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Giuseppe Maria Boschi
Giuseppe Maria Boschi (born Viterbo !--According to the reference; the previous Mantua, however, accords with the Italian Wikipedia, and may be correct.-->; '' fl'' 1698–1744) was an Italian bass singer – though in modern terms a baritone – of the 18th century. He is best remembered for his association with the composer George Frideric Handel, whom he worked for in both Italy and London. During the first decade of the century he is known to have performed at Casale Monferrato, Vicenza, Ferrara, Vienna, Bologna and at Venice, where he created the role of Pallas in Handel's '' Agrippina'' for the 1709–1710 ''Carnevale'' season. He made his London début in 1710 and, after 1711, returned to northern Italy, where he appeared in Venice, Verona, Bologna and Genoa. From 1717 to 1720 he was active primarily in Dresden. From 1720 to 1728 he was engaged by the Handel's Royal Academy of Music in London, where he sang in all of the 32 operas that the organisation produced du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Boschi
Giuseppe Maria Boschi (born Viterbo !--According to the reference; the previous Mantua, however, accords with the Italian Wikipedia, and may be correct.-->; '' fl'' 1698–1744) was an Italian bass singer – though in modern terms a baritone – of the 18th century. He is best remembered for his association with the composer George Frideric Handel, whom he worked for in both Italy and London. During the first decade of the century he is known to have performed at Casale Monferrato, Vicenza, Ferrara, Vienna, Bologna and at Venice, where he created the role of Pallas in Handel's '' Agrippina'' for the 1709–1710 ''Carnevale'' season. He made his London début in 1710 and, after 1711, returned to northern Italy, where he appeared in Venice, Verona, Bologna and Genoa. From 1717 to 1720 he was active primarily in Dresden. From 1720 to 1728 he was engaged by the Handel's Royal Academy of Music in London, where he sang in all of the 32 operas that the organisation produced du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verona
Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Northern Italy, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city Comune, municipality in the region and the second largest in northeastern Italy. The metropolitan area of Verona covers an area of and has a population of 714,310 inhabitants. It is one of the main tourist destinations in northern Italy because of its artistic heritage and several annual fairs and shows as well as the Opera, opera season in the Verona Arena, Arena, an ancient Ancient Rome, Roman Amphitheatre, amphitheater. Between the 13th and 14th century the city was ruled by the Scaliger, della Scala Family. Under the rule of the family, in particular of Cangrande I della Scala, the city experienced great prosperity, becoming rich and powerful and being surrounded by new walls. The Della Scala era is survived in numerous monuments around Verona. Two of William Shakespeare's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1675 Births
Events January–March * January 5 – Franco-Dutch War – Battle of Turckheim: The French defeat Austria and Brandenburg. * January 29 – John Sassamon, an English-educated Native American Christian, dies at Assawampsett Pond, an event which will trigger a year-long war between the English American colonists of New England, and the Algonquian Native American tribes. * February 4 – The Italian opera ''La divisione del mondo'', by Giovanni Legrenzi, is performed for the first time, premiering in Venice at the Teatro San Luca. The new opera, telling the story of the "division of the world" after the battle between the Gods of Olympus and the Titans, becomes known for its elaborate and expensive sets, machinery, and special effects and is revived 325 years later in the year 2000. * February 6 – Nicolò Sagredo is elected as the new Doge of Venice and leader of the Venetian Republic, replacing Domenico II Contarini, who had died 10 days ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera Singers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Culture of Italy, Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) {{Disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesca Vanini-Boschi
Francesca Vanini-Boschi (died 1744) was an Italian contralto singer of the 18th century. She is best remembered for her association with the composer George Frideric Handel, for whom she sang both in Italy and in London. Vanini was born in Bologna. As well as singing for Handel, she also sang in operas by Alessandro Scarlatti and Giovanni Bononcini. She frequently sang alongside her husband, the bass Giuseppe Maria Boschi. Her two Handel roles were those of Otho in '' Agrippina'' and Goffredo in ''Rinaldo Rinaldo may refer to: *Renaud de Montauban (also spelled Renaut, Renault, Italian: Rinaldo di Montalbano, Dutch: Reinout van Montalbaen, German: Reinhold von Montalban), a legendary knight in the medieval Matter of France * Rinaldo (''Jerusalem Lib ...''; these roles use only a limited range and tessitura. After ''Rinaldo'' her voice began to decline, but earlier Giuseppe Felice Tosi had praised her for her ability to introduce "Graces without transgressing against Time". She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tolomeo
