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Giselher Schubert
Giselher Schubert (born in 1944) is a German musicologist Life and career Born in Königsberg, Schubert studied musicology, sociology and philosophy at the Rheinische Friedrich-Wilhelms-Universität Bonn with Günther Massenkeil, at the Freie Universität Berlin with Rudolf Stephan and at the University of Zürich with Kurt von Fischer. In 1973 he was honored in Bonn with a thesis on instrumentation with Arnold Schönberg which gained him his "Ph.D.". Since 1974 he has been working as the editor of the Hindemith Complete Edition at the in Frankfurt, which he directed from 1991 to 2011. Since 2005 he has been co-editor of the Hindemith Complete Edition. From 1985 to 1996 he was co-editor of the journal ''Musiktheorie''. He is co-editor of the Kurt Weill complete edition and member of the editorial board of the Bohuslav Martinů Complete Edition. Until 2010 he was chairman of the Society for the Promotion of the Arnold Schönberg complete edition. Since 1986 he has been a freelan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actes Sud
Actes Sud is a French publishing house based in Arles. It was founded in 1978 by author Hubert Nyssen. By 2013, the company, then headed by Nyssen's daughter, Françoise Nyssen, had an annual turnover of 60 million euros and 60 staff members. History ACTeS was situated in Paradou, a village in the Vallée des Baux. Here, founder Hubert Nyssen, his wife Christine Le Bœuf, (which was the granddaughter of Belgian banker and patron Henry Le Bœuf), his sister Françoise Nyssen, Bertrand Py and Jean-Paul Capitani met and founded Actes Sud. In 1983 Actes Sud moved to Arles. The publishing house was incorporated on May 2, 1987. The ''Actes Sud'' was a publication of the "Atelier de cartographie thématique et statistique" (ACTeS). Authors A selection of authors Actes Sud published: Prizes * 2004: the book '' The Scortas' Sun'' (''Le Soleil des Scorta'') by Laurent Gaudé, was the first book published by Actes Sud, receiving a Prix Goncourt (Prix Goncourt/Roman). The boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph-Hellmut Mahling
Christoph-Hellmut Mahling (25 May 1932 – 13 February 2012) was a German musicologist and lecturer at various universities. Life and career Born in Berlin, Mahling studied musicology by Walter Gerstenberg, Georg Reichert, Joseph Müller-Blattau, and Walter Salmen at the University of Tübingen and the Saarland University (Saarbrücken) from 1957 to 1962. In 1962 he obtained his doctorate of phil. (Dissertation: ''Studien zur Geschichte des Opernchors'') and became assistant at the Musicological Institute of the Saarland University in 1963. In 1972, he won his habilitation there with Walter Wiora for the subject Musicology (Habil.-Schrift: ''Orchester und Orchester-Musiker in Deutschland von 1700 bis 1850''). In the same year he was appointed Scientific Councilor and Professor. Since 1981 he had a professorship at the Johannes Gutenberg University Mainz; until March 2000 he was director of the musicological institute there. From 1987 to 1992 Mahling was president of the Inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Kämper
Dietrich Kämper (born 1936) is a German musicologist. Life Born in Melle, Germany, Melle, Niedersachsen, Kämper studied at the University of Cologne and University of Zurich with research stays in Bologna, Florence and Rome. He received his doctorate in 1963 with a dissertation ''Franz Wüllner – Leben, Wirken und kompositorisches Schaffen'' at the University of Cologne, where he Habilitation, habilitated in musicology in 1967. Since 1986 he was the holder of the newly established chair for musicology at the Hochschule für Musik und Tanz Köln. In 1995 he was finally appointed to the University of Cologne. His main areas of research were Renaissance music, music of the 20th century and music history of the Rhineland. Musicological author * ''Franz Wüllner'', Arno Volk, Arno-Volk-Verlag, Cologne 1963 * ''Studien zur instrumentalen Ensemblemusik des 16. Jahrhunderts in Italien'', Böhlau Verlag, Vienna / Cologne 1970 * ''Gefangenschaft und Freiheit – Leben und Werk des Ko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Finscher
