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Gold Digger
Gold digger is a term for a person, typically a woman, who engages in a type of transactional relationship for money rather than love. If it turns into marriage, it is a type of marriage of convenience. Etymology and usage The term "gold digger" is a slang term that has its roots among chorus girls and sex workers in the early 20th century. In print, the term can be found in Rex Beach's 1911 book, ''The Ne'er-Do-Well'', and in the 1915 memoir ''My Battles with Vice'' by Virginia Brooks. The ''Oxford Dictionary'' and ''Random House's Dictionary of Historical Slang'' state the term is distinct for women because they were much more likely to need to marry a wealthy man in order to achieve or maintain a level of socioeconomic status. The term rose in usage after the popularity of Avery Hopwood's play '' The Gold Diggers'' in 1919. Hopwood first heard the term in a conversation with Ziegfeld performer Kay Laurell. As an indication on how new the slang term was, Broadway pr ...
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Gold Diggers Of Broadway Lobby Card
Gold is a chemical element with the symbol Au (from la, aurum) and atomic number 79. This makes it one of the higher atomic number elements that occur naturally. It is a bright, slightly orange-yellow, dense, soft, malleable, and ductile metal in a pure form. Chemically, gold is a transition metal and a group 11 element. It is one of the least reactive chemical elements and is solid under standard conditions. Gold often occurs in free elemental (native state), as nuggets or grains, in rocks, veins, and alluvial deposits. It occurs in a solid solution series with the native element silver (as electrum), naturally alloyed with other metals like copper and palladium, and mineral inclusions such as within pyrite. Less commonly, it occurs in minerals as gold compounds, often with tellurium (gold tellurides). Gold is resistant to most acids, though it does dissolve in aqua regia (a mixture of nitric acid and hydrochloric acid), forming a soluble tetrachloroaurate anion. Gold i ...
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Eleanor Holm
Eleanor G. Holm (December 6, 1913 – January 31, 2004) was an American competition swimmer and Olympic gold medalist. An Olympian in 1928 and 1932, she was expelled from the 1936 Summer Olympics team by Avery Brundage under controversial circumstances. She went on to have a high-profile career as a socialite and interior designer, and co-starred in a Hollywood Tarzan movie, ''Tarzan's Revenge''. Biography Holm was born in Brooklyn, New York, the daughter of a fireman and cousin to professional basketball player Bobby Holm. She learned to swim while very young. Winning her first national swimming title at age 13, she was selected to compete in the 1928 Summer Olympics, where she finished fifth in her specialty, the 100-meter backstroke. She was talented in several other strokes as well, winning several American titles in the 300-yard medley event. At the 1932 Summer Olympics in Los Angeles, Holm won the gold medal in her favorite event, though defending champion Marie Braun ...
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Havana Widows
''Havana Widows'' is a 1933 American pre-Code comedy film directed by Ray Enright, starring Joan Blondell and Glenda Farrell. It was released by Warner Bros. on November 18, 1933. Two chorus girls travel to Havana in search of rich husbands. Their target is Deacon Jones, a self-appointed moralist who cannot drink without getting drunk. The film is the first of a series of five movies by Warner Bros. where Blondell and Farrell were paired as blonde bombshell comedy team, throughout the early 1930s. The other films in the series include ''Kansas City Princess'' (1934), '' Traveling Saleslady'' (1935), '' We're in the Money'' (1935) and '' Miss Pacific Fleet'' (1935). Four of the five films were directed by Ray Enright. Farrell and Blondell also co-starred in other Warner Bros. movies: ''Three on a Match'' (1932), '' I've Got Your Number'' (1934) and ''Gold Diggers of 1937'' (1936). Plot Mae Knight (Joan Blondell) and Sadie Appleby (Glenda Farrell), chorus line dancers in a New Y ...
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Dinner At Eight (1933 Film)
''Dinner at Eight'' is a 1933 American pre-Code comedy-drama film directed by George Cukor from a screenplay by Frances Marion and Herman J. Mankiewicz, based on George S. Kaufman and Edna Ferber's 1932 play of the same title. The film features an ensemble cast of Marie Dressler, John Barrymore, Wallace Beery, Jean Harlow, Lionel Barrymore, Lee Tracy, Edmund Lowe, and Billie Burke. ''Dinner at Eight'' continues to be acclaimed by critics; review aggregator Rotten Tomatoes reports an approval rating of 90% based on 21 reviews. Plot New York City society matron Millicent Jordan is overjoyed when she receives word that Lord and Lady Ferncliffe, the richest couple in England, have accepted her invitation to her upcoming dinner party. However, her husband Oliver, a shipping magnate, finds Lord Ferncliffe a bore. Their daughter, Paula, is preoccupied with the impending return of her fiancé, Ernest DeGraff, from Europe. Oliver asks Millicent to invite legendary stage actress Carlot ...
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Red-Headed Woman
''Red-Headed Woman'' is a 1932 American pre-Code romantic comedy film, produced by Metro-Goldwyn-Mayer, based on the 1931 novel of the same name by Katharine Brush, and a screenplay by Anita Loos. It was directed by Jack Conway and stars Jean Harlow as a woman who uses sex to advance her social position. During the course of the film, Harlow's character breaks up a marriage, has multiple affairs, has premarital sex, and attempts to kill a man. Plot Lillian "Lil" Andrews (Jean Harlow) is a young woman, living in Ohio, who will do anything to improve herself. She seduces her wealthy boss William "Bill" Legendre Jr. (Chester Morris) and cleverly breaks up his marriage with his loving wife Irene (Leila Hyams). Irene reconsiders and tries to reconcile with Bill, only to find he has married Lil the previous day. However, Lil finds herself shunned by high society, including Bill's father, Will Legendre, Sr. (Lewis Stone), because of her lower-class origins and homewrecking. When Cha ...
