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Giuseppe Belli (singer)
Giuseppe Belli, also Giovanni Belli, also known as 'Il Cortoncino' (born 1732 in Cortona; died 19 January 1760) was an Italians, Italian castrato-soprano singer at the Electorate of Saxony, Saxon court. Life In 1752 Belli replaced the castrato Giovanni Bindi who had died in 1750 as ''secundo uomo'' in Dresden. That was the beginning of his career. During the Seven Years' War he returned to Italy, and died in Naples at the beginning of 1760, when he was fatally stabbed one day before the premiere of Johann Adolph Hasse's new opera. During his time in Dresden, he performed at the following operas by Hasse: *''List of operas by Hasse, Arminio'' ( January 1753 in Dresden) - as Segimiro (his first role in Saxony) *''Solimano'' ( February 1753 in Dresden) - as Acomate *''List of operas by Hasse, L'eroe cinese'' (7 October 1753 in Hubertusburg) - as Minteo *''List of operas by Hasse, Artemisia'' (6 February 1754 in Dresden) - as Idaspe *''List of operas by Hasse, Ezio'' (20 January 1755 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arminio By Hasse (Dresden 1753) - V
''Arminio'' (HWV List of compositions by George Frideric Handel, 36) is an opera composed by George Frideric Handel. The libretto is based on a libretto of the same name by Antonio Salvi, which had been set to music by Alessandro Scarlatti. It is a fictionalisation of events surrounding the Germanic leader Arminius, who defeated the Romans under Publius Quinctilius Varus at the Battle of the Teutoburg Forest in AD 9, and his wife Thusnelda. The opera was performed for the first time at the Royal Opera House#First theatre, Covent Garden Theatre on 12 January 1737. Background The German-born Handel had brought Italian opera to London stages for the first time in 1711 with his opera ''Rinaldo (opera), Rinaldo''. An enormous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. Handel had presented new operas in London for years with great success. One of the major attractions in Handel's ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Ludwig Gerber
Ernst Ludwig Gerber (29 September 1746 in Sondershausen, Germany – 30 June 1819 in Sondershausen) was a German composer, organist, cellist, and author of a famous dictionary of musicians. His father, Heinrich Nikolaus Gerber (1702–1775), a pupil of J. S. Bach, was an organist and composer of some distinction, and under his direction Ernst Ludwig at an early age had made great progress in his musical studies. In 1765 he went to Leipzig to study law, but the claims of music, which had gained additional strength from his acquaintanceship with Johann Adam Hiller Johann Adam Hiller (25 December 1728, in Wendisch-Ossig, Saxony – 16 June 1804, in Leipzig) was a German composer, conductor and writer on music, regarded as the creator of the Singspiel, an early form of German opera. In many of these operas ... (of whom Gerber became the cellist of his orchestra ''Großes Concert Concert''), soon came to occupy almost his sole attention. On his return to Sondershausen he was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1732 Births
Year 173 ( CLXXIII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Pompeianus (or, less frequently, year 926 ''Ab urbe condita''). The denomination 173 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Gnaeus Claudius Severus and Tiberius Claudius Pompeianus become Roman Consuls. * Given control of the Eastern Empire, Avidius Cassius, the governor of Syria, crushes an insurrection of shepherds known as the Boukoloi. Births * Maximinus Thrax ("the Thracian"), Roman emperor (d. 238) * Mi Heng, Chinese writer and musician (d. 198) Deaths * Donatus of Muenstereifel, Roman soldier and martyr A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrati
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992) "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens" ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. Retrieved via JSTOR 26 March 2019 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Riemens
