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Giuseppe Cammarano
Giuseppe Cammarano (4 June 1766 – 8 October 1850) was an Italian painter and leader of the Academy of Arts in his birthplace of Sciacca, Sicily. Biography Cammarano began his work at the Royal court of Naples. He painted frescos, now degraded, in the Reggia di Carditello, inspired by work of Fedele Fischetti and Domenico Chelli. He found a patron in Ferdinand I of the Two Sicilies, who funded his study to Rome, where he developed a style with both Rococo and Neoclassic tendencies. He labored in the restoration of paintings in Naples, many of which had been damaged by the Napoleonic invasion. He became professor at the Reale Accademia di Belle Arti and entrusted with the decorations of the Royal Palace of Caserta: his most important fresco is ''Minerva awarding prizes to Arts and Sciences'' (1814) on the Ceiling of the Council Hall. Among his fellow teachers was Tito Angelini. Again in the Reggia of Carditello, he painted ''Hector reproves Paris'' (1814). In the bedroom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvadore Cammarano
Salvadore Cammarano (also Salvatore) (born Naples, 19 March 1801 – died Naples 17 July 1852) was a prolific Italian librettist and playwright perhaps best known for writing the text of ''Lucia di Lammermoor'' (1835) for Gaetano Donizetti. For Donizetti he also contributed the libretti for ''L'assedio di Calais'' (1836), ''Belisario'' (1836), ''Pia de' Tolomei'' (1837), ''Roberto Devereux'' (1837), ''Maria de Rudenz'' (1838), ''Poliuto'' (1838), and ''Maria di Rohan'' (1843), while for Giuseppe Persiani he was the author of ''Ines de Castro''. For Verdi he wrote ''Alzira'' (1845), ''La battaglia di Legnano'' (1849) and ''Luisa Miller'' (1849), but after he died in July 1852, Verdi worked with Leone Emanuele Bardare to complete the libretto for ''Il trovatore'' (1853).Budden, Vol. 2, p.65 Cammarano also started work on libretto for a proposed adaptation of William Shakespeare's play ''King Lear'', named ''Re Lear'', but he died before completing it; a detailed scenario survives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di Belle Arti Di Napoli Faculty
Accademia (Italian for "academy") often refers to: * The Galleria dell'Accademia, an art museum in Florence * The Gallerie dell'Accademia, an art museum in Venice Accademia may also refer to: Academies of art * The Accademia Carrara di Belle Arti di Bergamo, an art school and museum in Bergamo * The Accademia di Architettura di Mendrisio, a Swiss school of architecture * The Accademia di Belle Arti di Bari, an art school in Bari * The Accademia di Belle Arti di Bologna, also known as the Accademia Clementina * The Accademia di Belle Arti di Carrara, an art school in Carrara * The Accademia di Belle Arti di Firenze, an art school in Florence * The Accademia di Belle Arti di Milano "Brera" or Brera Academy, an art school in Milan * The Accademia di Belle Arti di Napoli, an art school in Naples * The Accademia di Belle Arti di Roma, an art school in Rome * The Accademia di Belle Arti di Torino "Albertina" or Accademia Albertina, an art school in Turin * The Accademia di Belle Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco Painters
Fresco (plural ''frescos'' or ''frescoes'') is a technique of Mural, mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco, fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Neoclassical Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Naples
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Italian Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Italian Painters
The 18th century lasted from January 1, 1701 (Roman numerals, MDCCI) to December 31, 1800 (Roman numerals, MDCCC). During the 18th century, elements of Age of Enlightenment, Enlightenment thinking culminated in the American Revolution, American, French Revolution, French, and Haitian Revolution, Haitian Revolutions. During the century, History of slavery, slave trading and human trafficking expanded across the shores of the Atlantic Ocean, Atlantic, while declining in Russian Empire, Russia, Qing dynasty, China, and Joseon, Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that Proslavery, supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in Society, human society and the Natural environment, environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Sciacca
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1850 Deaths
Year 185 ( CLXXXV) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Lascivius and Atilius (or, less frequently, year 938 ''Ab urbe condita''). The denomination 185 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Nobles of Britain demand that Emperor Commodus rescind all power given to Tigidius Perennis, who is eventually executed. * Publius Helvius Pertinax is made governor of Britain and quells a mutiny of the British Roman legions who wanted him to become emperor. The disgruntled usurpers go on to attempt to assassinate the governor. * Tigidius Perennis, his family and many others are executed for conspiring against Commodus. * Commodus drains Rome's treasury to put on gladiatorial spectacles and confiscates property to suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1766 Births
Events January–March * January 1 – Charles Edward Stuart ("Bonnie Prince Charlie") becomes the new Stuart claimant to the throne of Great Britain, as King Charles III, and figurehead for Jacobitism. * January 14 – Christian VII becomes King of Denmark. * January 20 – Outside of the walls of the Thailand capital of Ayutthaya, tens of thousands of invaders from Burma (under the command of General Ne Myo Thihapate and General Maha Nawatra) are confronted by Thai defenders led by General Phya Taksin. The defenders are overwhelmed and the survivors take refuge inside Ayutthaya. The siege continues for 15 months before the Burmese attackers collapse the walls by digging tunnels and setting fire to debris. The city falls on April 9, 1767, and King Ekkathat is killed. * February 5 – An observer in Wilmington, North Carolina reports to the Edinburgh newspaper ''Caledonian Mercury'' that three ships have been seized by British men-of-war, on the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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