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Give My Regards To The Blonde Child On The Rhine
''Give My Regards to the Blonde Child on the Rhine'' (German: ''Grüß mir das blonde Kind am Rhein'') is a 1926 German silent film directed by Carl Boese and starring Walter Slezak, Hanni Reinwald and Frida Richard.Krautz, Alfred. ''International directory of cinematographers, set- and costume designers in film, Volume 4''. Saur, 1984. p. 138. It takes its name from a popular song. Cast *Walter Slezak *Hanni Reinwald *Frida Richard *Wilhelm Diegelmann *Fritz Kampers *Emil Heyse *Paula Eberty *Henry Bender Henry Bender (born Harry Bandheimer; 1867–1933) was a German stage and film actor.Chandler p. 272 He appeared in more than a hundred films during his career. Selected filmography * ''The Devil'' (1918) * '' Madeleine'' (1919) * ''Whitechapel'' ... References External links * Films of the Weimar Republic Films directed by Carl Boese German silent feature films German black-and-white films Terra Film films {{Germany-silent-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Boese
Carl Eduard Hermann Boese (; 26 August 1887 – 6 July 1958) was a German film director, screenwriter, and film producer, producer. He directed 158 films between 1917 and 1957. Selected filmography * ''Farmer Borchardt'' (1917) * ''Donna Lucia'' (1918) * ''The Stolen Sole'' (1918) - Director * ''Nuri's Curse / Nissami's Song'' (1918) - Director * ''The Geisha and the Samurai'' (1919) * ''The Devil and the Madonna'' (1919) * ''Nocturne of Love (1919 film), Nocturne of Love'' (1919)-Direct. * ''The Golem: How He Came into the World'' (1920) * ''The Dancer Barberina'' (1920) * ''Three Nights'' (1920) * ''The Song of the Puszta'' (1920) * ''Blackmailed (1920 film), Blackmailed'' (1920) * ''The Raft of the Dead'' (1921) * ''The Shadow of Gaby Leed'' (1921) * ''The Terror of the Red Mill'' (1921) * Dolores (1922) - Director * ''The Unwritten Law (1922 film), The Unwritten Law'' (1922) * ''Slave for Life'', director, producer * ''Count Cohn'' (1923) * ''Maciste and the Chinese Chest'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Carl Boese
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Bender
Henry Bender (born Harry Bandheimer; 1867–1933) was a German stage and film actor.Chandler p. 272 He appeared in more than a hundred films during his career. Selected filmography * ''The Devil'' (1918) * '' Madeleine'' (1919) * ''Whitechapel'' (1920) * '' The Lord of the Beasts'' (1921) * ''Murder Without Cause'' (1921) * ''The Hunt for the Truth'' (1921) * ''The Adventuress of Monte Carlo'' (1921) * '' Peter Voss, Thief of Millions'' (1921) * ''The Riddle of the Sphinx'' (1921) * ''The Two Pigeons'' (1922) * ''Marie Antoinette, the Love of a King'' (1922) * ''Miss Rockefeller Is Filming'' (1922) * '' Sunken Worlds'' (1922) * ''His Excellency from Madagascar'' (1922) * ''The Girl with the Mask'' (1922) * ''Horrido'' (1924) * ''Gobseck'' (1924) * ''The Most Beautiful Woman in the World'' (1924) * ''Express Train of Love'' (1925) * ''Flight Around the World'' (1925) * ''Cock of the Roost'' (1925) * '' Give My Regards to the Blonde Child on the Rhine'' (1926) * ''The Blue Danube'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Kampers
Fritz Kampers (14 July 1891 – 1 September 1950) was a German film actor. He appeared in more than 250 films between 1913 and 1950. Early life Fritz Kampers was the son of a Munich hotel owner, spent his early childhood in Garmisch-Partenkirchen and attended a boarding school in Weilheim in Upper Bavaria. After completing secondary school, he completed a commercial apprenticeship in a textile shop in Munich and at the same time took acting classes with Richard Stury, who presided as president of the Munich experimental stage. After appearances at small suburbs in Munich, such as the Alhambratheater, he wandered through the province and finally found engagements in Alzey, Karlsruhe, Lucerne, Sondershausen, Helmstedt and Aachen. During the First World War he served as a cavalryman on the eastern front, was wounded, fired and joined the front theaters in Warsaw and Łódź. During a commitment begun in 1917 at the Munich Volkstheater Fritz Kampers got to know the director Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Diegelmann
