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Gnossiennes
The ''Gnossiennes'' () are several piano compositions by the French composer Erik Satie in the late 19th century. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. The form as well as the term was invented by Satie. Etymology Satie's coining of the word ''gnossienne'' was one of the rare occasions when a composer used a new term to indicate a new "type" of composition. Satie used many novel names for his compositions (''vexations'', '' croquis et agaceries'' and so on). ''Ogive'', for example, is the name of an architectural element which was used by Satie as the name for a composition, the ''Ogives''. ''Gnossienne'', however, was a word that did not exist before Satie used it as a title for a composition. The word appears to derive from ''gnosis''. Satie was involved in gnostic sects and movements at the time that he began to compose the ''Gnossiennes''. However, some published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnosis
Gnosis is the common Greek noun for knowledge ( γνῶσις, ''gnōsis'', f.). The term was used among various Hellenistic religions and philosophies in the Greco-Roman world. It is best known for its implication within Gnosticism, where it signifies a spiritual knowledge or insight into humanity's real nature as divine, leading to the deliverance of the divine spark within humanity from the constraints of earthly existence. Etymology ''Gnosis'' is a feminine Greek noun which means "knowledge" or "awareness." Liddell Scottbr>entryγνῶσις, εως, ἡ, A. seeking to know, inquiry, investigation, esp. judicial, "τὰς τῶν δικαστηρίων γ." D.18.224; "τὴν κατὰ τοῦ διαιτητοῦ γdeetr." Id.21.92, cf. 7.9, Lycurg.141; "γ. περὶ τῆς δίκης" PHib.1.92.13 (iii B. C.). 2. result of investigation, decision, PPetr.3p.118 (iii B. C.). II. knowing, knowledge, Heraclit.56; opp. ἀγνωσίη, Hp. Vict.1.23 (dub.); opp. ἄγνο ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gymnopédies
The ''Gymnopédies'' (), or ''Trois Gymnopédies'', are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, but they were at first published individually: the first and the third in 1888, the second in 1895. History The work's unusual title comes from the French form of gymnopaedia, the ancient Greek word for an annual festival where young men danced naked – or perhaps simply unarmed. The source of the title has been a subject of debate. Satie and his friend Alexis Roland-Manuel maintained that he adopted it after reading Gustave Flaubert's novel ''Salammbô'', while others see a poem by J. P. Contamine de Latour as the source of Satie's inspiration, since the first ''Gymnopédie'' was published in the magazine ''La Musique des familles'' in the summer of 1888 together with an excerpt of Latour's poem ''Les Antiques'', where the term appears. However, it remains uncertain whether the poem was composed befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vexations
''Vexations'' is a musical work by Erik Satie. Apparently conceived for keyboard (although the single page of manuscript does not specify an instrument), it consists of a short theme in the bass whose four presentations are heard alternatingly unaccompanied and played with chords above. The theme and its accompanying chords are written using enharmonic notation. The piece is undated, but scholars usually assign a date around 1893–1894 on the basis of musical and biographical evidence. The piece bears the inscription "In order to play the motif 840 times in succession, it would be advisable to prepare oneself beforehand, and in the deepest silence, by serious immobilities" (''Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses''). From the 1960s onward, this text has mostly been interpreted as an instruction that the page of music should be played 840 times, although this may not hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Facsimile
A facsimile (from Latin ''fac simile'', "to make alike") is a copy or reproduction of an old book, manuscript, map, Old master print, art print, or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate the source as accurately as possible in scale, color, condition, and other material qualities. For books and manuscripts, this also entails a complete copy of all pages; hence, an incomplete copy is a "partial facsimile". Facsimiles are sometimes used by scholars to research a source that they do not have access to otherwise, and by museums and archives for media preservation and Art conservation and restoration, conservation. Many are sold commercially, often accompanied by a volume of commentary. They may be produced in limited editions, typically of 500–2,000 copies, and cost the equivalent of a few thousand United States dollars. The term "fax" is a shortened form of "facsimile" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esotericism
Western esotericism, also known as esotericism, esoterism, and sometimes the Western mystery tradition, is a term scholars use to categorise a wide range of loosely related ideas and movements that developed within Western society. These ideas and currents are united since they are largely distinct both from orthodox Judeo-Christian religion and Enlightenment rationalism. Esotericism has pervaded various forms of Western philosophy, religion, pseudoscience, art, literature, and music—and continues to influence intellectual ideas and popular culture. The idea of grouping a wide range of Western traditions and philosophies together under the term ''esotericism'' developed in Europe during the late seventeenth century. Various academics have debated various definitions of Western esotericism. One view adopts a definition from certain esotericist schools of thought themselves, treating "esotericism" as a perennial hidden inner tradition. A second perspective sees esotericism as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Occultism
