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Godard's Passion
''Passion'' is a 1982 film by Jean-Luc Godard, the second full-length film made during his return to relatively mainstream filmmaking in the 1980s. Set in winter in Switzerland, it is about the making of an ambitious art film that uses re-creations of classical European paintings as tableaux vivants, set to classical European music. Only incomplete scenes of the film within the film are shown, because it has no settled plot and never gets finished. While making it, the crew become involved in various ways with the locals, some of whom are recruited as extras. Plot Jerzy is a Polish director, making a film at a studio in Switzerland which contains a series of tableaux vivants. His producer László is impatient because there is no apparent story to the film and Jerzy keeps delaying and cancelling shoots, repeatedly citing difficulties with the lighting. During the filming, Jerzy gets involved with two local women: Isabelle, an earnest young factory worker with a stutter, and Han ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Parasol
''The Parasol'' (also known as ''El Quitasol'') is one of a cartoon series of oil on linen paintings made by the painter Francisco Goya. This series of paintings was specifically made in order to be transformed into tapestries that would be hung on the walls of the Royal Palace of El Pardo in Madrid, Spain. The tapestries showed serene events in everyday life, which made them a nice addition to the dining room of Prince and Princess of Asturias—the future King Charles IV and Maria Luisa of Parma. The queen called on Goya because she wanted to decorate the dining room with cheerful scenes; ''The Parasol'' and the other tapestry paintings were Goya's response to this request. The painting is currently located in the Museo del Prado in Madrid as is another in the series, '' Blind man's bluff''. Description of the painting In his paintings, Goya often joins French fashion to the Spanish one. The woman in this particular painting is sitting on the ground, possibly resting from a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Antoine Watteau
Jean-Antoine Watteau (, , ; baptised October 10, 1684died July 18, 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of '' fêtes galantes'', scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. Early life and training Jean-Antoine Watteau was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian and Habsburg Netherlands until its secession to France following the Franco-Dutch War. He was the second of four sons born to Jean-Philippe Watteau (1660–1720) and M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Fauré)
Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900. In seven movements, the work is scored for soprano and baritone soloists, mixed choir, orchestra and organ. Different from typical Requiem settings, the full sequence is omitted, replaced by its section . The final movement is based on a text that is not part of the liturgy of the funeral Mass but of the burial. Fauré wrote of the work, "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of fai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Fauré
Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his ''Pavane (Fauré), Pavane'', Requiem (Fauré), Requiem, ''Sicilienne (Fauré), Sicilienne'', Fauré Nocturnes, nocturnes for piano and the songs Trois mélodies, Op. 7 (Fauré), "Après un rêve" and Clair de lune (Fauré), "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmony, harmonically and melody, melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer de Paris, Ecole Niedermeyer music college in Paris, where he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Greco
Domḗnikos Theotokópoulos ( el, Δομήνικος Θεοτοκόπουλος ; 1 October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters, (), often adding the word (), which means Cretan. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done.J. Brown, ''El Greco of Toledo'', 75–77 In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tinto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entry Of The Crusaders In Constantinople
Entry may refer to: * Entry, West Virginia, an unincorporated community in the United States * Entry (cards), a term used in trick-taking card-games * Entry (economics), a term in connection with markets * ''Entry'' (film), a 2013 Indian Malayalam film *Entry, occurrence of a repeated musical theme, especially in a fugue In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the c ... See also * Enter (other) * Entrance (other) * * {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Turkish Bath
''The Turkish Bath'' (') is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. The painting depicts a group of nude women at a pool in a harem. It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter. The painting expands on a number of motifs that Ingres had explored in earlier paintings, in particular ''The Valpinçon Bather'' (1808) and ''La Grande odalisque'' (1814). The work is signed and dated 1862, when Ingres was around 82 years old. He altered the original rectangular format and changed the painting to a tondo. A photograph of its original state, taken by Charles Marville, survives. Description The painting is known for its subtle colourisation, especially the very pale skin of the women resting in the privacy of a bathing area. The figures are given an almost abstract and "slender and sinuous" form, and seem at times to lack skele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Valpinçon Bather
''The Valpinçon Bather'' (Fr: ''La Grande Baigneuse'') is an 1808 painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres (1780–1867), held in the Louvre since 1879. Painted while the artist was studying at the French Academy in Rome, it was originally titled ''Seated Woman'' but later became known after one of its nineteenth-century owners. Context Ingres had earlier painted female nudes, such as his ''Bathing Woman'' of 1807, yet this work is widely regarded as his first great treatment of the subject. As with the previous smaller work, the model is shown from behind, however ''The Valpinçon Bather'' lacks the earlier painting's overt sexuality, instead depicting a calm and measured sensuality.Rosenblum, 66 Ingres returned to the form of this figure a number of times in his life; culminating in his '' The Turkish Bath'' of 1863, where the central figure in the foreground playing a mandolin echoes in rhythm and tone the model of the Valpinçon bather. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the Prix de Rome for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
