Go! (Joe Inoue Song)
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Go! (Joe Inoue Song)
is Japanese-American recording artist Joe Inoue's fourth single, and the first off of his second album ''Dos Angeles ''Dos Angeles'' (stylized as ''DOS ANGELES'') is Japanese-American recording artist Joe Inoue's second full-length album, originally released as a standard and limited edition release on October 6, 2010. It peaked at 136 on the Oricon Weekly Album ...''. Inoue worked with producer Mine-Chang on the single, which is described as an electro-pop tune. Track listing # – 3:39 # "What Is Your Name?" – 3:52 # – 3:37 # – 3:39 References External links Joe Inoue's official website 2009 singles Joe Inoue songs 2009 songs Ki/oon Music singles {{2000s-Japan-single-stub ...
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Joe Inoue
is a Japanese-American rock musician signed to Sony Music Entertainment Japan's Ki/oon Records label. Background and career He was born and raised in Los Angeles, California, to two Japanese immigrants. It was not until middle school that he became interested in music and that eventually led him to start his musical career in 2007. He was accepted to UCLA and UC Berkeley but had chosen music. Inoue performs every instrument on his recordings in addition to writing and composing the pieces on his own. He claims to have learned Japanese by reading manga and watching anime. He gained prominence when his song "Closer" was used as the fourth opening theme for '' Naruto: Shippuden''. His fifth single "Kaze no Gotoku" was used as the second theme song for the '' Yorinuki Gin Tama-san'' anime. Inoue contributed to Tetsuya's 2011 solo album '' Come On!'' by rapping on the track "Eden" and later wrote and was featured on Totalfat's 2011 single "World of Glory". Discography * '' In a W ...
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Dos Angeles
''Dos Angeles'' (stylized as ''DOS ANGELES'') is Japanese-American recording artist Joe Inoue's second full-length album, originally released as a standard and limited edition release on October 6, 2010. It peaked at 136 on the Oricon Weekly Album Charts, remaining on the charts for only one week. The title of the album is a reference to Inoue's home town of Los Angeles, California, as well as symbolizing that it is his second album ("Dos" being the Spanish Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Can ... word for "two"). Track listing All songs are written, composed, and performed by Joe Inoue. # "Can you hear me?" – 1:27 # – 3:40 # "Home" – 3:58 # – 4:44 # "Animal feat. Yoko Yazawa" – 4:16 # – 3:27 # "Lights (Album ver.)" – 4:04 # " ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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J-Pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Ki/oon Records
is a Japanese record label, a subsidiary of Sony Music Entertainment Japan. Artists Their artists include L'Arc-en-Ciel, Asian Kung-Fu Generation, Home Made Kazoku, Puffy AmiYumi, Polysics, Supercar, Pushim, Chatmonchy, Denki Groove, Tomoe Shinohara, The Babystars, DOES, KANA-BOON, Guitar Wolf, Miki Furukawa, Nico Touches the Walls, plingmin, Joe Inoue, Sid, Merengue, Acid Android, Piko, Domino, Prague, Lama, Group Tamashii, Totalfat, Hemenway, Negoto, Unicorn, Chara, Folks, Scenarioart, Blue Encount, Lenny Code Fiction, FlowBack, and Ive. Labels * Haunted Records * Ki/oon Music (main) * Ki/oon Overseas * Loopa Neosite Discs(typeset NeOSITE DISCS) - founded in 1996. VOCALOID In December 2010, Ki/oon Records released their own Vocaloid product Utatane Piko. See also * List of record labels * I Say Yeah! "I Say Yeah!" is a single released by all five of the signed artists of Neosite Discs, a sub-label of Ki/oon Records dedicated to R&B, hip hop and reggae, to ...
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Maboroshi (song)
is the third single by Japanese-American recording artist Joe Inoue, and the last of his singles off of ''Me! Me! Me!''. The single stayed on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... Weekly Singles Charts for 1 week and peaked at 156. The title track was used as a theme song for the ''Uchikuru!?'' variety show. Both the title track and "Party Night (Odoritari Night)" are featured on ''Me! Me! Me!''. Track listing # – 4:45 # "P.J. Anthem" – 2:31 # – 2:46 References External links Joe Inoue's official website 2009 singles Joe Inoue songs 2009 songs Ki/oon Music singles {{2000s-Japan-single-stub ...
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Kaze No Gotoku
is Japanese-American recording artist Joe Inoue's fifth single, and the second from his album ''Dos Angeles''. The song was used for the opening theme of a season of the reruns of the anime ''Gin Tama'' known as ''Yorinuki Gin Tama-san''. "Kaze no Gotoku" remained on the Oricon Weekly Singles Charts for three weeks, peaking at 33. A variation of the song was included on ''Dos Angeles'' subtitled the "B.B.B. ver.", "B.B.B." standing for the nonsense phrase "Buri Buri Bass". The title track was also released to the American iTunes Store The iTunes Store is a digital media store operated by Apple Inc. It opened on April 28, 2003, as a result of Steve Jobs' push to open a digital marketplace for music. As of April 2020, iTunes offered 60 million songs, 2.2 million apps, 25,00 ... on October 5, 2010. Track listing # – 3:48 # – 3:41 # "Ballerina" – 4:05 # – 1:43 # – 3:46 References External links Joe Inoue's official website 2010 sin ...
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2009 Singles
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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Joe Inoue Songs
Joe or JOE may refer to: Arts Film and television * ''Joe'' (1970 film), starring Peter Boyle * ''Joe'' (2013 film), starring Nicolas Cage * ''Joe'' (TV series), a British TV series airing from 1966 to 1971 * ''Joe'', a 2002 Canadian animated short about Joe Fortes Music and radio * "Joe" (Inspiral Carpets song) * "Joe" (Red Hot Chili Peppers song) * "Joe", a song by The Cranberries on their album ''To the Faithful Departed'' *"Joe", a song by PJ Harvey on her album '' Dry'' *"Joe", a song by AJR on their album ''OK Orchestra'' * Joe FM (other), any of several radio stations Computing * Joe's Own Editor, a text editor for Unix systems * Joe, an object-oriented Java computing framework based on Sun's Distributed Objects Everywhere project Media * Joe (website), a news website for the UK and Ireland * ''Joe'' (magazine), a defunct periodical developed originally for Kenyan youth Places * Joe, North Carolina, United States, a town * Jõe, Saaremaa Parish, Estoni ...
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2009 Songs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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