Gold Sounds
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Gold Sounds
''Gold Sounds'' is an album by saxophonist James Carter, keyboardist Cyrus Chestnut, drummer Ali Jackson and bassist Reginald Veal performing compositions by the indie rock band Pavement and released on the Brown Brothers label in 2005. Reception The AllMusic review by Sean Westergaard commented: "''Gold Sounds'' is an overwhelming success, not just as a tribute but as a jazz album ... If you're a Pavement fan, you owe it to yourself to check out what these guys do with the songbook. If you're a jazz fan, forget that these tunes come from the world of indie rock; in the hands of Carter and Chestnut, they might as well be undiscovered standards". On All About Jazz, Michael McCaw observed: "''Gold Sounds'' doesn't give you everything the first time around. Like Pavement's recordings, what may seem complete is only a portion of the melody and musical ideas to which you ultimately want to return, because each time they hook you in a different way. In the end, the album provides a ...
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James Carter (musician)
James Carter (born January 3, 1969) is an American jazz musician widely recognized for his technical virtuosity on saxophones and a variety of woodwinds. He is the cousin of noted jazz violinist Regina Carter. Biography Carter was born in Detroit, Michigan, and learned to play under the tutelage of Donald Washington, becoming a member of his youth jazz ensemble Bird-Trane-Sco-NOW!! As a young man, Carter attended Blue Lake Fine Arts Camp, becoming the youngest faculty member at the camp. He first toured Scandinavia with the International Jazz Band in 1985 at the age of 16. On May 31, 1988, at the Detroit Institute of Arts (DIA), Carter was a last-minute addition for guest artist Lester Bowie, which turned into an invitation to play with his new quintet (forerunner of his New York Organ Ensemble) in New York City that following November at the now defunct Carlos 1 jazz club. This was pivotal in Carter's career, putting him in musical contact with the world, and he moved to New Y ...
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Stereo (Pavement Song)
"Stereo" is a single by the band Pavement, taken from the album '' Brighten the Corners''. It was released by Domino Records in 1997. The catalogue number for the single is RUG-051. It contains two B-sides: "Westie Can Drum" and "Winner of The." It was released at the same time as the 7" version of the single, which contains a different B-side. It is the first track on Matador's 10th Anniversary compilation. ''NME'' ranks the song as the 15th best song of 1997. Some CDs contain the 7" B-side "Birds in the Majic Industry". Composition and lyrics The song's lyrics make several references to pop culture icons. * The repeated line "Hi-Ho Silver, Ride" in the chorus is a reference to The Lone Ranger's catchphrase. * Part of the second verse muses about Rush lead singer Geddy Lee's distinctive high-pitched vocal stylings. Track listing Select pressings References External links *Allmusic review() *Robert Christgau Robert Thomas Christgau ( ; born April 18, 1942) i ...
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Ali Jackson (jazz Drummer) Albums
Ali Jackson may refer to: *Alistair Jackson (born 1988), known as Ali, Northern Irish racing driver *Ali Jackson (jazz drummer) (born 1976), American jazz drummer *Ali Jackson (jazz bassist) Ali Muhammad Jackson (died 1987), also known as Ali Jackson, was a jazz bassist, composer, ethnomusicologist, actor, poet and artist. Musical Education: Tadd Dameron - Music Theory Charlie Parker - Music Theory Nasir Hafiz Jo Jones, sr. Live ...
(died 1987), American jazz bassist and composer {{Hndis, Jackson, Ali ...
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Cyrus Chestnut Albums
Cyrus ( Persian: کوروش) is a male given name. It is the given name of a number of Persian kings. Most notably it refers to Cyrus the Great ( BC). Cyrus is also the name of Cyrus I of Anshan ( BC), King of Persia and the grandfather of Cyrus the Great; and Cyrus the Younger (died 401 BC), brother to the Persian King Artaxerxes II of Persia. Etymology Cyrus, as a word in English, is the Latinized form of the Greek Κῦρος, ''Kȳros'', from Old Persian ''Kūruš''. According to the inscriptions the name is reflected in Elamite ''Kuraš'', Babylonian ''Ku(r)-raš/-ra-áš'' and Imperial Aramaic ''kwrš''. The modern Persian form of the name is '' Kūroš''. The etymology of Cyrus has been and continues to be a topic of discussion amongst historians, linguists, and scholars of Iranology. The Old Persian name "kuruš" has been interpreted in various forms such as "the Sun", "like Sun", "young", "hero," and "humiliator of the enemy in verbal contest" and the Elamit ...
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James Carter (musician) Albums
Jimmy Carter (born 1924) was the president of the United States from 1977 to 1981. James, Jim, or Jimmy Carter may also refer to: Arts and entertainment * James Carter (engraver) (1798–1855), English engraver * James A. Carter (1902–?), British art director * James Carter (singer) (1925–2003), American singer for James Carter and the Prisoners * Jimmy Carter (singer) (born 1932), American singer for The Blind Boys of Alabama * Jim Carter (actor) (born 1948), English actor * James Carter (musician) (born 1969), American jazz saxophonist and flautist * James L. Carter, American film and television cinematographer * James Carter, a character in the ''Rush Hour'' film series, portrayed by Chris Tucker Politics and law * James G. Carter (1795–1849), American state legislator and education reformer * James Carter (judge) (1805–1878), British jurist in Canada * James P. T. Carter (1822–1869), American military officer and politician in Arizona Territory * James C. Ca ...
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2005 Albums
The following is a list of albums, EPs, and mixtapes released in 2005. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2005 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2005 albums Albums An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records coll ... 2005 ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ...
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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Contrabass Sarrusophone
The contrabass sarrusophone is the deepest of the family of sarrusophones, and was made in three sizes. The EE version was the only sarrusophone that was ever mass-produced in the United States. It was made by companies such as Gautrot, Couesnon, Romeo Orsi, Rampone (and Cazzani), Buffet Crampon (Evette and Schaeffer), and C.G. Conn. Tone The EE♭ sarrusophone has the tone of a reedy contrabass saxophone, while the CC sarrusophone sounds much like the contrabassoon. The BB♭ contrabass sarrusophone is the lowest of the sarrusophones, and was the lowest-pitched wind instrument until the invention of the EEE♭ octocontra-alto and the BBB♭ octocontrabass clarinets, and the BB♭ subcontrabass tubax. Contrabass sarrusophones come in two bore widths: big pipes, which sound mellower and softer, but are still reedy; and small pipes, which are extremely reedy. The EE and BB sarrusophones are transposing instruments. The contrabass sarrusophone is sometimes confused with the r ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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