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Giustino (Handel)
''Giustino'' ("Justin", HWV 37) is an opera seria in three acts by George Frideric Handel. The opera was first given at the Covent Garden Theatre in London on 16 February 1737. The Italian-language libretto was adapted from Charles VI's court poet Pietro Pariati's libretto for ''Giustino'' (1711), after the much older original libretto of Nicolò Beregan (1682). The libretto had already been adapted by many composers including Vivaldi's ''Giustino'' of 1724 and Tomaso Albinoni's lost opera of 1711. Background By the 1736–37 season in London, the German-born Handel was presenting both operas he had composed in Italian, as he had done for more than twenty years, and oratorio in English, which was a newer form for him. ''Giustino'' was one of three new operas composed by Handel that season. In addition he revived earlier operas and oratorios and presented two new oratorios. In the middle of all this work, Handel suffered an illness which temporarily left his right hand paralyze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel By Balthasar Denner
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old pig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Annibali
Domenico Annibali (c. 1705 – 1779) was an Italian castrato who had an active international career from 1725–1764. He began his career in his native country and was then committed to the Grosses Königliches Opernhaus in Dresden from 1729 until his retirement from the stage 35 years later. In Dresden he excelled in the operas of Johann Adolf Hasse, notably creating roles in the premieres of two of his operas. He was also admired there in works by Nicola Porpora. Annibali also appeared as a guest artist with theatres in Italy and in Vienna and London. He is best remembered today for originating roles in three operas by George Frideric Handel at Covent Garden in 1737. Musicologist Charles Burney wrote that "his abilities during his stay in England seem to have made no deep impression". However, Mary Delany wrote that he had "the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action." Other accounts of his time in England praised his c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Savage
William Savage (1720 – 27 July 1789) was an English people, English composer, organist, and singer of the 18th century. He sang as a boy boy soprano, treble and alto, a countertenor, and as a bass (voice), bass. He is best remembered for his association with the composer George Frideric Handel, in whose oratorios Savage sang. Life and career Savage married Mary Bolt (1718-1788), and together they had three children. William died young in the West Indies, and Rev. George Savage died in 1816. Their daughter Jane Savage was also a composer. Mary published two volumes of ''Poems on Various Subjects and Occasions'' in 1777. Singer Savage first came to prominence as a boy treble in 1735, singing in a revival of Handel's ''Athalia (Handel), Athalia'' and in ''Alcina'' during the composer's Covent Garden season. The role of Oberto in ''Alcina'' was specially composed with his voice in mind and was added to the score at a later time in order just to cast him. After his voice had brok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Soprano
A boy soprano (British and especially North American English) or boy treble (only British English) is a young male singer with an unchanged voice in the soprano range, a range that is often still called the treble voice range (in North America too) when talking about children. Origins In the Anglican and English Catholic liturgical traditions (in which girls and women did not sing in church choirs), young male choristers were normally referred to as "trebles" rather than as boy sopranos, but today the term "boy trebles" is increasingly common (girls with high voices are trebles too). The term "treble" derives from the Latin ', used in 13th and 14th century motets to indicate the third and highest range, which was sung above the tenor part (which carried the tune) and the alto part. Another term for that range is '. The term "treble" itself was first used in the 15th century. Trebles have an average range of A3 to F5 (220–700 Hz). The term ''boy soprano'' originated w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Theodore Reinhold
