|
Gli Amori D'Apollo E Di Dafne
''Gli amori d'Apollo e di Dafne'' (''The Loves of Apollo and Daphne'') is an opera by the Italian composer Francesco Cavalli. It was Cavalli's second operatic work and was premiered at the Teatro San Cassiano, Venice during the Carnival season of 1640. The libretto is by Giovanni Francesco Busenello and is based on the story of the god Apollo's love for the nymph Daphne as told in Ovid's ''Metamorphoses''. Roles Recordings * ''Gli Amori d'Apollo e di Dafne'' Orquestra Joven de la Sinfónica de Galicia, Alberto Zedda, Naxos, 2006. * ''Gli amori d'Apollo e di Dafne'' Ensemble Elyma, Gabriel Garrido, K617 2009. * ''Gli amori d'Apollo e di Dafne, Act 3: Misero Apollo'' Philippe Jaroussky, Artaserse ' is the name of a number of Italian operas, all based on a text by Metastasio. ' is the Italian form of the name of the king Artaxerxes I of Persia. There are over 90 known settings of Metastasio's text. The libretto was originally written for, .... References *Holden, Amanda (Ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo And Daphne (Bernini)
''Apollo and Daphne'' is a life-sized Baroque marble sculpture by Italian artist Gian Lorenzo Bernini, executed between 1622 and 1625. Housed in the Galleria Borghese in Rome, the work depicts the climax of the story of Apollo and Daphne (Phoebus and Daphne) in Ovid's ''Metamorphoses''. History The sculpture was the last of a number of artworks commissioned by Cardinal Scipione Borghese, early in Bernini's career. ''Apollo and Daphne'' was commissioned after Borghese had given an earlier work of his patronage, Bernini's The Rape of Proserpina, to Cardinal Ludovico Ludovisi. Much of the early work was done in 1622–23, but a pause, possibly to work on Bernini's sculpture of ''David'', interrupted its completion, and Bernini did not finish the work until 1625.Pinton, p. 18 The sculpture itself was not moved to the Cardinal's Villa Borghese until September 1625. Bernini did not execute the sculpture by himself; he had help from a member of his workshop, Giuliano Finelli, who un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Jaroussky
Philippe Jaroussky (born 13 February 1978) is a French countertenor. He began his musical career with the violin, winning an award at the Versailles conservatory, and then took up the piano before turning to singing. Unusually for a countertenor, Jaroussky performs entirely in falsetto register. He has said that his natural singing voice is in the baritone range. Early career Jaroussky was born in Maisons-Laffitte. His great-grandfather was a Russian émigré who fled from the Bolshevik Revolution. Jaroussky was inspired to sing by the Martinique-born countertenor Fabrice di Falco. He received his diploma from the Early Music Faculty of the Conservatoire de Paris. Since 1996, he has studied singing with Nicole Fallien. He cofounded the ensemble Artaserse in 2002, and has also often performed with the Ensemble Matheus under Jean-Christophe Spinosi and with L'Arpeggiata under Christina Pluhar. On 29 July 2016 he performed David Bowie's "Always Crashing in the Same Car" in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Garrido
Gabriel Garrido is an Argentinian conductor specialising in Italian baroque and the recovery of the baroque musical heritage of Latin America. Garrido was born 1950 in Buenos Aires, and at the age of 17 with the Argentine recorder quartet, Pro Arte, undertaking two tours in Europe. He studied music at University of La Plata, in Zurich, and at the Schola Cantorum Basiliensis, specialising in the lute, baroque guitar and reed instruments of the Renaissance. He became a member of the Ensemble Ricercare and Jordi Savall's Hesperion XX, with whom he made several recordings. From 1977 he was a teacher at the ''Centre de Musique Ancienne'' at the Conservatoire de Musique de Genève, where in 1981 he founded Ensemble Elyma a performance and research ensemble. He has a long working relationship with the ''Studio di Musica Antica Antonio Il Verso'' of Palermo. In 1992 Garrido commenced recording the key early recordings in the series ''Les Chemins du Baroque'' for the French label K617, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensemble Elyma
