God Is In The House (Art Tatum Album)
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God Is In The House (Art Tatum Album)
''God Is in the House'' is an album by pianist Art Tatum. It is a collection of informally recorded club performances from 1940 and 1941, and was first released by Onyx Records in 1973. It won two Grammy Awards. Recording and music Jerry Newman was a student and jazz fan in New York City. He used a disc recorder and acetate discs to informally record pianist Art Tatum playing in clubs in Harlem in 1940 and 1941. Three of the performances are Tatum playing solo on November 11, 1940. On March 7, 1941, he was recorded with Reuben Harris hitting whiskbrooms against a suitcase. On July 26 of the same year, further duets, this time with Chocolate Williams on bass and vocals, were recorded; Tatum also sang on two of the pieces – "Knockin' Myself Out" and "Toledo Blues". " There'll Be Some Changes Made", with Williams and vocalist Ollie Potter, was made the following day. The trio of Tatum, trumpeter Frankie Newton, and bassist Ebenezer Paul was recorded playing " Lady Be Good" and " ...
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Art Tatum
Arthur Tatum Jr. (, October 13, 1909 – November 5, 1956) was an American jazz pianist who is widely regarded as one of the greatest in his field. From early in his career, Tatum's technical ability was regarded by fellow musicians as extraordinary. Many pianists attempted to copy him; others questioned their own skills after encountering him, and some even switched instruments in response. In addition to being acclaimed for his virtuoso technique, Tatum extended the vocabulary and boundaries of jazz piano far beyond his initial stride influences, and established new ground in jazz through innovative use of reharmonization, voicing, and bitonality. Tatum grew up in Toledo, Ohio, where he began playing piano professionally and had his own radio program, rebroadcast nationwide, while still in his teens. He left Toledo in 1932 and had residencies as a solo pianist at clubs in major urban centers including New York, Chicago, and Los Angeles. In that decade, he settled into a patt ...
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Grammy Award For Best Improvised Jazz Solo
The Grammy Award for Best Improvised Jazz Solo has been awarded since 1959. Before 1979 the award title did not specify instrumental performances and was presented for instrumental or vocal performances. The award has had several minor name changes: * In 1959 the award was known as Best Jazz Performance, Individual * In 1960 it was awarded as Best Jazz Performance - Soloist * From 1961 to 1971 the award was combined with the Grammy Award for Best Jazz Instrumental Album, Individual or Group The Grammy Award for Best Jazz Instrumental Album is an award that was first presented in 1959. History From 1959 to 2011, the Award was called Best Instrumental Jazz Album, Individual or Group. In 2012, it was shortened to Best Jazz Instrumental ... * From 1972 to 1978 it was awarded as Best Jazz Performance by a Soloist * From 1979 to 1988 it was awarded as Best Jazz Instrumental Performance, Soloist * From 1989 to 1990 it was awarded as Best Jazz Instrumental Performance Soloist (on a jazz ...
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Body And Soul (1930 Song)
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama '' Body and Soul''. Background "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue ''Three's a Crowd''. In Britain the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, but it was Paul Whiteman and Jack Fulton who popularized it in United States. "Body and Soul" is one of the most r ...
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Mighty Lak' A Rose
"Mighty Lak' a Rose" is a 1901 song with lyrics by Frank Lebby Stanton and music by Ethelbert Nevin. The lyrics are written in an approximation of an African American accent as a "dialect song", and the title thus means "mighty like a rose". It is sung by a black woman called "Mammy" to a newborn blue-eyed white boy in her care. It was common at the time for white families to hire trusted black women to care for their children. The dialect has been modified by some singers, such as Frank Sinatra. The tune became a Tin Pan Alley hit, with versions by George Alexander (1903), Marguerite Dunlap (1911), and Geraldine Farrar (1916), and it was a perennial of pop music for generations. Deanna Durbin sang it as a lullaby in the 1943 film ''The Amazing Mrs. Holliday''. The tune is whistled by the killer in the film 'Night Must Fall' (1937) Other notable recordings include those by Bing Crosby (recorded December 4, 1945), Jane Powell, Lillian Nordica, Geraldine Farrar, Vincent Lopez, ...
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Begin The Beguine
"Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard's ocean liner ''Franconia''. In October 1935, it was introduced by June Knight in the Broadway musical ''Jubilee'', produced at the Imperial Theatre in New York City. Beguine is a dance and music form, similar to a slow rumba. Music Musicologist and composer Alec Wilder described it in his book ''American Popular Song: The Great Innovators 1900–1950'' as "a maverick, an unprecedented experiment and one which, to this day, after hearing it hundreds of times, I cannot sing or whistle or play from start to finish without the printed music ... about the sixtieth measure I find myself muttering another title, ''End the Beguine.''" Artie Shaw version At first, the song gained little popularity, perhaps because of its length and unconventional form. Josephine Baker danced to it in her return to America in th ...
