Gone With The Wind (film)
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Gone With The Wind (film)
''Gone with the Wind'' is a 1939 American epic historical romance film adapted from the 1936 novel by Margaret Mitchell. The film was produced by David O. Selznick of Selznick International Pictures and directed by Victor Fleming. Set in the American South against the backdrop of the American Civil War and the Reconstruction era, the film tells the story of Scarlett O'Hara ( Vivien Leigh), the strong-willed daughter of a Georgia plantation owner, following her romantic pursuit of Ashley Wilkes (Leslie Howard), who is married to his cousin, Melanie Hamilton (Olivia de Havilland), and her subsequent marriage to Rhett Butler (Clark Gable). The film had a troubled production. The start of filming was delayed for two years until January 1939 because of Selznick's determination to secure Gable for the role of Rhett. The role of Scarlett was difficult to cast, and 1,400 unknown women were interviewed for the part. The original screenplay by Sidney Howard underwent many revisions ...
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Victor Fleming
Victor Lonzo Fleming (February 23, 1889 – January 6, 1949) was an American film director, cinematographer, and producer. His most popular films were ''Gone with the Wind (film), Gone with the Wind'', for which he won an Academy Award for Best Director, and ''The Wizard of Oz (1939 film), The Wizard of Oz'' (both 1939). Fleming has those same two films listed in the top 10 of the American Film Institute's 2007 AFI's 100 Years...100 Movies (10th Anniversary Edition), AFI's 100 Years...100 Movies list. Biography Early life Fleming was born at the Banbury Ranch near what is now La Cañada Flintridge, California, the son of Eva (née Hartman) and William Richard Lonzo Fleming. Career He served in the photographic section for the United States Army during World War I, and acted as chief photographer for President Woodrow Wilson in Treaty of Versailles, Versailles, France. Beginning in 1918, Fleming taught at and headed Columbia University's School of Military Cinematography, traini ...
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American Film Institute
The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Leadership The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007). History The American Film Institute was founded by a 1965 presidential mandate announced in the Rose Garden of the White House by Lyndon B. Johnson—to establish a national arts organization to preserve the legacy of American film heritage, educate the next generation of filmmaker ...
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Ashley Wilkes
George Ashley Wilkes is a fictional character in Margaret Mitchell's 1936 novel ''Gone with the Wind (novel), Gone with the Wind'' and the 1939 Gone with the Wind (film), film of the same name. The character also appears in the 1991 book ''Scarlett (Ripley novel), Scarlett'', a sequel to ''Gone with the Wind'' written by Alexandra Ripley, and in ''Rhett Butler's People'' (2007) by Donald McCaig. Fictional biography Ashley is the man with whom Scarlett O'Hara is obsessed. Gentlemanly yet indecisive, he loves Scarlett, but finds he has more in common with Melanie Hamilton, Melanie, his first cousin and later his wife. However, he is tormented by his attraction to Scarlett. Unfortunately for him and Scarlett, his failure to deal with his true feelings for her ruins any chance she has for real happiness with Rhett Butler. Ashley is a complicated character. He is not sympathetic to the cause of the North. However, he isn't an ardent Confederate patriot, either. What Ashley loves abou ...
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Scarlett O'Hara
Katie Scarlett O'Hara Hamilton Kennedy Butler is a fictional character and the protagonist in Margaret Mitchell's 1936 novel ''Gone with the Wind'' and in the 1939 film of the same name, where she is portrayed by Vivien Leigh. She also is the main character in the 1970 musical '' Scarlett'' and the 1991 book '' Scarlett'', a sequel to ''Gone with the Wind'' that was written by Alexandra Ripley and adapted for a television mini-series in 1994. During early drafts of the original novel, Mitchell referred to her heroine as "Pansy", and did not decide on the name "Scarlett" until just before the novel went to print. Biography Scarlett O'Hara is the oldest living child of Gerald O'Hara and Ellen O'Hara (née Robillard). She was born in 1845 on her family's plantation Tara in Georgia. She was named Katie Scarlett, after her father's mother, but is always called Scarlett, except by her father, who refers to her as "Katie Scarlett". She is from a Catholic family of Irish ancestry on h ...
