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Go (Dexter Gordon Album)
''Go!'' is a studio album by jazz musician Dexter Gordon featuring Sonny Clark, Butch Warren and Billy Higgins, recorded on August 27, 1962 and released in the same year on Blue Note. According to the liner notes by Ira Gitler, this session was "not recorded in a nightclub performance but, in its informal symmetry, it matches the relaxed atmosphere that the best of those made in that manner engender. Everyone was really together, in all the most positive meanings of that word." It was recorded by Rudy Van Gelder at the Van Gelder Studio in Englewood Cliffs. Since its release, ''Go!'' has received very positive reviews from critics, with AllMusic giving it a five star rating. The album was re-released in March 1999 as part of Blue Note's RVG Series, produced by Michael Cuscuna. In 2019, ''Go!'' was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Track listing Personnel *D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexter Gordon
Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, bandleader, and actor. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was , so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years. Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was known for inserting musical quotes into his solos, with sources as diverse as " Happy Birthday" and well known melodies from the operas of Wagner. This is not unusual in jazz improvization, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Cuscuna
Michael Cuscuna (born September 20, 1949 in Stamford, Connecticut, United States) is an American jazz record producer and writer. He is the co-founder of Mosaic Records and a discographer of Blue Note Records. Cuscuna played drums, saxophone and flute while young, but placed his emphasis on founding his own record label. He had a jazz show on WXPN and worked for ESP-Disk late in the 1960s, in addition to writing for ''Jazz & Pop Magazine ''and ''Down Beat''. He moved from WXPN to WMMR in 1970, then onto WABC-FM (now WPLJ) as a progressive rock DJ at both stations. He took a position as a producer with Atlantic Records in the 1970s, recording Dave Brubeck and the Art Ensemble of Chicago. In the early 1970s, he also produced albums by Bonnie Raitt ('' Give It Up'') and Chris Smither. He also worked at Motown, ABC (for reissues of Impulse! albums), Arista, Muse, Freedom, Elektra and Novus. From 1975 to 1981, he searched the Blue Note archive for previously unissued sessions which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julián Robledo
Julián Robledo (1887–1940) was a composer best known for the song "Three O'Clock in the Morning". Robledo lived in Buenos Aires, Argentina in the early 1900s where he played piano in tango orchestras and composed some of the earliest published tangos. "Three O'Clock in the Morning" was published in the United States in 1919. The song was recorded by Paul Whiteman in 1922 and became one of the first 20 recordings in history to achieve sales of over one million records. The piece features prominently in the December 27, 1950 episode of radio's The Harold Peary Show. History Julián Robledo was born in Ávila, Castilla y León, Spain in 1887. He emigrated to Argentina in the early 1900s where he worked with some of the best known orchestras of the day. When the orquesta típica of Genaro Espósito was signed by the Victor record label in 1912, their first recording was the tango "Ya vengo", by Julián Robledo. Other tangos composed by Robledo include "La Pianola", "Golf' and “C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three O'Clock In The Morning
"Three O'Clock in the Morning" is a waltz composed by Julián Robledo that was extremely popular in the 1920s. Robledo published the music as a piano solo in 1919, and two years later Dorothy Terriss wrote the lyrics. Paul Whiteman's instrumental recording in 1922 became one of the first 20 recordings in history to sell over 1 million copies. History Julián Robledo, an Argentine composer born in Spain, published the music for "Three O'Clock in the Morning" in New Orleans in 1919. In 1920 the song was also published in England and Germany, and lyrics were added in 1921 by Dorothy Terriss (the pen name of Theodora Morse). The song opens with chimes playing Westminster Quarters followed by three strikes of the chimes to indicate three o'clock. The lyrics then begin: ''It's three o'clock in the morning, we've danced the whole night through''. This "Waltz Song with Chimes" created a sensation when it was performed in the final scene of the Greenwich Village Follies of 1921. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Adamson
Harold Campbell Adamson (December 10, 1906 – August 17, 1980) was an American lyricist during the 1930s and 1940s. Early life Adamson, the son of building contractor Harold Adamson and Marion "Minnie" Campbell Adamson, was born and raised in Greenville, New Jersey, United States. Adamson suffered from polio as a child which limited the use of his right hand. Initially, Adamson was interested in acting, but he began writing songs and poetry as a teenager. He went on to studying acting at the University of Kansas and Harvard. Career Ultimately he entered into a songwriting contract with MGM in 1933. During his stint with MGM, he was nominated for five Academy Awards. Among his best-known compositions was the theme for the hit sitcom, ''I Love Lucy''. He retired from songwriting in the early 1960s, and was inducted into the Songwriters Hall of Fame in 1972. In 1941, he collaborated with Pierce Norman, and baseball's Joe DiMaggio to write "In the Beauty of Tahoe", published b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Are You? (1937 Song)
"Where Are You?" is a popular song composed by Jimmy McHugh, with lyrics by Harold Adamson. The song was written for the 1937 film ''Top of the Town'' and was originally performed by Gertrude Niesen. Niesen also made a commercial recording of the song for Brunswick Records and this was popular. "Where Are You?" has been recorded by many performers. Notable versions * Mildred Bailey - very popular in 1937 – this version is a crucial piece of music in '' Love Streams'', a 1984 American film by John Cassavetes * Adelaide Hall's recording of the song reached #28 in the U.K. singles chart in December 1941. * Arthur Tracy Decca F. 6465 (1937). * Connee Boswell - recorded February 15, 1937 for Decca Records (catalog No. 1160). * The Hi-Lo's – ''Listen!'' (1954). * Chris Connor – ''Chris Connor'' (1956) * Vera Lynn - for her album ''If I Am Dreaming'' (1956). * Patti Page - ''Page 3 - A Collection of Her Most Famous Songs'' (1957). * Frank Sinatra – '' Where Are You?'' (1957) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Eckstine
William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of " I Apologize" (MGM, 1948) was given the Grammy Hall of Fame Award in 1999. ''The New York Times'' described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls." Early life and education Eckstine was born in Pittsburgh, Pennsylvania, United States, the son of William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress. Eckstine's paternal grandparents were William F. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jule Styne
Jule Styne (; born Julius Kerwin Stein; December 31, 1905 – September 20, 1994) was an English-American songwriter and composer best known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: ''Gypsy,'' '' Gentlemen Prefer Blondes,'' and '' Funny Girl.'' Early life Styne was born to a Jewish family in London, England. His parents, Anna Kertman and Isadore Stein, were emigrants from Ukraine, the Russian Empire, and ran a small grocery. Even before his family left Britain, he did impressions on the stage of well-known singers, including Harry Lauder, who saw him perform and advised him to take up the piano. At the age of eight, he moved with his family to Chicago, where he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old. Career Before Styne attended Chicago Musical College, he had already attracted the attention o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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