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Golden Age Of Mexican Cinema
The Golden Age of Mexican cinema ( es, Época de Oro del Cine Mexicano) is a period in the history of the Cinema of Mexico between 1930 and 1969 when the Mexican film industry reached high levels of production, quality and economic success of its films, besides having gained recognition internationally. It began with the film ''Allá en el Rancho Grande'' (1936), directed by Fernando de Fuentes. In 1939, during World War II, the film industry in the US and Europe declined, because the materials previously destined for film production now were for the new arms industry. Many countries began to focus on making films about war, leaving an opportunity for Mexico to produce commercial films for the Mexican and Latin American markets. This cultural environment favored the emergence of a new generation of directors and actors considered to date, icons in Mexico and in Hispanic countries and Spanish-speaking audiences. Mexican cinema of the Golden Age is also credited with propelling Mex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Guízar
Federico Arturo Guízar Tolentino (; April 8, 1908 – December 24, 1999), known professionally as Tito Guízar, was a Mexican singer and actor. Along with Dolores del Río, Ramón Novarro and Lupe Vélez, as well as José Mojica, Guízar was among the few Mexicans who made history in the early years of Hollywood. Career In a career that spanned over seven decades, Guízar trained early as an opera singer and traveled to New York City in 1929 to record the songs of Agustín Lara. In addition, Guízar performed both operatic and Mexican popular songs at Carnegie Hall, but he succeeded with his arrangements of popular Mexican and Spanish melodies such as ''Cielito Lindo'', ''La Cucaracha'' (''The Cockroach''), ''Granada'', and ''You Belong to My Heart'' (English version of ''Solamente una Vez''). In 1936, his song "Allá en el Rancho Grande" ("There on the Big Ranch") launched the singing ''charro'' in Mexico after appearing in the film of the same name, succeeding as well in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa (1932 Film)
''Santa'' (1932) is the first Mexican narrative sound film. It was directed by Antonio Moreno and starred Lupita Tovar, based on the novel of the same name by Federico Gamboa. It had its world premiere in San Antonio. In 1994, the Mexican magazine Somos published their list of "The 100 best movies of the cinema of Mexico" in its 100th edition and named Santa its 67th choice. Plot A Mexican girl named Santa (Tovar) is seduced and abandoned by a soldier, Marcelino. Rejected by her family and friends, she finds shelter in a brothel in Mexico City. After meeting Santa, the blind piano player Hipólito (Orellana) falls in love with her but is ridiculed by those around him. After she is rejected by her romantic partner Jarameno (due to the meddling of a suddenly returned Marcelino), Hipólito invites Santa to live with him and they attend church together. Later Santa becomes ill and Hipólito goes to the hospital to be with her but she passes away. Cast * Lupita Tovar as Santa * Carl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannes Film Festival
The Cannes Festival (; french: link=no, Festival de Cannes), until 2003 called the International Film Festival (') and known in English as the Cannes Film Festival, is an annual film festival held in Cannes, France, which previews new films of all genres, including Documentary film, documentaries, from all around the world. Founded in 1946, the invitation-only festival is held annually (usually in May) at the Palais des Festivals et des Congrès. The festival was formally accredited by the FIAPF in 1951. On 1 July 2014, co-founder and former head of French pay-TV operator Canal+, Pierre Lescure, took over as President of the Festival, while Thierry Frémaux became the General Delegate. The board of directors also appointed Gilles Jacob as Honorary President of the Festival. It is one of the "Big Three" major European film festivals, alongside the Venice Film Festival in Italy and the Berlin International Film Festival in Germany, as well as one of the "Big Five" major interna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Palm
The Palme d'Or (; en, Golden Palm) is the highest prize awarded at the Cannes Film Festival. It was introduced in 1955 by the festival's organizing committee. Previously, from 1939 to 1954, the festival's highest prize was the Grand Prix du Festival International du Film. In 1964, The Palme d'Or was replaced again by the Grand Prix, before being reintroduced in 1975. The Palme d'Or is widely considered one of the film industry's most prestigious awards. History In 1954, the festival decided to present an award annually, titled the Grand Prix of the International Film Festival, with a new design each year from a contemporary artist. The festival's board of directors invited several jewellers to submit designs for a palm, in tribute to the coat of arms of the city of Cannes, evoking the famous legend of Saint Honorat and the palm trees lining the famous Promenade de la Croisette. The original design by Parisian jeweller Lucienne Lazon, inspired by a sketch by director Jean ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pearl (film)
''La perla'' (''The Pearl'') is a 1947 Mexican-American film directed by Emilio Fernández. It is based on the 1947 novella '' The Pearl'' by John Steinbeck, who also co-wrote the screenplay. In 2002, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Plot summary In a fishing village in La Paz, Mexico, pearl fisherman Kino (Armendáriz) and his wife Juana (Marqués) are in anguish because their infant son Juanito was stung by a scorpion. The nearest doctor, a foreigner, refuses to treat him without adequate payment and he is taken instead to a traditional healer (curandero). The doctor does not want anything to do with the natives. Later, the doctor and his brother (Wagner), a loan shark, meet Kino after he finds a valuable pearl and they decide to steal it from him. The opening scene shows waves crashing and people of the village standing on the beach wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
María Candelaria
