenced generations of guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaughan, Jeff Beck, Gary Clark Jr. and John Mayer. In the 1960s, Guy played with Muddy Waters as a session guitarist at Chess Records and began a musical partnership with blues harp virtuoso Junior Wells. Guy has won eight Grammy Awards and a Lifetime Achievement Award, the National Medal of Arts, and the Kennedy Center Honors. Guy was ranked 23rd in ''Rolling Stone'' magazine's " 100 Greatest Guitarists of All Time". His song "Stone Crazy" was ranked 78th in the ''Rolling Stone'' list of the "100 Greatest Guitar Songs of All Time". Clapton once described him as "the best guitar player alive". In 1999, Guy wrote the book ''Damn Right I've Got the Blues'', with Donald Wilcock. His autobiography, ''When I Left Home: My Story'', was publ ...
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Junior Wells
Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song "Messin' with the Kid" and his 1965 album ''Hoodoo Man Blues'', described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues. Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him "one of the rare active survivors of the 'golden age of the blues. Life and career Early years Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his ...
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Doctor Ross
Isaiah Ross (October 21, 1925 – May 28, 1993), known as Doctor Ross, was an American blues musician who usually performed as a one-man band, simultaneously singing and playing guitar, harmonica, and drums. Ross's primal style has been compared to John Lee Hooker, Blind Boy Fuller and Sonny Boy Williamson I. Early life Charles Isaiah Ross was born on October 21, 1925 in the Mississippi Delta town of Tunica, Mississippi, one of eleven children in a farming family of mixed African-American and Native American heritage. His first instrument was the harmonica, which he learned to play at age nine. Ross served in the United States Army from 1943 to 1948 in the Pacific Theater, and again from 1950 to 1951. He married shortly after leaving the army. During his service, Ross had accrued a collection of army medical books which, along with his habit of carrying his harmonicas in a doctor's bag, earned him the nickname "Doctor Ross." Career Ross made his professional debut in 1 ...
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Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ...
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