Gods Of Violence
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Gods Of Violence
''Gods of Violence'' is the fourteenth studio album by German thrash metal band Kreator, released on 27 January 2017. This is Kreator's final studio album with bassist Christian "Speesy" Giesler before his departure from the band in 2019. Background It was the band's first studio album in almost five years since 2012's ''Phantom Antichrist'', marking the longest gap between two studio albums, until ''Hate Über Alles'' broke this record in 2022. A music video for the album's title track was released on 18 November 2016. Special editions of the album were released with a bonus Blu-ray/DVD of Kreator's performance at Wacken 2014. Reception ''Gods of Violence'' received positive reviews upon its release. Writing for ''All About the Rock'', Fraser Wilson said: "With this record, Kreator have created a slab of truly eviscerating aural perfection. Thrash may have been born in San Francisco's Bay Area, but it was perfected in Essen." ''Gods of Violence'' debuted at number one on ...
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Kreator
Kreator is a German thrash metal band from Essen, formed in 1982. Their current lineup consists of lead vocalist and rhythm guitarist Miland "Mille" Petrozza, drummer Jürgen "Ventor" Reil, lead guitarist Sami Yli-Sirniö, and bassist Frédéric Leclercq. The band's lineup has changed multiple times over its -year career, most noticeably with their bassists and lead guitarists. Petrozza and Reil are the only two original members left in Kreator, although the latter took a break from the band from 1994 to 1996. Yli-Sirniö has been the lead guitarist of Kreator since 2001, while Leclercq joined in 2019 as the replacement of Christian "Speesy" Giesler, who had been a member of the band since 1994. To date, Kreator has released fifteen studio albums, two EPs, two live albums and three compilation albums. They gained a large underground fanbase in the international thrash metal community, with their second studio album ''Pleasure to Kill'' (1986) regarded as an influential album o ...
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Mille Petrozza
Miland "Mille" Petrozza (born 18 December 1967) is a German guitarist and singer of Italian descent. He is best known for being the lead vocalist and rhythm guitarist of thrash metal band Kreator, which he started playing in as Tyrant in 1982 and renamed into Tormentor in 1984. He is also the principal songwriter of the band and the only member to appear on every Kreator album. Petrozza also shared lead vocals in union with Tomas Lindberg for the track "Dirty Coloured Knife" on the self-titled 2002 album from Israeli metal act Nail Within. In 1994, he played guitar in the metal all-star band Voodoocult, amongst such artists as Dave Lombardo of Slayer and Chuck Schuldiner of Death (metal band), Death. He appeared on Edguy's 2004 album, ''Hellfire Club (album), Hellfire Club'', providing lead vocals on an alternate version of the album's opening song, "Mysteria", featured as a bonus track to the album. He also appeared on Caliban (band), Caliban's 2006 album, ''The Undying Darknes ...
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Caliban (band)
Caliban are a German metalcore band from Essen. To date, they have released thirteen studio albums and two EPs, along with two split albums with Heaven Shall Burn. History Caliban was formed in Essen, Germany in 1997 as ''Never Again''. In the beginning, the band consisted of vocalists Andreas Dörner and Marc Ulfig, guitarists Björn Kaiser and Marc Görtz, bassist Engin Güres and drummer Kai Kogelheide. With this lineup, a self-titled demo was recorded. After six months of playing together and several member changes – Ulfig, Kaiser and Kogelheide left, the latter were replaced by Claus Wilgenbusch and Robert Krämer – the band recorded two songs for a demo, which was never released. The songs were sent to several record labels, and Lifeforce Records was the first to offer the band – by then called Caliban – a record deal. Caliban's first self-titled EP came out in the summer of 1998. To promote it, the band played many shows all over Europe and a few support shows f ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ...
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Bagpipes
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is through blowing into a blowpipe or blowstick. In some pipes the player must cover the tip of the blowpipe with their t ...
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