Leonardus Antony Marinus Riemens (3 December 1910 – 3 April 1985) was a Dutch musicologist and cultural journalist. He wrote a book about Maria Callas, and together with Karl-Josef Kutsch began a reference book about opera singers in 1962, which grew to '' Großes Sängerlexikon'', the standard reference in the field. Background and career Born in Zevenbergen, Riemens grew up in a family of physicians in Amsterdam. He studied musicology in Amsterdam and worked from 1931 as a feature editor for the newspaper '. Later he was a member of the extreme-right NSB. During the Second World War he worked for the nazified ''Nederlandsche Omroep''. From 1954 to 1976 he was an opera and television critic for the newspaper '' De Telegraaf''. Riemens published numerous articles in the professional journals '' Opera'', ', '' Gramophone'' and '' Opera News''. He wrote an opera guide and a biography about Maria Callas. At Radio Hilversum he designed the series ''Uren der Zangkunst''. Riemen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl-Josef Kutsch
Karl-Josef Kutsch, also known as K. J. Kutsch, (born 11 May 1924) is a German physician and co-author with Leo Riemens of the ''Großes Sängerlexikon'', the standard reference for opera singers. Life and work Born in Gangelt, Kutsch studied medicine, was drafted and participated as a soldier in the Russia campaign of the Second World War. He then completed his studies at the Goethe University Frankfurt in 1948. He practised as a physician from 1952 to 1989 in his hometown, together with his wife. From the 1950s, Kutsch built a collection of records and singers' biographies. Together with the Dutch musicologist Leo Riemens, he published a small biographical dictionary of singers in 1962 under the title ''Unvergängliche Stimmen'' (''Immortal Voices'').Jan David SchmitzSängerlexikon CD-ROMhsozkult.de In 1975 the work was revised as ''Unvergängliche Stimmen / Sängerlexikon'', which was again revised in 1985 with his and Riemens' cooperation and became the standard work. Unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe De Majo
Giuseppe de Majo (di Maio; 5 December 169718 November 1771) was an Italian composer and organist. He was the father of the composer Gian Francesco de Majo. His compositional output consists of 10 operas, an oratorio, a concerto for 2 violins, and a considerable amount of sacred music. Life and career Born in Naples, Majo spent most of his life working in his native city. He began his studies at the age of 9 at the Conservatorio della Pietà dei Turchini where he was a pupil of Nicola Fago and Andrea Basso. His first opera, ''Lo finto laccheo'', premiered in 1725 at the Teatro dei Fiorentini. Majo was appointed ''organista soprannumerario'' at the Royal chapel of Naples in May 1736. There he flourished, largely due to the favoritism given to him by Queen Maria Amalia. In 1744 he succeeded Leonardo Leo as ''maestro di cappella'' at the Royal chapel. He remained in that post through 1770. He died in Naples in 1771. Recording *1 concerto in ''Neapolitan Flute Concertos'', Auser M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Winckelmann
Johann Joachim Winckelmann (; ; 9 December 17178 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and founding hero of modern archaeology", Boorstin, 584 Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. Many consider him the father of the discipline of art history. He was one of the first to separate Greek Art into periods, and time classifications. He had a decisive influence on the rise of the Neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. Winckelmann's ''History of Ancient Art'' (1764) was one of the first books written in German to become a classic of European literature. His subsequent in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottlieb Wilhelm Rabener
Gottlieb Wilhelm Rabener (17 September 1714 – 22 March 1771), was a German writer of prose satires and publicist of the Enlightenment. He was born at Wachau near Leipzig, and he died at Dresden. In 1741 he made his debut as satirist in Schwabe's ''Belustigungen des Verstandes und Witzes'', and was subsequently a contributor to the ''Bremer Beitrage''. Rabener's satires are mainly levelled at the follies of the middle classes. The papers which he published in the Bremer Beitrage were subsequently collected in a ''Sammlung satirischer Schriften'' (2 vols., 1751), to which two volumes were added in 1755. Rabener is especially notorious for his parodic dissertation, ''Hinkmars von Repkow Noten Ohne Text'', which levels a snide charge against the futility and bankruptcy of the practice of footnoting, by consisting entirely of footnotes itself. Rabener cavalierly claimed that since footnotes and endnotes seemed to have become the key to winning lasting authorial fame, he had a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Bernsdorf
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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