''Tolomeo, re d'Egitto'' ("Ptolemy, King of Egypt", HWV 25) is an opera seria in three acts by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Carlo Sigismondo Capece's ''Tolomeo et Alessandro''. It was Handel's 13th (or 14th if the one act Handel contributed to the collaborative opera ''Muzio Scevola'' is counted) and last opera for the Royal Academy of Music (1719) and was also the last of the operas he composed for the triumvirate of internationally renowned singers, the castrato Senesino and the sopranos Francesca Cuzzoni and Faustina Bordoni. The story of the opera is a fictionalisation of some events in the life of Ptolemy IX Lathyros, king of Egypt. An aria from the opera,'' Non lo dirò col labbro'', was adapted by Arthur Somervell (1863–1937) as the popular English-language classic " Silent Worship" in 1928. Performance history ''Tolomeo'' was first performed at the King's Theatre, London on 30 April 1728 and received seven perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flavio
''Flavio, re de' Longobardi'' ("Flavio, King of the Lombards", HWV 16) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Nicola Francesco Haym, after Matteo Noris's ''Flavio Cuniberto''. It was Handel's fourth full-length opera for the Royal Academy of Music. Handel had originally entitled the opera after the character of Emilia in the opera. Dean, Winton, "A Handel Tragicomedy" (August 1969). ''The Musical Times'', 110 (1518): pp. 819–822. ''Flavio'' is unusually concise for an opera by Handel of this period. It is also notable as a skillful blend of tragedy and comedy, both in the text and the music, and for being one of Handel's few operas to feature leading roles for all major voice categories of his day – soprano, contralto, castrato, tenor and bass. Performance history Handel completed the score only seven days before the premiere, at the King's Theatre in the Haymarket on 14 May 1723. There were eight performances in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodelinda (opera)
''Rodelinda, regina de' Longobardi'' ( HWV 19) is an opera seria in three acts composed for the first Royal Academy of Music by George Frideric Handel. The libretto is by Nicola Francesco Haym, based on an earlier libretto by Antonio Salvi. ''Rodelinda'' has long been regarded as one of Handel's greatest works. Performance history ''Rodelinda'' was first performed at the King’s Theatre in the Haymarket, London, on 13 February 1725. It was produced with the same singers as ''Tamerlano''. There were 14 performances; it was repeated on 18 December 1725, and again on 4 May 1731, a further 16 performances in all, each revival including changes and fresh material. In 1735 and 1736 it was also performed, with only modest success, in Hamburg at the Oper am Gänsemarkt. The first modern production – in heavily altered form – was in Göttingen on 26 June 1920 where it was the first of a series of modern Handel opera revivals produced by the Handel enthusiast Oskar Hagen. The opera r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariosti
Attilio Malachia Ariosti (or Frate Ottavio) (5 November 1666 – 1729) was a Servite Friar and Italian composer in the Baroque style, born in Bologna. He produced more than 30 operas and oratorios, numerous cantatas and instrumental works. Life Ariosti was born into the middle class. He became a monk in 1688 at age 22, but he soon obtained permission to leave the order and become a composer in the court of the Duke of Mantua and Monferrato. He became a deacon in 1692, the same year he achieved the post of organist at Santa Maria dei Servi in Bologna. In 1697, he went to Berlin at the request of Sophia Charlotte of Hanover, Queen of Prussia, a great-granddaughter of James I of England and daughter of the Electress Sophia of Hanover, an enlightened patroness of the arts with a keen interest in music. After enjoying the favor of the Queen, Ariosti wrote and collaborated in the writing of a number of stage works performed for the court in Berlin. He resided in Berlin as the court c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bononcini (1642–1678), Italian violinist and composer, father of both of the above.
{{surname ...
Bononcini is a surname. Notable people with the surname include: *Antonio Maria Bononcini (1677–1726), Italian cellist and composer *Giovanni Bononcini (1670–1747), Italian Baroque composer, cellist, singer, and teacher *Giovanni Maria Bononcini Giovanni Maria Bononcini (bap. 23 September 1642 – 18 November 1678) was an Italian violinist and composer, the father of a musical dynasty. In 1671 Bononcini the elder became a court musician at Modena Modena (, , ; egl, label= Modene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