The occult, in the broadest sense, is a category of esoteric supernatural beliefs and practices which generally fall outside the scope of religion and science, encompassing phenomena involving otherworldly agency, such as magic and mysticism and their varied spells. It can also refer to supernatural ideas like extra-sensory perception and parapsychology. The term ''occult sciences'' was used in 16th-century Europe to refer to astrology, alchemy, and natural magic. The term ''occultism'' emerged in 19th-century France, amongst figures such as Antoine Court de Gébelin. It came to be associated with various French esoteric groups connected to Éliphas Lévi and Papus, and in 1875 was introduced into the English language by the esotericist Helena Blavatsky. Throughout the 20th century, the term was used idiosyncratically by a range of different authors, but by the 21st century was commonly employed – including by academic scholars of esotericism – to refer to a range of es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Roland-Manuel
Alexis Roland-Manuel (22 March 18911 November 1966) was a French composer and critic, remembered mainly for his criticism. Biography He was born Roland Alexis Manuel Lévy in Paris, to a family of Belgian and Jewish origins. He studied composition under Vincent d'Indy and Albert Roussel. As a young man he befriended composer Erik Satie, who helped him to make numerous influential connections. In 1911, Satie introduced Roland-Manuel to Maurice Ravel, whose pupil, friend and biographer he soon became. In 1947, he was appointed Professor of Aesthetics at the Conservatoire de Paris, where he remained until his retirement in 1961, making many contributions to musical theory and criticism, even assisting Igor Stravinsky by ghost-writing the theoretical work "The Poetics of Music". In addition to theoretical works, he wrote and composed various works for stage, especially comic operas, and screen, developing a partnership with director Jean Grémillon, for five of whose films he compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarabande
The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zarabanda'' is first mentioned in 1539 in Central America in the poem ''Vida y tiempo de Maricastaña'', written in Panama by Fernando de Guzmán Mejía. In 1596, Alonso López, "el Pinciano", traces its origins even to the Dionysian cult. The dance seems to have been especially popular in the 16th and 17th centuries, initially in Spain and in the Spanish colonies. The Jesuit priest Juan de Mariana thought it indecent, describing it in his ''Tratato contra los juegos públicos'' (Treatise Against Public Amusements, 1609) as "a dance and song so loose in its words and so ugly in its motions that it is enough to excite bad emotions in even very decent people".Jane Bellingham, "Sarabande", ''The Oxford Companion to Music'', edited by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosicrucianism
Rosicrucianism is a spiritual and cultural movement that arose in Europe in the early 17th century after the publication of several texts purported to announce the existence of a hitherto unknown esoteric order to the world and made seeking its knowledge attractive to many. Yates, Frances A. (1972), ''The Rosicrucian Enlightenment'', London The mysterious doctrine of the order is "built on esoteric truths of the ancient past", which "concealed from the average man, provide insight into nature, the physical universe, and the spiritual realm." The manifestos do not elaborate extensively on the matter, but clearly combine references to Kabbalah, Hermeticism, alchemy, and Christian mysticism. The Rosicrucian manifestos heralded a "universal reformation of mankind", through a science allegedly kept secret for decades until the intellectual climate might receive it. Controversies arose on whether they were a hoax, whether the "Order of the Rosy Cross" existed as described in the manif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnosticism
Gnosticism (from grc, γνωστικός, gnōstikós, , 'having knowledge') is a collection of religious ideas and systems which coalesced in the late 1st century AD among Jewish Jews ( he, יְהוּדִים, , ) or Jewish people are an ethnoreligious group and nation originating from the Israelites Israelite origins and kingdom: "The first act in the long drama of Jewish history is the age of the Israelites""The ... and early Christian sects. These various groups emphasized personal spiritual knowledge (''gnosis'') above the orthodox teachings, traditions, and authority of religious institutions. Gnostic cosmogony generally presents a distinction between a supreme, hidden God and a malevolent demiurge, lesser divinity (sometimes associated with the Yahweh of the Old Testament) who is responsible for creating the nature, material universe. Consequently, Gnostics considered material existence flawed or evil, and held the principal element of salvation to be direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Préludes Flasques (pour Un Chien)
The ''Préludes flasques (pour un chien)'' – ''Flabby Preludes (For a Dog)'' – is a set of four piano pieces composed in July 1912 by Erik Satie. In performance it lasts about 5 minutes. The work demonstrates Satie's attempts to reconcile the linear contrapuntal style he had acquired through his recent studies at the Schola Cantorum in Paris with his natural sense of wit and fantasy. It was to have been the first of his series of humoristic piano suites (1912-1915), but the composer withdrew the score after it was rejected for publication. He then wrote a second set of pieces on the same theme, the ''Veritables Preludes flasques (pour un chien)'' (1912), which proved a breakthrough in Satie's career and creative development. The original ''Préludes flasques'' were presumed lost for decades and would not see print until 1967. History Satie was never a pet-owner, but his fondness for dogs is well known. Stray mongrels he occasionally fed and sheltered were the only visitors h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