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Baby Face (film)
''Baby Face'' is a 1933 American pre-Code drama film directed by Alfred E. Green for Warner Bros., starring Barbara Stanwyck as Lily Powers, and featuring George Brent. Based on a story by Darryl F. Zanuck (under the pseudonym Mark Canfield), ''Baby Face'' portrays an attractive young woman who uses sex to advance her social and financial status. Twenty-five-year-old John Wayne appears briefly as one of Powers's lovers. Marketed with the salacious tagline "She had ''it'' and made ''it'' pay", the film's open discussion of sex made it one of the most notorious films of the Pre-Code Hollywood eraTuran, Kenneth (2004) ''Never Coming to a Theater Near You: A Celebration of a Certain Kind of Movie''. Public Affairs . p.375 and helped bring the era to a close as enforcement of the code became stricter beginning in 1934. Mark A. Vieira, author of ''Sin in Soft Focus: Pre-Code Hollywood'' has said, "''Baby Face'' was certainly one of the top 10 films that caused the Production Code ...
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Gold Diggers Of 1935
''Gold Diggers of 1935'' is an American musical film directed and choreographed by Busby Berkeley, and starring Dick Powell, Adolphe Menjou, Gloria Stuart and Alice Brady. Winifred Shaw, Hugh Herbert and Glenda Farrell are also featured. The songs were written by Harry Warren (music) and Al Dubin (lyrics). The film is best known for its famous " Lullaby of Broadway" production number. That song (sung by Shaw) also won the Academy Award for Best Original Song. The movie was the fourth in the ''Gold Diggers'' series of films, after the now lost silent film '' The Gold Diggers'' (1923), the partially lost film ''Gold Diggers of Broadway'' (1929), and ''Gold Diggers of 1933'' (1933). The first three films, all financially successful, had all been based on the 1919 play '' The Gold Diggers''; ''Gold Diggers of 1935'' was the first one based on a wholly original story. It was followed by ''Gold Diggers of 1937'' and ''Gold Diggers in Paris''. Plot In the resort of Lake Waxapahachie, t ...
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Gold Diggers Of 1933
''Gold Diggers of 1933'' is a pre-Code Warner Bros. musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics), staged and choreographed by Busby Berkeley. It stars Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, and Dick Powell, and features Guy Kibbee, Ned Sparks and Ginger Rogers. The story is based on the play ''The Gold Diggers'' by Avery Hopwood, which ran for 282 performances on Broadway in 1919 and 1920. The play was made into a silent film in 1923 by David Belasco, the producer of the Broadway play, as '' The Gold Diggers'', starring Hope Hampton and Wyndham Standing, and again as a talkie in 1929, directed by Roy Del Ruth. That film, ''Gold Diggers of Broadway'', which starred Nancy Welford and Conway Tearle, was one of the biggest box office hits of that year, and ''Gold Diggers of 1933'' was one of the top-grossing films of 1933.TCNotes/ref> This version of Hopwood's play was written by James Seymour and Er ...
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Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality i ...
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Breach Of Promise
Breach of promise is a common law tort, abolished in many jurisdictions. It was also called breach of contract to marry,N.Y. Civil Rights Act article 8, §§ 80-A to 84. and the remedy awarded was known as heart balm. From at least the Middle Ages until the early 20th century, a man's promise of engagement to marry a woman was considered, in many jurisdictions, a legally binding contract. If the man were to subsequently change his mind, he would be said to be in "breach" of this promise and subject to litigation for damages. The converse of this was seldom true; the concept that "it's a woman's prerogative to change her mind" had at least some basis in law (though a woman might pay a high social price for exercising this privilege)—and unless an actual dowry of money or property had changed hands or the woman could be shown to have become engaged to a man only to enable her use of his money, a man was only rarely able to recover in a "breach of promise" suit against a woma ...
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Heartbalm
In the common law tradition, a heartbalm tort or heartbalm action is a civil action that a person may bring to seek monetary compensation for the end or disruption of a romantic or marital relationship. A heartbalm statute is a statute forbidding such actions. Heartbalm actions in the United States typically include seduction, criminal conversation, alienation of affection, and breach of promise to marry. Of these, criminal conversation and alienation of affection are marital torts, originally restricted to husbands but in many states later made available to spouses regardless of gender. Seduction and breach of promise are nonmarital torts. In England and other common law jurisdictions, additional heartbalm actions were traditionally recognized, such as enticement and wrongful harbouring (tortious refusal to allow a husband to visit a wife who has left him). A claim for damages based on loss of consortium is also sometimes considered a heartbalm action in England and elsewhere ...
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Alimony
Alimony, also called aliment (Scotland), maintenance (England, Ireland, Northern Ireland, Wales, Canada, New Zealand), spousal support (U.S., Canada) and spouse maintenance (Australia), is a legal obligation on a person to provide financial support to their spouse before or after marital separation or divorce. The obligation arises from the divorce law or family law of each country. In most jurisdictions, it is distinct from child support, where, after divorce, one parent is required to contribute to the support of their children by paying money to the child's other parent or guardian. Etymology The term alimony comes from the Latin word '' alimōnia'' ("nourishment, sustenance", from '' alere,'' "to nourish"), from which the terms alimentary (of, or relating to food, nutrition, or digestion), and aliment (a Scots Law rule regarding sustenance to assure the wife's lodging, food, clothing, and other necessities after divorce) are also derived. History The Code of Hammurabi ...
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