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Giuseppe Cesari
Giuseppe Cesari (14 February 1568 – 3 July 1640) was an Italian Mannerist painter, also named Il Giuseppino and called ''Cavaliere d'Arpino'', because he was created ''Cavaliere di Cristo'' by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome. Biography Cesari's father, Muzio Cesari, had been a native of Arpino, but Giuseppe himself was born in Rome. Here, he was apprenticed to Niccolò Pomarancio. Cesari is stigmatized by Luigi Lanzi, as not less the corrupter of taste in painting than Marino was in poetry. (Lanzi disdained the style of post-Michelangelo Mannerism as a time of decline.) Cesari's first major work, done in his twenties, was the painting of the right counterfacade of San Lorenzo in Damaso, completed from 1588 to 1589. On 28 June 1589, he received the commission for the murals of the choir vault in the Certosa di San M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Certosa Di San Martino
The ("Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that commands the gulf. A Carthusian monastery, it was finished and inaugurated under the rule of Queen Joan I in 1368. It was dedicated to St. Martin of Tours. During the first half of the 16th century it was expanded. Later, in 1623, it was further expanded and became, under the direction of architect Cosimo Fanzago, essentially the structure one sees today. In 1799 anti-clerical French forces of occupation suppressed the monastery and forced the monks to flee. In the ensuing decades the monks made several attempts to reestablish their charter house, with the last effort failing in 1866, when the state definitively confiscated the property. Today, the buildings house the National Museum of San Martino with a display of Spanish and Bourbon era art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Maggiore
The Basilica of Saint Mary Major ( it, Basilica di Santa Maria Maggiore, ; la, Basilica Sanctae Mariae Maioris), or church of Santa Maria Maggiore, is a Major papal basilica as well as one of the Seven Pilgrim Churches of Rome and the largest Catholic Marian church in Rome, Italy. The basilica enshrines the venerated image of ''Salus Populi Romani'', depicting the Blessed Virgin Mary as the health and protectress of the Roman people, which was granted a Canonical coronation by Pope Gregory XVI on 15 August 1838 accompanied by his Papal bull ''Cælestis Regina''. Pursuant to the Lateran Treaty of 1929 between the Holy See and Italy, the Basilica is within Italian territory and not the territory of the Vatican City State.Lateran Treaty of 1929, Article 15 However, the Holy See fully owns the Basilica, and Italy is legally obligated to recognize its full ownership thereof and to concede to it "the immunity granted by International Law to the headquarters of the diplomatic age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Dei Conservatori
The Capitolium or Capitoline Hill ( ; it, Campidoglio ; la, Mons Capitolinus ), between the Forum and the Campus Martius, is one of the Seven Hills of Rome. The hill was earlier known as ''Mons Saturnius'', dedicated to the god Saturn. The word ''Capitolium'' first meant the temple of Jupiter Optimus Maximus later built here, and afterwards it was used for the whole hill (and even other temples of Jupiter on other hills), thus ''Mons Capitolinus'' (the adjective noun of ''Capitolium''). In an etymological myth, ancient sources connect the name to ''caput'' ("head", "summit") and the tale was that, when laying the foundations for the temple, the head of a man was found, some sources even saying it was the head of some ''Tolus'' or ''Olus''. The ''Capitolium'' was regarded by the Romans as indestructible, and was adopted as a symbol of eternity. By the 16th century, ''Capitolinus'' had become ''Capitolino'' in Italian, and ''Capitolium'' ''Campidoglio''. The Capitoline Hill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Prassede
The Basilica of Saint Praxedes ( la, Basilica Sanctae Praxedis, it, Basilica di Santa Prassede all’Esquillino), commonly known in Italian as Santa Prassede, is an early medieval titular church and minor basilica located near the papal basilica of Saint Mary Major, on Via di Santa Prassede, 9/a in rione Monti of Rome, Italy. The current Cardinal Priest of ''Titulus Sancta Praxedis'' is Paul Poupard. Dedicated to the second-century saint Praxedes, who with her sister Pudentiana, was said to have provided comfort and care to Christians persecuted in the Roman Empire. History The church incorporates mosaic decoration that mark it among the oldest churches in Rome. A church near this site was present since the fifth century, but the church in its current place and general layout was commissioned by Pope Hadrian I around the year 780 to house the relics (bones) of Saint Praxedes ( it, S. Prassede) and Saint Pudentiana ( it, S. Pudenziana), the daughters of Saint Pudens, tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Parasole
