Giuseppe Pellizza
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Giuseppe Pellizza
Giuseppe Pellizza da Volpedo (28 July 1868 – 14 June 1907) was an Italian divisionist painter. He was born and died in Volpedo, in the Piedmont region of northern Italy. Pellizza was a pupil of Pio Sanquirico. He used a divisionist technique in which a painting is created by juxtaposing small dots of paint according to specific color theory. Although he exhibited often, his work achieved popularity in death through their reproduction in socialist magazines and the acclaim they received from 20th century art critics. Biography Giuseppe Pellizza was born in Volpedo, of the Province of Alessandria on July 28, 1868, to Pietro and Maddalena Cantù and into a wealthy peasant family. He attended the technical school of Castelnuovo Scrivia, where he learned the first elements of drawing. Thanks to the knowledge gained with the commercialization of their products, the Pellizzas contacted the brothers Grubicy, who promoted the enrollment of Giuseppe in the Brera Academy. There, Pelliz ...
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Volpedo
Volpedo is a ''comune'' (municipality) in the Province of Alessandria in the Italian region Piedmont, located about east of Turin and about east of Alessandria. Volpedo borders the following municipalities: Casalnoceto, Godiasco, Monleale, Montemarzino, Pozzol Groppo, and Volpeglino. Painter Giuseppe Pellizza da Volpedo was born in this village. History A burial slab, now enclosed in the parish church's walls, shows the Roman presence in the area in the 1st century BC, although the area was perhaps already inhabited by the Ligures. In the 10th century it is documented as ''Vicus Piculus'' (from latin ''vicus'': "Small village") and received a Romanesque pieve and a ''castrum'', a fortified village whose walls, rebuilt in the 16th century, are still visible today. In the 12th century it was known as ''Vicus pecudis'', and was connected to the comune of Tortona, sending relief troops to that city during the siege laid by Frederick Barbarossa in 1155. In 1347 Tortona was annexed ...
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French Academy In Rome
The French Academy in Rome (french: Académie de France à Rome) is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio (Pincian Hill) in Rome, Italy. History The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun and Gian Lorenzo Bernini. The Academy was from the 17th to 19th centuries the culmination of study for select French artists who, having won the prestigious Prix de Rome (Rome Prize), were honored with a 3, 4 or 5-year scholarship (depending on the art discipline they followed) in the Eternal City for the purpose of the study of art and architecture. Such scholars were and are known as ''pensionnaires de l'Académie'' (Academy pensioners). One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger. The Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. In 1803 Napoleon Bonaparte ...
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Gaetano Previati
Gaetano Previati (1852 – 1920) was an Italian Symbolist painter in the Divisionist style. Biography Previati was born in Ferrara. He relocated to Milan in 1876 and enrolled at the Brera Academy of Fine Arts, studying under Giuseppe Bertini, Giovanni Morelli, and Federico Faruffini. While he focused on historic and religious canvases, albeit with a bent for mysticism and passionate topics. He became strongly attached to the Divisionist style, and even published a treatise on ''I principi scientifici del Divisionismo (1909). Biography In 1879, he won the Canonica prize with his composition of ''Gli ostaggi di Crema''. The next year at Turin, he exhibited a large canvas of ''Cesare Borgia at Capua''. Having settled in Milan definitively in 1881, he came into contact with the Scapigliatura movement. In 1881 at Milan, he displayed the genre painting ''Preferenza'' as well as ''Christ Crucified'' (1880); ''Abelard''; and ''At the entrance of the Harem''. In 1883, he exhibited ''Un a ...
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Emilio Longoni
Emilio Longoni (July 9, 1859 – November 29, 1932) was an Italian painter. Biography He was born in Barlassina on July 9, 1859, fourth of twelve children, from Garibaldi’s volunteer and horseshoer Matteo Longoni and from tailor Luigia Meroni. Since he was a child he felt a great passion for painting. After he finished elementary school he was sent to Milan to work as a boy. From 1875, he first studied at the night school of the Brera Academy. In 1876, he joined the regular courses, along with Gaetano Previati and Giovanni Segantini, with whom he shared a studio in 1882. He exhibits at the Brera in 1880 and 1882. He spent time in Naples and Brianza during the years 1880-1884; during this decade, he mainly painted still lifes. At the 1891 Brera Trienale, he displayed ''Oratore dello sciopero'', his first Divisionist work. He moved on to painting landscapes.
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Plinio Nomellini
Plinio Nomellini (1866–1943) was an Italian painter. Biography Nomellini was born in Livorno in 1866. In 1885 he enrolled at the Florence Academy of Fine Arts, where he studied under Giovanni Fattori and formed friendships with Telemaco Signorini and Silvestro Lega as well as Giuseppe Pellizza some time later. At the 1886 Promotrice of Florence, he exhibited a portrait and a landscape of ''Un uliveto''; at the 1887 Mostra he exhibited ''L'incontro'' and ''Piano di Tombolo''. In 1888, he exhibited a ''Portrait of Nina Van Zandt'' and ''Il fieno''. At the Mostra held at the Società d'Incoraggiamento of Florence he displayed the following paintings: ''Al sole''; ''Sciopero''; ''La giornata è finita (The Journey is Finished)''; ''Fiore selvaggio''; ''Foce del Calambrone'', and ''The Summer of San Martino''.