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Reconstruction Era
The Reconstruction era was a period in American history following the American Civil War (1861–1865) and lasting until approximately the Compromise of 1877. During Reconstruction, attempts were made to rebuild the country after the bloody Civil War, bring the former Confederate states back into the United States, and to redress the political, social, and economic legacies of slavery. During the era, Congress abolished slavery, ended the remnants of Confederate secession in the South, and passed the 13th, 14th, and 15th Amendments to the Constitution (the Reconstruction Amendments) ostensibly guaranteeing the newly freed slaves (freedmen) the same civil rights as those of whites. Following a year of violent attacks against Blacks in the South, in 1866 Congress federalized the protection of civil rights, and placed formerly secessionist states under the control of the U.S. military, requiring ex-Confederate states to adopt guarantees for the civil rights of free ...
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American Civil War
The American Civil War (April 12, 1861 – May 26, 1865; also known by other names) was a civil war in the United States. It was fought between the Union ("the North") and the Confederacy ("the South"), the latter formed by states that had seceded. The central cause of the war was the dispute over whether slavery would be permitted to expand into the western territories, leading to more slave states, or be prevented from doing so, which was widely believed would place slavery on a course of ultimate extinction. Decades of political controversy over slavery were brought to a head by the victory in the 1860 U.S. presidential election of Abraham Lincoln, who opposed slavery's expansion into the west. An initial seven southern slave states responded to Lincoln's victory by seceding from the United States and, in 1861, forming the Confederacy. The Confederacy seized U.S. forts and other federal assets within their borders. Led by Confederate President Jefferson Davis, ...
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American South
The Southern United States (sometimes Dixie, also referred to as the Southern States, the American South, the Southland, or simply the South) is a geographic and cultural region of the United States of America. It is between the Atlantic Ocean and the Western United States, with the Midwestern and Northeastern United States to its north and the Gulf of Mexico and Mexico to its south. Historically, the South was defined as all states south of the 18th century Mason–Dixon line, the Ohio River, and 36°30′ parallel.The South
. ''Britannica.com''. Retrieved June 5, 2021.
Within the South are different subregions, such as the

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Romance Film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, a ...
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Historical Drama
A historical drama (also period drama, costume drama, and period piece) is a work set in a past time period, usually used in the context of film and television. Historical drama includes historical fiction and romance film, romances, adventure films, and swashbucklers. A period piece may be set in a vague or general era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past. Scholarship Films set in historical times have always been some of the most popular works. D. W. Griffith's ''The Birth of a Nation'' and Buster Keaton's ''The General (1926 film), The General'' are examples of popular early American works set during the U.S. Civil War. In different eras different subgenres have risen to popularity, such as the westerns and sword and sandal films that dominated North American cinema in the 1950s. The ''costume drama'' is often separated as a genre of historical dramas. Early critics defined them as films focusing on romance and relation ...
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Epic Film
Epic films are a style of filmmaking with large-scale, sweeping scope, and spectacle. The usage of the term has shifted over time, sometimes designating a film genre and at other times simply synonymous with big-budget filmmaking. Like epics in the classical literary sense it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other types of film such as the period piece or adventure film. Epic historical films would usually take a historical or a mythical event and add an extravagant setting and lavish costumes, accompanied by an expansive musical score with an ensemble cast, which would make them among the most expensive of films to produce. The most common subjects of epic films are royalty, and important figures from various periods in world history. Characteristics The term "epic" originally came from the poetic genre exemplified by such works as the ''Epic of Gilgamesh'' and the works of the Trojan War Cycle. In classical litera ...
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Entr'acte
(or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''intermezzo'', Spanish: ') means "between the acts". It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. In the case of stage musicals, the ''entr'acte'' serves as the overture of act 2 (and sometimes acts 3 and 4, as in ''Carmen''). In films that were meant to be shown with an intermission, there was frequently a specially recorded ''entr'acte'' on the soundtrack between the first and second half of the film, although this practice eventually died out. Origin Originally ''entr'actes'' resulted from stage curtains being closed for set or costume ...
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Intermission
An intermission, also known as an interval in British and Indian English, is a recess between parts of a performance or production, such as for a theatrical play, opera, concert, or film screening. It should not be confused with an entr'acte (French: "between acts"), which, in the 18th century, was a sung, danced, spoken, or musical performance that occurs between any two acts, that is unrelated to the main performance, and that thus in the world of opera and musical theater became an orchestral performance that spans an intermission and leads, without a break, into the next act. Jean-François Marmontel and Denis Diderot both viewed the intermission as a period in which the action did not in fact stop, but continued off-stage. "The interval is a rest for the spectators; not for the action," wrote Marmontel in 1763. "The characters are deemed to continue acting during the interval from one act to another." However, intermissions are more than just dramatic pauses that are parts ...
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