Henry Reinhold (c. 1690 – 1751), also known as Thomas Reinhold, was a German opera singer. He was born in Dresden and showed an early aptitude for music, which his family apparently discouraged. But he secretly left Dresden to follow Handel, a friend of his reputed father, to London. There, through Handel's good offices, he came under the protection of Frederick, Prince of Wales, who ultimately stood sponsor to his eldest son. In 1731 Reinhold, described as Reynholds, was singing at the Haymarket Theatre. He sang in the first performance of Handel's Arminio at Covent Garden on 12 January 1737, and created principal parts in many of Handel's operas and oratorios. Reinhold was one of the founders, in 1738, of the Royal Society of Musicians. When vocal music was added to the other attractions of Vauxhall Gardens in 1745, Reinhold was one of the first singers engaged. He died in Chapel Street, Soho, on 14 May 1751, and on 20 May Garrick lent his theatre for a benefit performanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beard (tenor)
John Beard (c. 1716 – 5 February 1791) was an English tenor of the 18th century. He is best remembered for creating an extensive number of roles in the operas and oratorios of George Frideric Handel. Beard's début came in Handel's 1734 revival of his ''Il pastor fido'', which was a great success. Beard continued to sing for Handel, creating roles in ten of his operas and performing in every one of Handel's English-language oratorios, odes, and music dramas, with the sole exception of '' The Choice of Hercules''. He also performed for Thomas Arne, and sang at the Chapel Royal. His marriage, during 1739, to Lady Henrietta Herbert, only daughter of James Waldegrave, 1st Earl Waldegrave caused much scandal: Lord Egmont commented that "there is no prudence below the girdle". Lady Henrietta died in 1753. In 1759 Beard married again, this time to Charlotte Rich, whose father John Rich was the proprietor of the opera house in Covent Garden. After John Rich died in 1761, Beard succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Caterina Negri
Maria Caterina Negri (28 September 1704 – after 1744) was an Italian contralto who created numerous roles in 18th-century operas, including many by George Frideric Handel. She primarily portrayed male characters ''en travesti'' or female warriors such as Bradamante. Negri was born in Bologna and made her debut there at the age of 15. Her last known performance was in 1744. The date and place of her death are unknown. In its prime, her voice was known for its agility and wide vocal range. Life and career Negri was born in Bologna to Teresa ''née'' Maranelli and Antonio Negri. Little is known about her early life or training, although according to François-Joseph Fétis she studied under the castrato singer Antonio Pasi in Bologna. She was barely 15 when she made her debut at the Teatro Formagliari Bologna during the 1719 carnival season in Bononcini's ''Il trionfo di Camilla '' and Predieri's ''La Partenope''. She sang in various theatres in Italy until 1724 when she joined th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesca Bertolli
Francesca Bertolli (? Rome – 9 January 1767, in Bologna) was an Italian contralto of the 18th century. She is best remembered for her association with the composer George Frideric Handel, in whose operas she sang. Details of her early career are not known, but by 1728 she was in service to the Grand Duchess of Tuscany, singing at Bologna and Livorno. After the initial Royal Academy folded, Handel set up a second company of the same name, based at the King's Theatre, and for this purpose in 1729 he engaged Bertolli. She performed in approximately 15 of his operas, as well as works by Ariosti and a number of pasticcios. In 1733, however, she defected to the rival Opera of the Nobility, along with Senesino and Antonio Montagnana, where she sang in operas by Nicola Porpora (such as '' Polifemo'') and Bononcini, in addition to Handel's ''Ottone''. In 1736, however, she returned to Handel for another year and performed in 4 or 5 of his works. Upon the conclusion of this second e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Maria Strada
Anna Maria Strada ( fl. 1719–1741, in Bergamo) was an Italian soprano. She is best remembered for her association with the composer George Frideric Handel, in whose operas Strada sang. Career After an initial career in Italy that included performances at Venice — in Vivaldi's opera '' La verità in cimento'' (1720) — Milan, and Livorno, Strada moved to London in 1729 to sing for Handel after the composer engaged her for his operas. She made her début as Adelaida in '' Lotario'' and was ''prima donna'' in all his operas and oratorios until 1737. She sang in a minimum of 24 of Handel's operas and the opera-ballet ''Terpsicore'', a new prologue to a revision of ''Il pastor fido''. Her roles included Angelica in ''Orlando'', the title role in ''Partenope'', Elmira in ''Sosarme'', Thusnelda in '' Arminio'', and Ariadne in '' Giustino'', and the title role of Atalanta. Strada was the only singer of Handel's company who did not defect to the rival Opera of the Nobility in 173 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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