''María Candelaria'' is a 1943 Mexican romantic film directed by Emilio Fernández and starring Dolores del Río and Pedro Armendáriz. It was the first Mexican film to be screened at the Cannes International Film Festival where it won the Grand Prix (now known as the Palme d'Or) becoming the first Latin American film to do so. ''María Candelaria'' would later win a Silver Ariel award for Best Cinematography. The film came to be regarded as one of Fernández's best works, in which he portrays the indigenous people of Mexico with innocence and dignity. Fernández has said that he wrote an original version of the plot on 13 napkins while sitting in a restaurant. He was anxious because he was dating Dolores del Río and could not afford to buy her a birthday present. The film was originally titled ''Xochimilco'' and the protagonist was named María del Refugio. Major themes in the film include melodrama, indigenousness, nationalism, and the beauty of Mexico. ''María Candelaria'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolores Del Río
María de los Dolores Asúnsolo y López Negrete (3 August 1904 – 11 April 1983), known professionally as Dolores del Río (), was a Mexican actress. With a career spanning more than 50 years, she is regarded as the first major female Latin American crossover star in Hollywood. Along with a notable career in American cinema during the 1920s and 1930s, she was also considered one of the most important female figures in the Golden Age of Mexican cinema, and one of the most beautiful actresses of her era. After being discovered in Mexico, she began her film career in Hollywood in 1925. She had roles on a string of successful films, including ''Resurrection'' (1927), ''Ramona'' (1928) and ''Evangeline'' (1929). Del Río came to be considered a sort of feminine version of Rudolph Valentino, a "female Latin Lover", in her years during the American " silent" era. With the advent of sound, she acted in a range of film genres, from contemporary crime melodramas to musical comedies and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Armendariz
Pedro is a masculine given name. Pedro is the Spanish, Portuguese, and Galician name for ''Peter''. Its French equivalent is Pierre while its English and Germanic form is Peter. The counterpart patronymic surname of the name Pedro, meaning "son of Peter" (compare with the English surname Peterson) is Pérez in Spanish, and Peres in Galician and Portuguese, Pires also in Portuguese, and Peiris in coastal area of Sri Lanka (where it originated from the Portuguese version), with all ultimately meaning "son of Pêro". The name Pedro is derived via the Latin word "petra", from the Greek word "η πέτρα" meaning "stone, rock". The name Peter itself is a translation of the Aramaic ''Kephas'' or '' Cephas'' meaning "stone". An alternate archaic spelling is ''Pêro''. Pedro may refer to: Notable people Monarchs, mononymously *Pedro I of Portugal *Pedro II of Portugal *Pedro III of Portugal *Pedro IV of Portugal, also Pedro I of Brazil *Pedro V of Portugal *Pedro II of Bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Figueroa
Gabriel Figueroa Mateos (April 24, 1907 – April 27, 1997) was a Mexican cinematographer who is regarded as one of the greatest cinematographers of the Golden Age of Mexican cinema. He has worked in over 200 films, which cover a broad range of genres, and is best known for his technical dominance, his careful handling of framing and chiaroscuro, and affinity for the aesthetics of artists. Early life and career Born in 1907, Figueroa grew up in Mexico City, where he studied painting at the Academy of San Carlos, and violin at the National Conservatory. He was the grandson of the famous lawyer, journalist and liberal writer Juan A. Mateos and first cousin to Mexican president Adolfo Lopez Mateos. His mother died after giving birth to him and his father, unable to cope with the loss of his wife, left Gabriel and his brother Roberto to be cared for by their aunts. He then fled to Paris, where he eventually succumbed to alcohol and despair. When the family fortune ran dry, Figuero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio Fernández
Emilio "El Indio" Fernández Romo (; 26 March 1904 – 6 October 1986) was a Mexican film director, actor and screenwriter. He was one of the most prolific film directors of the Golden Age of Mexican cinema in the 1940s and 1950s. He is best known for his work as director of the film ''María Candelaria'' (1944), which won the Palme d'Or award at the 1946 Cannes Film Festival. As an actor, he worked in numerous film productions in Mexico and in Hollywood. Early life Born in Sabinas, Coahuila, on 26 March 1904, Emilio Fernández Romo was the son of a revolutionary general, while his mother was a descendant of Kickapoo Indians. He was the father of the Mexican actor Jaime Fernández. From his parents he inherited a deep feeling and love for his country, as well as its customs and indigenous beliefs, that led him to build his personality as a man of impetuous character. From his earliest years and throughout his life, he was characterized by a strong personality, brash characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Flower (1943 Film)
''Wild Flower'' (Spanish: ''Flor silvestre'') is a 1943 Mexican historical film directed by Emilio Fernández and starring Dolores del Río and Pedro Armendáriz. It is the first Mexican movie of Dolores del Río after her career in Silent and Golden Age's Hollywood films. It's the first movie of an extended collaboration between Fernández-Del Rio-Armendáriz, Gabriel Figueroa (cinematography) and Mauricio Magdaleno (writer). It also marked the debut of Emilia Guiú in a small role as an extra. The film is considered one of the defining films of the Golden Age of Mexican cinema. Plot In a small village in central Mexico in the early twentieth century, José Luis, son of the landowner Don Francisco, secretly marries Esperanza, a beautiful, but humble peasant. Disgusted by the wedding and because his son has become in a revolutionary, Don Francisco disinherits his son and kicks him out of his house. After the triumph of the Mexican Revolution, the couple lives happily until Jose L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexico City
Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One of the world's alpha cities, it is located in the Valley of Mexico within the high Mexican central plateau, at an altitude of . The city has 16 boroughs or ''demarcaciones territoriales'', which are in turn divided into neighborhoods or ''colonias''. The 2020 population for the city proper was 9,209,944, with a land area of . According to the most recent definition agreed upon by the federal and state governments, the population of Greater Mexico City is 21,804,515, which makes it the sixth-largest metropolitan area in the world, the second-largest urban agglomeration in the Western Hemisphere (behind São Paulo, Brazil), and the largest Spanish language, Spanish-speaking city (city proper) in the world. Greater Mexico City has a gross domestic product, GDP of $411 billion in 2011, which makes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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