Giuliano Da Maiano
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Giuliano Da Maiano
Giuliano da Maiano (1432–1490) was an Italian architect, intarsia-worker, and sculptor, the elder brother of Benedetto da Maiano, with whom he often collaborated. Biography He was born in the village of Maiano, near Fiesole, where his father was a stone-cutter who moved his family and business to Florence, where, according to Vasari, he operated a stonemason's yard, providing mouldings and carved stone detail for construction. Giuliano showed early promise, and his father hoped at first to make of him a notary, but his talent for sculpture and design won out. His first designs were for the intarsia inlay in the fittings for the New Sacristy of the Duomo, Florence, carried out in collaboration with Benedetto in 1463-1465, where Giuliano carved the wooden bas-reliefs of putti and garlands in the frieze, and for works in Palazzo Vecchio in collaboration with Benedetto, notably the ceiling in octagonal compartments and the white marble doorcase in Benedetto's ''Sala d'Audienza'' ...
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045 Le Vite, Giuliano Da Maiano
45 may refer to: * 45 (number) * one of the years 45 BC, AD 45, 1945, 2045 Film * ''45'' (film), directed by Peter Coster (2009) * ''.45'' (film), directed by Gary Lennon (2006) Music * ''45'' (Jaguares album), 2008 * ''45'' (Kino album), 1982 * "45" (Bon Iver song), 2016 * "45" (The Gaslight Anthem song), 2012 * "45" (Shinedown song), 2003 * "45" (Elvis Costello song), 2002 *"Forty Five", a song by Karma to Burn from the album ''Appalachian Incantation'', 2010 *45 rpm record or 45, a common form of vinyl single Other uses *Donald Trump, the 45th President of the United States, with the nickname "45" * ''45'' (book), written by Bill Drummond *.45 caliber, a family of firearm cartridges ** A nickname for a handgun chambered in .45 caliber, such as the M1911 pistol or Colt Single Action Army **.45 ACP, pistol cartridge **.45 Colt, revolver cartridge *Jacobite rising of 1745 or "The '45", in the United Kingdom *Forty-fives, a card game *'The 45%', collective term used by Scottish in ...
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Palazzo Medici-Riccardi
The Palazzo Medici, also called the Palazzo Medici Riccardi after the later family that acquired and expanded it, is a Renaissance palace located in Florence, Italy. It is the seat of the Metropolitan City of Florence and a museum. Overview The palace was designed by Michelozzo di Bartolomeo for Cosimo de' Medici, head of the Medici banking family, and was built between 1444 and 1484. It was well known for its stone masonry, which includes architectural elements of rustication and ashlar. The tripartite elevation used here expresses the Renaissance spirit of rationality, order, and classicism on human scale. This tripartite division is emphasized by horizontal stringcourses that divide the building into stories of decreasing height. The transition from the rusticated masonry of the ground floor to the more delicately refined stonework of the third floor makes the building seem lighter and taller as the eye moves upward to the massive cornice that caps and clearly defines the ...
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Baldachin
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin ...
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Apparition Of The Virgin Mary
A Marian apparition is a reported supernatural appearance by Mary, the mother of Jesus, or a series of related such appearances during a period of time. In the Catholic Church, in order for a reported appearance to be classified as a Marian apparition, the person or persons who claim to see Mary (the "seers") must claim that they see her visually located in their environment. If the person claims to hear Mary but not see her, this is known as an interior locution, not an apparition. Also excluded from the category of apparitions are dreams, visions experienced in the imagination, the claimed perception of Mary in ordinarily-explainable natural phenomena, and miracles associated with Marian artwork, such as weeping statues. Believers consider such apparitions to be real and objective interventions of divine power, rather than subjective experiences generated by the perceiving individuals, even in cases where the apparition is reportedly seen by only some, not all, of the people ...
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Lorenzo De' Medici
Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent (''Lorenzo il Magnifico'' ) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspi ...
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Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France—Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled the G ...
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Bibbiena
Bibbiena () is a town and ''comune'' in the province of Arezzo, Tuscany (Italy), the largest town in the valley of Casentino. It is located from Florence, from Arezzo, from Siena, and from the Sanctuary of La Verna. There are approximately 11,833 inhabitants The town is on top of a hill at an elevation of . Physical Geography The municipality of Bibbiena is located in the heart of the Casentino, the valley in which the first stretch of the Arno river flows which, after having crossed the Valdarno (Upper, Middle and Lower), flows into the Tyrrhenian Sea near Pisa. Bibbiena occupies the northern part of the province of Arezzo, is located at an altitude of 425m above sea level and is about 30 km from the provincial capital. Florence, the regional capital, is 60 km further west. It borders to the north with Emilia-Romagna (Province of Forlì-Cesena, municipality of Bagno di Romagna), to the west with Poppi, to the east with Chiusi della Verna, to the south with Caste ...
