Good Golly, Miss Molly
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Good Golly, Miss Molly
"Good Golly, Miss Molly" is a hit rock 'n' roll song first recorded in 1956 by the American musician Little Richard and released in January 1958 as Specialty single 624 and next in July 1958 on ''Little Richard''. The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4. Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 94 on the ''Rolling Stone'' magazine's list of the 500 Greatest Songs of All Time. Song origin Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick. He modified the lyrics into the more su ...
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Little Richard
Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American musician, singer, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the " Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations. "Tutti Frutti" (1955), one of Richard's signature songs, became an instant hit, crossing over to the pop charts in both the United States and the United Kingdom. His next ...
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Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel music, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Bri ...
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Okeh Records
Okeh Records () is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Otto K. E. Heinemann but later changed to "OKeh". Since 1926, Okeh has been a subsidiary of Columbia Records, a subsidiary of Sony Music. Okeh is a jazz imprint, distributed by Sony Masterworks, a specialty label of Columbia. Early history Okeh was founded by Otto (Jehuda) Karl Erich Heinemann (Lüneburg, Germany, 20 December 1876 - New York, USA, 13 September 1965) a German-American manager for the U.S. branch of Odeon Records, which was owned by Carl Lindstrom. In 1916, Heinemann incorporated the Otto Heinemann Phonograph Corporation, set up a recording studio and pressing plant in New York City, and started the label in 1918. The first discs were vertical cut, but later the more common lateral-cut method was used. The label's parent ...
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The Wild And Frantic Little Richard
''The Wild and Frantic Little Richard'' is the second and last Little Richard album released on the Modern Records label. It is composed of songs released on singles during his time with the label, live tracks, and material licensed or left over from Vee-Jay. (Little Richard produced Vee-Jay 1107). Some tracks released on 45 were different versions, shorter or longer, with or without horns and overdubs. Live material appears to be from 1 December 1965, at the Domino Club, Atlanta, Georgia. Studio from 31 August 1964, Los Angeles; 1 January 1966, Memphis. Track listing #"Baby What You Want Me to Do" (live) (Grant Higgins) #"Do the Jerk" ka "Get Down With It"(live?) #"Directly From My Heart" (Penniman) #"I'm Back" (Penniman) #"Holy Mackerel" (Mitchell, Penniman) #"Good Golly, Miss Molly" (live) (John Marascalco, Robert Blackwell) #"Send Me Some Lovin'" (live) (Charles Price, John Marascalco) #"Groovy Little Suzy" xtended version of the Vee-Jay track(John Marascalco) #"Baby Don't Yo ...
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Modern Records
Modern Records (Modern Music Records before 1947) was an American record company and label formed in 1945 in Los Angeles by the Bihari brothers. Modern's artists included Etta James, Joe Houston, Little Richard, Ike & Tina Turner and John Lee Hooker. The label released some of the most influential blues and R&B records of the 1940s and 1950s. History In the beginning, Modern bought master recordings from other small labels. The Biharis also often used pseudonyms to give themselves writing credit on songs. Having started as an R&B label, Modern was later one of the few R&B labels to routinely cover rhythm and blues hits on other labels, apparently in an attempt to broaden their appeal and reach the popular market. In 1958, the Bihari brothers formed Kent Records and stopped issuing records on Modern. In 1964, the Modern was revived and the Ikettes released a few successful singles in 1965, but the company became bankrupt a few years later and ceased operations. The catalog wen ...
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Little Richard's Greatest Hits
''Little Richard's Greatest Hits'' (with various titles and cover art) is an album of Little Richard songs re-recorded in 1964 and first released in the US by Vee-Jay Records in January 1965. It features updated versions of twelve of his best-known songs originally recorded in the 1950s for Specialty Records. Some of these re-recordings use different musical arrangements, including unusual syncopation, tambourine and jazz horns. Background Little Richard recorded forty-six songs for Vee-Jay Records, but nearly half of them were unreleased when the company filed for bankruptcy in January 1966. Eventually, they were compiled onto albums, such as: '' Mr. Big'' (1971), '' Rip It Up'' (1973) and '' Talkin' 'Bout Soul'' (1974). During the brief time Jimi Hendrix toured with Richard, he recorded at least twelve songs: “I Don't Know What You Got (But It's Got Me)” , “Dancing All Around the World” (aka “Dance A Go Go”) and “You Better Stop”, are perhaps the only ones be ...