Bernardino Parasole (c. 17th century) was an Italian painter of the Baroque period. He was born to the painters Isabella and Leonardo Parasole, but then apprenticed with Giuseppe Cesari Giuseppe Cesari (14 February 1568 – 3 July 1640) was an Italian Mannerist painter, also named Il Giuseppino and called ''Cavaliere d'Arpino'', because he was created ''Cavaliere di Cristo'' by his patron Pope Clement VIII. He was much patronize .... Bernardino died young. References * 17th-century Italian painters Italian male painters Italian Baroque painters Year of death unknown Year of birth unknown {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Manenti
Vincenzo Manenti (also known as Vincenzio Manenti) (c. 1600–1674) was an Italian painter of the Baroque period. He was born, worked and died in Canemorto (now Orvinio) in the region of Sabina and province of Rieti where he had been first a pupil of his father, Ascanio Manenti, but then apprenticed with Giuseppe Cesari and Domenichino. He painted several works, among them some frescoes and the portraits of cardinals Giulio Roma and Marcello Santacroce, for Tivoli Cathedral and a ''St. Xavier'' in the Jesuits' church, which no longer exists. He also frescoed the church of Santa Maria dei Raccomandati, Orvinio Santa Maria dei Raccomandati is a 17th-century Roman Catholic church and former Franciscan convent and hostel outside of the town of Orvinio, in the province of Rieti, region of Lazio, Italy. The church was erected just outside the town walls in 1 .... His paintings in the church of Santa Maria Nova, Toffia were destroyed by a fire. References * External links 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Ubaldo Abatini
Guido Ubaldo Abbatini (1600–1656) was an Italian painter of the Baroque period, active mainly in Rome and Usigni. Biography Guido Ubaldo Abbatini was a pupil of the painter Giuseppe Cesari and of Gian Lorenzo Bernini, and later worked under Pietro da Cortona. He frequently painted in fresco. He was born in Città di Castello and died in Rome. He also painted the ceiling of the Cornaro chapel of Santa Theresa in Santa Maria della Vittoria, Rome Santa Maria della Vittoria ( en, Saint Mary of Victory, la, S. Mariae de Victoria) is a Catholic titular church and basilica dedicated to the Virgin Mary in Rome, Italy. The church is known for the masterpiece of Gian Lorenzo Bernini in the Corn .... References * * 1600 births 1656 deaths People from Città di Castello 17th-century Italian painters Italian male painters Italian Baroque painters Pupils of Gian Lorenzo Bernini {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Allegrini Da Gubbio
Francesco Allegrini da Gubbio (1587–1663) was an Italian painter of the Baroque period. His children, Flaminio and Angelica Allegrini, were also painters. Angelica painted a canvas for the church of San Francesco, Gubbio. Biography Born in Gubbio, he was also called ''Francesco da Gubbio''. His father, Flaminio Allegrini da Cantiano, was also a painter. He studied under Giuseppe Cesari (Cavaliere D'Arpino), and later was helped by his sons in painting historical and religious paintings. A short biography is mentioned by Filippo Baldinucci. He was admired as a battle painter. He was active in Rome, Genoa, Savona, and Naples. In Rome, he painted in the Vatican Loggias. He also painted in the church of San Marco, Rome, and the chapel of San Antonio in the church of Santi Cosma e Damiano. He painted for the Casa Durazzo in Genoa. In Savona he painted for the Palazzo Gavotti and the Savona Cathedral Savona (; lij, Sann-a ) is a seaport and ''comune'' in the west part of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier Francesco Mola
Pier Francesco Mola, called Il Ticinese (9 February 1612 – 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Biography Mola was born at Coldrerio (now in Ticino, Switzerland).''Ecstasy in the Wilderness: Pier Francesco Mola's "The Vision of Saint Bruno" '', Dawson W. Carr, ''The J. Paul Getty Museum Journal'', Vol. 19 (1991), 99. At the age of four, he moved to Rome with his father Giovanni Battista Mola, a painter. With the exception of the years 1633–40 and 1641–47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier d'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece as a fresco painter is widely considered to be the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled ''Joseph making himself known to his Brethren'' (1657). However, Mola is considered to have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Cesari
Bernardino Cesari (1571 – 30 June 1622) was an Italian painter of the late-Mannerist and early Baroque period, active mainly in Rome and Naples, where he assisted his brother Giuseppe Cesari (Cavaliere d'Arpino). On 9 November 1592, he was sentenced to death, for consorting with bandits, and fled to Naples. On 13 May 1593, he was pardoned and returned to Rome. In 1616, he travelled with Giuseppe to Naples to assist in painting in the Certosa di San Martino, then to Piedimonte di Alife to paint a large ''Last Judgement'' in the chapel of the fathers "predicatori". He travelled to Monte Cassino where he laboured with Giuseppe in the frescoes for the refectory and the stanza of San Benedict, then to Rome where he painted an oil canvas of ''Noli me tangere'', a fresco of ''Constantine the Great'', a ''St. Peter'', and three oil paintings for the church Santi Cosma e Damiano. Works *''Destruction of Niobe's Children'' *''Hannibal's Defeat by Scipio Africanus'' *''Noli me tangere'' * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