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Santa Maria Del Sasso
Santa Maria del Sasso, also known as the Sanctuary of Santa Maria del Sasso is a Renaissance church near Bibbiena in Tuscany, Italy. The first church on the site was constructed in 1347 following a reported appearance of the Virgin Mary on 23 June 1347. The current building was commissioned by Lorenzo de' Medici and constructed by Giuliano da Maiano starting in 1486. Following a visit by Savonarola in 1495 the work was expanded to include a convent and sanctuary. It was given the status of minor basilica in 1942. In the centre of the church there is a ''tempietto'' or free-standing chapel containing a fresco of the Madonna and child by Bicci di Lorenzo. There is an altarpiece of Christ and John the Baptist in polychrome terracotta by Giovanni della Robbia image:Saint Sebastian Della Robbia Louvre InvML96.jpg, 250px, ''Saint Sebastian'', Musée du Louvre, Paris. Giovanni della Robbia (1469–1529) was an Italian Renaissance sculptor, mostly in ceramics. Biography Giovanni della ...
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Badia Of Fiesole
Badia may refer to: Places Bangladesh * Badia, Bangladesh, a village in Chandpur District Italy * Val Badia, a valley in South Tyrol * Badia, South Tyrol, a municipality in South Tyrol * Badia, Castiglione del Lago, a ''frazione'' of Castiglione del Lago, Perugia * , an abbey in Tuscany * Badia a Elmi, a village in the province of Siena * Badia Calavena, a municipality in the province of Verona * Badia di Passignano, an historic Benedictine abbey near Florence * Badia Fiorentina, an abbey and church in Florence * Badia Pavese, a municipality in the province of Pavia * Badia Polesine, a municipality in the province of Rovigo * Badia Tedalda, a municipality in the province of Arezzo Mali * Badia, Mali, a commune in the Cercle of Kita Middle East * Badia (region), semi-arid region of Syria and Jordan Spain * Badia del Vallès, a municipality in Spain People * Tommaso Badia (1483–1547), Italian Cardinal * Domingo Badía y Leblich (1767–1818), the Spanish traveller better ...
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Santa Maria Delle Grazie (Arezzo)
Santa Maria delle Grazie is a church in Arezzo, Tuscany, central Italy. It is located on the site of an ancient sanctuary with a spring that, in the Etruscan-Roman era, it was consecrated to Apollo. In the Middle Ages it was known as ''Fonte Tecta''. In 1425, Saint Bernardino of Siena tried in vain to have it destroyed. Ousted from the city, he returned in 1428 and, this time, he was able to obtain the replacement of the spring with an oratory. Here, from 1428 and 1431, Parri di Spinello, son of Spinello Aretino, painted a fresco with the ''Madonna of Misericordia'', now inserted in the marble altar by Andrea Della Robbia (1487–1493). The altar portrays, in the tympanum, a Madonna with Child between two Angels; in the niches are the saints Laurentinus, Pergentinus, Donatus and Bernardino, while the paliotto has a ''Pietà''. Around 1490, the oratory received a portico, designed by Benedetto da Maiano. The structure was inspired by Filippo Brunelleschi's Ospedale degli Innoce ...
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Arezzo
Arezzo ( , , ) , also ; ett, 𐌀𐌓𐌉𐌕𐌉𐌌, Aritim. is a city and ''comune'' in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about southeast of Florence at an elevation of above sea level. As of 2022, the population was about 97,000. Known as the city of gold and of the high fashion, Arezzo was home to artists and poets such as Giorgio Vasari, Guido of Arezzo and Guittone d'Arezzo and in its province to Renaissance artist Michelangelo. In the artistic field, the city is famous for the frescoes by Piero della Francesca inside the Basilica of San Francesco, and the crucifix by Cimabue inside the Basilica of San Domenico. The city is also known for the important Giostra del Saracino, a game of chivalry that dates back to the Middle Ages. History Described by Livy as one of the ''Capita Etruriae'' (Etruscan capitals), Arezzo (''Aritim'' in Etruscan) is believed to have been one of the twelve most important Etruscan cities ...
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Chapel Of Santa Fina
The Saint Fina Chapel ( it, links=no, Cappella di Santa Fina) is an Early Renaissance chapel in the right aisle of the Collegiate church of Santa Maria Assunta, located in San Gimignano, Tuscany, Italy. It was designed by Giuliano and Benedetto da Maiano in 1468 to enshrine the relics of Saint Fina. The side walls of the chapel are painted in fresco by Domenico Ghirlandaio with two scenes from her life, executed between 1477 and 1478. History After her death on 12 March 1253 the veneration of Fina dei Ciardi quickly grew to become the protector and saint patron of the city of San Gimignano. Her burial place, now close to the door of the sacristy, lay at that time in a small cloister, adjacent to the cemetery. In 1325 the commune of San Gimignano approved the erection of an altar within the church to contain her relics. In 1457 the city decided to build "a beautiful and honourable" chapel dedicated to Santa Fina to enshrine her relics. Works proceeded slowly until Giuliano ...
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