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Vee-Jay Records
Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll. The label was founded in Gary, Indiana in 1953 by Vivian Carter and James C. Bracken, a husband-and-wife team who used their initials for the label's name.Thompson, Dave (2002). ''A Music Lover's Guide to Record Collecting'', pp. 286-89. San Francisco: Backbeat Books. . Vivian's brother, Calvin Carter, was the label's A&R man. Ewart Abner, formerly of Chance Records, joined the label in 1955, first as manager, then as vice president, and ultimately as president. One of the earliest African American-owned record companies, Vee-Jay quickly became a major R&B label, with the first song recorded, the Spaniels' "Baby It's You," making it to the top ten on the national R&B charts. Notable artists Major acts on the label in the 1950s included blues singers Jimmy Reed, Memphis Slim, and John Lee Hooker, and rhythm and blues vocal g ...
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Art Rupe
Arthur Newton Rupe (born Arthur Goldberg; September 5, 1917 – April 15, 2022) was an American music executive and record producer. He founded Specialty Records, known for its rhythm and blues, blues, gospel and early rock and roll music recordings, in Los Angeles in 1946. Early years Rupe was born Arthur Goldberg. He was born to a working-class Jewish family on September 5, 1917, in the Pittsburgh suburb of Greensburg, Pennsylvania. Rupe grew up in the nearby suburb of McKeesport. His father was a factory worker who had immigrated from Galicia, and his mother was a housewife born in Pittsburgh. As a boy, he listened to music sung at a local black Baptist church. He attended college at Virginia Tech, Miami University, and University of California, Los Angeles. During World War II, he worked for a shipbuilding company in Los Angeles. Along the way, he changed his surname from Goldberg to Rupe, which was an ancestral name. Career Toward the end of the war, Rupe resolved to ge ...
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Earl Palmer
Earl Cyril Palmer (October 25, 1924 – September 19, 2008) was an American drummer. Considered one of the inventors of rock and roll, he is a member of the Rock and Roll Hall of Fame. Palmer was one of the most prolific studio musicians of all time and played on thousands of recordings, including nearly all of Little Richard's hits, all of Fats Domino's hits, "You've Lost That Lovin' Feelin'" by the Righteous Brothers, and a long list of classic TV and film soundtracks. According to one obituary, "his list of credits read like a Who's Who of American popular music of the last 60 years". Biography Born into a show-business family in New Orleans and raised in the Tremé district, Palmer started his career at five as a tap dancer, joining his mother and aunt on the black vaudeville circuit in its twilight and touring the country extensively with Ida Cox's Darktown Scandals Review. His father is thought to have been the local pianist and bandleader Walter "Fats" Pichon. Palmer ...
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Frank Fields
Frank Nomer Fields (May 2, 1914 – September 18, 2005) was an American double bass player who was involved in many R&B, rock and roll and jazz recordings made in New Orleans. He was born in Plaquemine, Louisiana. In the 1930s, he played with local jazz groups and with bandleader Claiborne Williams. After serving in the US Navy during World War II, he joined Dave Bartholomew's band as bass player, and became one of the key session musicians at Cosimo Matassa's J&M Studios in New Orleans, along with guitarist Ernest McLean, drummer Earl Palmer, pianist Salvador Doucette, and saxophonists Lee Allen and Red Tyler. Fields played on many of the seminal rhythm and blues and early rock and roll records made in New Orleans, including Fats Domino's " The Fat Man" (recorded in 1949), and many of Domino's later hits; Little Richard's "Tutti Frutti" (1955) and his later records on Specialty; and recordings by Professor Longhair, Smiley Lewis, Shirley & Lee, Lloyd Price, Huey "Piano ...
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Roy Montrell
Roy Montrell (27 February 1928 – 16 May 1979) was an American rhythm & blues guitarist who performed on hundreds of records produced in New Orleans. Born Raymond Eustis Montrell, in New Orleans, Louisiana,Bob L. Eagle, Eric S. LeBlanc, ''Blues: A Regional Experience'', ABC-CIO, 2013, p.176 he performed as a session musician for many famous artists, as well as playing in Fats Domino's band.Biography by Bruce Eder, ''Allmusic.com''
Retrieved 15 September 2015
He played on Little Richard's " Lucille", "Heeby-Jeebies", and "All Around the World," all charting R&B hits recorded i ...
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Alvin Tyler
Alvin Owen "Red" Tyler (December 5, 1925 – April 3, 1998) was an American R&B and neo-bop jazz saxophonist, composer and arranger, regarded as "one of the most important figures in New Orleans R&B". Biography Born and raised in New Orleans, Tyler was known as "Red" because of his light tanned skin. Dik de Heer, "Alvin 'Red' Tyler", ''Black Cat Rockabilly'', 2012
Retrieved 28 October 2015
He grew up listening to the city's marching bands. He began playing saxophone after he joined the US Army in 1945, and after his discharge joined the Grunewald School of Music. In 1949 he joined ’s R&B band, whose other members included
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