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Fine And Dandy
"Fine and Dandy" is a popular song from the 1930 Broadway musical of the same name. Composition The music was written by Kay Swift, the lyrics by Paul James (a pseudonym of James Paul Warburg). The song was published in 1930. The song was introduced in the musical of the same name in 1930, by the characters Joe Squibb and Nancy Ellis. It has since become a pop and jazz standard. A take-off using the same chord structure but a different melodic line was recorded by Woody Herman and called "Keen and Peachy". Recordings *1930 Arden-Ohman Orchestra (vocal by Frank Luther) *1930 the Dorsey Brothers Orchestra (vocal: Scrappy Lambert) *1950 Louis Armstrong and His All Stars - recorded on April 26, 1950 for Decca Records, catalog No. 27189. *1951 Doris Day - included in the album '' Lullaby of Broadway''. *1956 Anita O'Day - for her album ''This Is Anita''. *1956 Bing Crosby recorded the song in 1956 for use on his radio show and it was subsequently included in the box set ''The Bing ...
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Sweet Lorraine
"Sweet Lorraine" is a popular song with music by Cliff Burwell and words by Mitchell Parish that was published in 1928 and has become a jazz standard. It is written in F major and has an AABA structure. A version by Teddy Wilson charted in October 1935, peaking at #17. Frank Sinatra recorded the song on December 17, 1946. His version was released as a single on Columbia Records (#37293) but did not chart. The Nat "King" Cole Trio recorded the song in 1956 and released it on the Capitol A capitol, named after the Capitoline Hill in Rome, is usually a legislative building where a legislature meets and makes laws for its respective political entity. Specific capitols include: * United States Capitol in Washington, D.C. * Numerous ... album ''After Midnight.'' See also * List of 1920s jazz standards * Maureen Stapleton#Filmography (film ''Sweet Lorraine'') References 1928 songs 1920s jazz standards Songs with lyrics by Mitchell Parish Nat King Cole songs Jazz compos ...
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Beautiful Love (1931 Song)
"Beautiful Love" is a popular song composed by Wayne King, Victor Young and Egbert Van Alstyne with lyrics by Haven Gillespie. It was introduced by the Wayne King Orchestra in 1931. The song has been called the "second favourite number" of King, after the Orchestra's theme song "The Waltz You Saved for Me". As a popular jazz standard, the song is included in the first volume of the ''Real Book'' as well as the '' New Real Book''. It appears as a love theme both in the 1932 film ''The Mummy'' (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film '' Hotel Continental'', also 1932. The song is included in the film ''Sing a Jingle'' (1944) and it was also included in the 1989 film ''Crimes and Misdemeanors'' by Woody Allen. Joe Pass performed the song at the Brecon Jazz Festival in 1991 and stated in good jest that he couldn't remember if it was by Victor Herbert, Victor Young or Victor Mature. Other recordings *Bing Crosby r ...
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Georgia On My Mind
"Georgia on My Mind" is a 1930 song written by Hoagy Carmichael and Stuart Gorrell and first recorded that same year by Hoagy Carmichael. However, the song has been most often associated with soul singer Ray Charles, who was a native of the U.S. state of Georgia and recorded it for his 1960 album ''The Genius Hits the Road''. In 1979, the State of Georgia designated Ray Charles' version the official state song. The song has become part of the Great American Songbook tradition. Background and original recording It has been asserted that Hoagy Carmichael wrote the song about his sister, Georgia. But Carmichael wrote in his second autobiography ''Sometimes I Wonder'' that saxophonist Frankie Trumbauer told him he should write a song about the state of Georgia. He jokingly volunteered the first two words, "Georgia, Georgia...", which Carmichael ended up using while working on the song with his roommate, Stuart Gorrell, who wrote the lyrics. Gorrell's name was absent from the co ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Grammy Award For Best Album Notes
The Grammy Award – Best Album Notes has been presented since 1964. From 1973 to 1976 (the 15th through 18th Awards), a second award was presented for Best Album Notes – Classical. Those awards are listed under those years below. The award recognizes albums with excellent album notes, sometimes referred to as liner notes. It is presented to the album notes author or authors, not to the artists or performers on the winning work, except if the artist is also the album notes author. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Winners and nominees References {{DEFAULTSORT:Grammy Award For Best Album Notes Album Notes Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are desce ... Awards established in 1964 ...
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Dan Morgenstern
Dan Morgenstern (born October 24, 1929) is a jazz writer, editor, archivist, and producer. He is the son of the German-language Jewish author Soma Morgenstern. Morgenstern was raised in Vienna and Copenhagen and arrived in the United States in 1947. He wrote for ''Jazz Journal'' from 1958 to 1961, then edited several jazz magazines: ''Metronome'' in 1961, ''Jazz'' from 1962 to 1963, and ''Down Beat'' from 1967 to 1973. In 1976, he was named director of Rutgers–Newark's Institute of Jazz Studies, where he continued the work of Marshall Stearns and made the Institute the world's largest collection of jazz documents, recordings, and memorabilia. Over the course of his career, Morgenstern has arranged concerts (including the Jazz in the Garden series at the Museum of Modern Art); produced and hosted television and radio programs; taught jazz history at universities and conservatories; and served as a panelist for jazz festivals and awards across the U.S. and Europe. Morgenstern ...
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