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Vittore Grubicy De Dragon
Vittore Grubicy de Dragon (15 October 1851 – 4 August 1920) was an Italian painter, art critic and art gallery owner who was largely responsible for introducing into Italian painting the optical theories of Divisionism. His writings and paintings influenced a generation of late 19th-century Italian painters. In addition, the Grubicy Gallery became one of the first art enterprises to be run on the concept of exhibiting living artists that were represented as clients of the gallery. Biography Grubicy grew up in a well-to-do family in Milan. Both of his parents were great art lovers, and from an early age he was introduced to the art circles in Milan and other European cities. After his father died in 1870, Grubicy became involved with a bohemian group of Milanese artists, poets and writers known as the Scapigliatura, who sought to blur the differences between art and life. He was so taken with this new lifestyle that he convinced his brother Alberto to join him in buying ...
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Angelo Morbelli
Angelo Morbelli (Alessandria, 1853 – Milan, 1919) was an Italian painter of the Divisionist style. Biography A grant from the City Council of Alessandria enabled Morbelli to enrol at the Brera Academy of Fine Arts, Milan, in 1867. He was awarded the Fumagalli Prize at the Brera exhibition of 1883 for Last Days (Milan, Galleria d’Arte Moderna) as well as a gold medal at the Paris Universal Exhibition of 1889. The work inaugurated a series of paintings on the Pio Albergo Trivulzio home for the aged, which was accompanied by others addressing social themes. He took part in the 1st Brera Triennale in 1891 with work of a Divisionist character. The Divisionist technique of separate colours was also employed in socially committed works subsequently shown at the exhibitions in Milan, Venice and Rome and the intense landscapes that followed them towards the second decade of the new century. One of his pupils was Pietro Morando.
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Giovanni Segantini
Giovanni Segantini (15 January 1858 – 28 September 1899) was an Italian painter known for his large pastoral landscapes of the Alps. He was one of the most famous artists in Europe in the late 19th century, and his paintings were collected by major museums. In later life, he combined a Divisionist painting style with Symbolist images of nature. He was active in Switzerland during the last period of his life. Biography Giovanni Battista Emanuele Maria Segatini 'sic''was born at Arco in Trentino, which was then part of the County of Tyrol in the Austro-Hungarian Empire. He later changed his family name by adding an "n" after the "a". He was the second child of Agostino Segatini (1802–1866) and Margarita De Girardi (1828–1865). His older brother, Lodovico, died in a fire the year Giovanni was born. During the first seven years of his life, his father, who was a tradesman, traveled extensively while looking for work. Except for a six-month period in 1864 when Agostino re ...
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Divisionism
Divisionism, also called chromoluminarism, was the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches which interacted optically..Homer, William I. ''Seurat and the Science of Painting.'' Cambridge, MA: The MIT Press, 1964. By requiring the viewer to combine the colors optically instead of physically mixing pigments, Divisionists believed they were achieving the maximum luminosity scientifically possible. Georges Seurat founded the style around 1884 as chromoluminarism, drawing from his understanding of the scientific theories of Michel Eugène Chevreul, Ogden Rood and Charles Blanc, among others. Divisionism developed along with another style, Pointillism, which is defined specifically by the use of dots of paint and does not necessarily focus on the separation of colors.Ratliff, Floyd. ''Paul Signac and Color in Neo-Impressionism.'' New York: Rockefeller UP, 1992. . Theoretical foundations and development ...
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Giuseppe Pelizza - Il Sole
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Giu ...
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Accademia Ligustica Di Belle Arti
The Accademia Ligustica di Belle Arti is a tertiary academy of fine arts located in Genoa, Italy. It also houses a museum (Museo dell'Accademia Ligustica di Belle Arti), which includes works of Giovanni Benedetto Castiglione, Giuseppe Abbati, Anton Raphael Mengs, Perin del Vaga, Luca Cambiaso, Bernardo Strozzi, Giovanni Battista Paggi, Sinibaldo Scorza, Domenico Fiasella, Luciano Borzone, Serafino De Tivoli, Plinio Nomellini Plinio Nomellini (1866–1943) was an Italian painter. Biography Nomellini was born in Livorno in 1866. In 1885 he enrolled at the Florence Academy of Fine Arts, where he studied under Giovanni Fattori and formed friendships with Telemaco Sign .... The academy was founded in 1751. References External links * Art schools in Italy Education in Genoa Educational institutions established in 1751 1751 establishments in Italy Art museums and galleries in Genoa {{Italy-art-stub ...
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Cesare Tallone
Cesare Tallone (1853–1919) was an Italian painter. Biography Born in Savona and after losing his father at the age of ten, Cesare Tallone moved with his mother and sisters to Alessandria, where he became a pupil of the decorative artist Pietro Sassi. Some members of the local bourgeoisie commissioned the first portraits from him and persuaded the City Council to finance his studies. Thanks to this financial aid, Tallone was able to enrol in the Brera Academy in 1872, studying under Raffaele Casnedi, Luigi Riccardi and Giuseppe Bertini until 1880. His talent was obvious from his very first works and was recognised by Francesco Hayez, who allowed him the use of his own studio near the Academy. An active participant in the lively cultural milieu in Milan and member of the Famiglia Artistica since its foundation in 1873 by Vespasiano Bignami. He won the triennial combined schools of painting competition at the Brera exhibition in 1879, with a historical subject. He reprised thi ...
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