Wilhelm Diegelmann (28 September 1861 – 1 March 1934) was a German actor. Career Diegelmann's first stage appearance was in 1878 in the chorus for the Frankfurt Opera. In 1881 he debuted at the Frankfurt City Theater, playing King Lear, William Tell, and other title characters. Sometime around 1900, Diegelmann relocated to Berlin. Here, he appeared at a variety of theaters, including the Deutsches Theater, the Großes Schauspielhaus, and the Deutsches Künstlertheater. Diegelmann was introduced to film in 1913 by Max Reinhardt. he became a prolific actor of supporting roles, often as a father figure. He performed in the well-known film '' Der Blaue Engel'' (The Blue Angel), where he played a ship captain who flirts with the lead actress (Marlene Dietrich). The final film he starred in was the Theodor Storm adaptation of ''Der Schimmelreiter'' (The Rider on the White Horse). He continued to make stage appearances after this, with his last role being in ''Rembrandt vor Gericht ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Glass
Max Glass (12 June 1881 – 18 July 1965) was an Austrian screenwriter, film director, and producer. Glass was born in Jaroslau, which was then part of the Austro-Hungarian Empire, into a Jewish family, but later converted to Catholicism. He gained a PHD in Philosophy from the University of Vienna. Glass entered the German film industry as a writer, but soon became a producer. By the mid-1920s he rose to be head of production at Terra Film before breaking away to set up his own production company in 1928 Glass' lover the actress Ruth Werner appeared in a number of his films but was unable to marry him until he had secured a divorce from his first wife, Dr. Helene Münz (married 1908–1957), with whom he had two sons, Paul Glass (born 1910) and Georges Glass (born 19 October 1917, Vienna). Following the Nazi takeover of power in Germany in 1933, Glass' production companies were shut down and he was forced to go into exile in France. Glass again worked as a producer, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terra Film
Terra Film was a Berlin-based film production company. Founded in 1919, it became one of Germany's largest film production companies in the 1930s under the Nazi regime. Corporate history The company was founded at end of 1919, initially as a limited liability company and converted into a corporation in October 1920. On 19 July 1922, it acquired the Marienfelde Studios of Eiko Film in the Marienfelde suburb of Berlin. In 1930, the Swiss Scotoni family, headed by Eugen Scotoni, acquired Terra for 1.2 million Reichsmarks. The Marienfelde Studios were then equipped for sound using the Tobis-Klangfilm system. Many of the forty films from the era of Ralph Scotoni were influenced by Nazi ideas, transfer was also on Swiss materials and locations (''William Tell'', 1934; ''The Knight of Pontresina'', 1934; ''Hermione and the Seven Law'', 1935). However, since the films lost money, the family sold its stake in Terra Scotoni film in 1935. In the wake of the nationalization of the fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Hansen (cinematographer)
Alfred Hansen (1885–1935) was a German cinematographer of the silent and early sound era. Selected filmography * ''Carmen'' (1918) * '' The Rosentopf Case'' (1918) * '' Meyer from Berlin'' (1919) * '' The Flame'' (1923) * ''Three Waiting Maids'' (1925) * ''If You Have an Aunt'' (1925) * ''Athletes'' (1925) * '' The Man Who Sold Himself'' (1925) * ''Vienna - Berlin'' (1926) * ''The Sea Cadet'' (1926) * ''The Man Without Sleep'' (1926) * ''The Trumpets are Blowing'' (1926) * ''Give My Regards to the Blonde Child on the Rhine'' (1926) * ''Nanette Makes Everything'' (1926) * ''The White Spider'' (1927) * ''Petronella'' (1927) * ''The Tragedy of a Lost Soul'' (1927) * ''The Lady and the Chauffeur'' (1928) * ''When the Guard Marches'' (1928) * ''The House Without Men'' (1928) * ''Bobby, the Petrol Boy'' (1929) * ''Flachsmann the Educator'' (1930) * ''The Battle of Bademunde'' (1931) * ''Errant Husbands'' (1931) * ''Such a Greyhound ''Such a Greyhound'' (german: So'n Windhund) is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