Ludwig Finscher (14 March 193030 June 2020) was a German musicologist. He was a professor of music history at the University of Heidelberg from 1981 to 1995 and editor of the encyclopedia ''Die Musik in Geschichte und Gegenwart''. He is respected internationally as an authority on the history of Western Classical music from the 16th century to contemporary classical music, with a view on music in cultural, social, historical and philosophical context, in a clear language for both specialists and lay readers. Life and career Born in Kassel, the youngest of five siblings, Finscher studied musicology, English, German and philosophy at the University of Göttingen from 1949 to 1954. Students at the same time included Gerhard Croll, Carl Dahlhaus and Rudolf Stephan. He earned a doctorate with a thesis about the masses and motets by Loyset Compère, with advisor Rudolf Gerber. From 1954, he worked for the Deutsches Volksliedarchiv (German archive of folk songs) in Freiburg im Breisg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Rathert
Wolfgang Rathert (born 17 July 1960) is a German musicologist born in Minden. Life and career Born in Minden, Rathert passed the C-examination as church musician during his school time and acquired the Abitur at the Herder-Gymnasium Minden. After his community service he studied historical musicology, philosophy and Modern history at the Free University of Berlin from 1980 to 1987. In 1987 he was awarded a PhD in musicology by Rudolf Stephan with a thesis on the US-American composer Charles Ives. Afterwards he worked for the ' and later with a scholarship of the Deutsche Forschungsgemeinschaft postdoctoral researcher at the in Basel. From 1989 to 1991, he completed a career training to become a scientific librarian at the Staatsbibliothek zu Berlin and at the Fachhochschule für Bibliotheks- und Dokumentationswesen Köln, which he completed with an assessor work on the historical textbook collection (opera libretti) of the music department of the Berlin State Library. From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Danuser
Hermann Danuser (born 3 October 1946) is a Swiss-German musicologist. Life Born in Frauenfeld, Danuser studied piano, oboe, musicology, philosophy and German language and literature at the Musikhochschule and the University of Zurich from 1965; he received his doctorate with a dissertation on musical prose. From 1973 he studied in Berlin with Carl Dahlhaus (musicology) and Gerhard Puchelt (piano). After working as a research assistant, he habilitated in 1982 at the Technical University of Berlin with a thesis on ''the music of the 20th century'' (published in 1984). From 1982 to 1988, Danuser taught as professor for musicology at the Hochschule für Musik, Theater und Medien Hannover, then from 1988 to 1993 as professor for musicology at the Albert-Ludwigs-University Freiburg. From 1993 until his retirement in 2014, he held the chair for Historical Musicology at the Institute for Musicology and Media Studies of the Humboldt University of Berlin. Danuser also coordinates resear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Martin Schmidt
Christian Martin Schmidt (born 10 November 1942) is a German musicologist and music theorist. Life Born in Dessau, Schmidt studied musicology from 1963 at the University of Hamburg, as well as in Tübingen, Paris, Göttingen and Berlin. In 1970 he received his doctorate at the FU Berlin from Rudolf Stephan. Subsequently, Schmidt worked on the ''Arnold Schönberg complete edition''. After his habilitation (with an analytical work on Schönberg's ''Moses und Aron'') and a professorship in Amsterdam, he held the chair of Music history at the Technical University Berlin from 1991 until his emeritus as successor to Carl Dahlhaus. Since 1992 he has been project manager of the ''Leipzig Edition of the Works of Felix Mendelssohn Bartholdy'' at the Saxon Academy of Sciences and Humanities. A further focus of his work, besides the music history of the 19th and 20th centuries, is the work of Johannes Brahms. Publications * ''Verfahren der motivisch-thematischen Vermittlung in der Musik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Floros
Constantin Floros (Greek: Κωνσταντίνος Φλωρος) (born Thessaloniki 4 January 1930) is a Greek-German musicologist. He studied law at the University of Thessaloniki (1947–1951) and then composition and conducting at the Vienna Music Academy. At the same time he studied musicology with Erich Schenk at the Vienna University as well as art history (with C. Swoboda), philosophy and psychology. In 1955 he obtained the doctorate in Vienna with a dissertation on Campioni. He continued his musicological studies with Husmann at Hamburg University (1957–1960), where in 1961 he completed his Habilitation in musicology with a work on the Byzantine kontakion. In 1967 he became supernumerary professor, in 1972 professor of musicology and in 1995 professor emeritus at the University of Hamburg. He received the honorary doctorate from the University of Athens The National and Kapodistrian University of Athens (NKUA; el, Εθνικό και Καποδιστριακό Παν ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