Ensemble Elyma is an early music ensemble specialising in the baroque musical heritage of Latin America, led by Gabriel Garrido. Selected discography SeDiscography* 1991 Sigismondo d'India ''Arie, madrigali e baletti'' María Cristina Kiehr, Nadia Ragni, Claudio Cavina, Josep Cabré, Daniele Carnovich. Tactus Records, Italy. * 1992 ''Il secolo d'Oro nel nuovo mondo'' - Diego José de Salazar, D. Fernandes, Juan de Sucre, Juan Hidalgo de Polanco, Francisco de Peñalosa, Gaspar Fernandes, Antonio de Ávila, Hernando Franco, Fray Geronimo Gonzales, Juan Gutiérrez de Padilla, Juan García de Zéspedes, Tomás de Torrejón y Velasco, Juan de Araujo. María Cristina Kiehr, Adriana Fernandez, Sandro Naglia, Pietro Valguarnera. Symphonia (record label) Italy. Diapason d'or, Dix de repertoire. (re-released as ''Hanacpachap'' Pan Classics 2012) * 1992 ''Lima - La Plata - Missions Jésuites.'' Les Chemins du Baroque vol. 1, ref. K617 025 Ensemble Elyma, Coro de Niños Cantores de Cordoba (A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Zedda
Alberto Zedda (2 January 19286 March 2017) was an Italian conductor and musicologist whose specialty was the 19th-century Italian repertoire. Alberto Zedda was born in Milan, Italy, where he accomplished his education in music and humanities, completed at the Musical Palaeography School of Cremona. In 1957 he won the International Italian Radio and Television Competition for Conductors and thereafter was invited to appear with important Institutions in Italy (La Scala, Santa Cecilia, Maggio Musicale Fiorentino, the TV-Radio Orchestras of Rome, Turin, Milan, Naples…) and abroad in Germany, Holland, Belgium, France, Spain, Poland, Russia, Israel, United States, China, Japan… Besides the symphonic activity, Alberto Zedda has developed an outstanding career in opera: La Scala, San Carlo, La Fenice, Massimo di Palermo, Comunale di Bologna, Regio di Torino, Covent Garden, Marinski, Vienna, San Francisco, Los Angeles, Paris, Helsinki, Tel Aviv, Warsaw, Lisboa, Barcelona, Madrid, Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muse
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peneus
In Greek mythology, Peneus (; Ancient Greek: Πηνειός) was a Thessalian river god, one of the three thousand Rivers (Potamoi), a child of Oceanus and Tethys. Family The nymph Creusa bore him one son, Hypseus, who was King of the Lapiths, and three daughters, Menippe (mother of Phrastor by Pelasgus), Daphne and Stilbe.Diodorus Siculus, 4.69.1 Some sources state that he was the father of Cyrene, alternately known as his granddaughter through Hypseus. Daphne, in an Arcadian version of the myth, was instead the daughter of the river god Ladon. Peneus also had a son Atrax with Bura, and Andreus with an unknown consort. Tricce (or Tricca), eponym of the city Tricca, was mentioned as his daughter. In later accounts, Peneus was credited to be the father of Chrysogenia who consorted with Zeus and became the mother of Thissaeus.Pseudo-Clement, '' Recognitions'' 10.21-23 Meanwhile, his daughter Astabe coupled with Hermes and became the parents of Astacus, father of Iocles, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Procris
In Greek mythology, Procris ( grc, Πρόκρις, ''gen''.: Πρόκριδος) was an Athenian princess as the third daughter of Erechtheus, king of Athens and his wife, Praxithea, daughter of Phrasimus and Diogeneia. Homer mentions her in the ''Odyssey'' as one of the many dead spirits Odysseus saw in the Underworld, and Sophocles wrote a tragedy called ''Procris'' which has been lost, as has a version contained in the Greek Cycle, but at least six different accounts of her story still exist. Family Procris's sisters were Creusa, Oreithyia, Chthonia, Protogeneia, Pandora and Merope while her brothers were Cecrops, Pandorus, Metion, and possibly Orneus, Thespius, Eupalamus and Sicyon. She married Cephalus, the son of King Deioneus of Phocis. Mythology Pherecydes The earliest version of Procris' story comes from Pherecydes of Athens. Cephalus remains away from home for eight years because he wanted to test Procris. When he returns, he succeeds in seducing her whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (god)
In ancient Greek religion and Greek mythology, mythology, Pan (; grc, wikt:Πάν, Πάν, Pán) is the god of the wild, shepherds and flocks, Pastoral#Pastoral music, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia (ancient region), Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Religion in ancient Rome, Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna (goddess), Fauna; he was also closely associated with Silvanus (mythology), Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in Romanticism, the Romantic movement of western Europe and also in the 20th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Gli Amori D'Apollo E Di Dafne")
