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Giovanni Rovetta
Giovanni Rovetta (c. 1595/97–1668) was an Italian Baroque composer and ''maestro di capella'' of the Capella Marciana at St Mark's Basilica, Venice between Monteverdi and Cavalli. He may have been a choirboy at St. Mark's, where his father played: the earliest document is of his admission in December 1614 as a permanent member of the ''capella'' and he remained at S. Marco for the rest of his career. He was a chorister, instrumentalist, bass, and vice-director under Monteverdi, and finally served as Monteverdi's successor from 1664 until his death. He was also the director of the Ospedale dei Derelitti (Ospedaletto) between 1635 and 1647. His students included his nephew Giovanni Battista Volpe (known as ''Rovettino'') and the Venetian composer Giovanni Legrenzi. His compositions include several volumes of madrigals and a great deal of sacred music, especially masses, psalms, and motets. His style reflects Monteverdi's influence, although certain pieces show a distinct and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cappella Marciana Maestri
{{disambiguation, surname ...
Cappella may refer to: * Cappella (band), Italian electronic music group * a cappella, unaccompanied singing People with the surname * Felix Cappella (1930-2011), Canadian race walker * Scipione Cappella (fl. 18th century), Italian painter See also * A cappella (other), including "A Cappella" * Capella (other) * Capela (other) Capela may refer to: Places *Capela (Penafiel), a parish in Penafiel Municipality, Portugal * Capela, Sergipe, a municipality in the Brazilian state of Sergipe * Capela, Alagoas, a municipality in the Brazilian state of Alagoas * Capela, Râmni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Composers
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1668 Deaths
Events January–March * January 23 – The Triple Alliance of 1668 is formed between England, Sweden and the United Provinces of the Netherlands. * February 13 – In Lisbon, a peace treaty is established between Afonso VI of Portugal and Carlos II of Spain, by mediation of Charles II of England, in which the legitimacy of the Portuguese monarch is recognized. Portugal yields Ceuta to Spain. * c. February – The English Parliament and bishops seek to suppress Thomas Hobbes' treatise ''Leviathan''. * March 8 – In the Cretan War, the navy of the Republic of Venice defeats an Ottoman Empire naval force of 12 ships and 2,000 galleys that had attempted to seize a small Venetian galley near the port of Agia Pelagia. * March 23 – The Bawdy House Riots of 1668 take place in London when a group of English Dissenters begins attacking brothels, initially as a protest against the harsh enforcement of laws against private worshipers and the lack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1596 Births
Events January–June * January 6– 20 – An English attempt led by Francis Drake to cross the Isthmus of Panama ends in defeat. * January 28 – Francis Drake dies of dysentery off Portobelo. * February 14 – Archbishop John Whitgift begins building his hospital at Croydon. * April 9 – Siege of Calais: Spanish troops capture Calais. * May 18 – Willem Barents leaves Vlie, on his third and final Arctic voyage. * June – Sir John Norreys and Sir Geoffrey Fenton travel to Connaught, to parley with the local Irish lords. * June 10 – Willem Barents and Jacob van Heemskerk discover Bear Island. * June 17 – Willem Barents discovers Spitsbergen. * June 24 – Cornelis de Houtman arrives in Banten, the first Dutch sailor to reach Indonesia.. July–December * July 5 – Capture of Cádiz: An English fleet, commanded by Robert Devereux, 2nd Earl of Essex, and Lord Howard of Effingham, sacks Cádiz. * July 14 – King Dominicus Corea (Edirille Bandara) is beheaded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Novissimo
The Teatro Novissimo was a theatre in Venice located in the Campo Santi Giovanni e Paolo with its entrance on the Calle de Mendicanti. It was the first theatre built in Venice specifically for the performance of opera. Because it was purpose-built, it had a wider stage than its existing competitors which allowed for the elaborate productions which became the Novissimo's hallmark. The theatre opened in the Carnival season of 1641 with the premiere of Sacrati's opera ''La finta pazza''. After its last production in 1645, the theatre was closed amidst mounting debts and was demolished in 1647.Rosand, Ellen (1990)''Opera in Seventeenth-Century Venice: The Creation of a Genre'' pp. 88–124. University of California Press. Glixon, Beth and Glixon, Jonathan (2007)''Inventing the Business of Opera: The Impresario and His World in Seventeenth Century Venice'' pp. 66–108. Oxford University Press. Schwager, Myron (August 1986 "Public opera and the trials of the Teatro San Moisè" ''Early Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Legrenzi
Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era. He was one of the most prominent composers in Venice in the late 17th century, and extremely influential in the development of late Baroque idioms across northern Italy. Life Legrenzi was born at Clusone, near Bergamo, then part of the Republic of Venice. His father, Giovanni Maria Legrenzi, was a professional violinist and, to some extent, a composer. We know Legrenzi had two brothers and two sisters, though one of the brothers, Marco, apparently a talented musician who performed with his father and brother in the 1660s, is not mentioned in Legrenzi's will: it is presumed that he died young. His remaining brother and sisters are both mentioned in his will. Legrenzi was probably taught largely at home, and his performance skills developed at the local church, and it can also be assumed there was music-making in the house. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Volpe
Giovanni Battista Volpe (–1691) was a Venetian composer for operas during the Baroque period. He was also known as Rovetta and Rovettino. Volpe was an organist at St Mark's Basilica, and succeeded Giovanni Legrenzi as ''maestro di capella'' of the Cappella Marciana from 1690 until 1691. His uncle was Giovanni Rovetta, a composer and former ''maestro di capella''. He collaborated with the librettist Aurelio Aureli on several projects. Volpe composed the music for the opera ''La costanza di Rosmonda'', which premiered in Venice's Teatro Santi Giovanni e Paolo in 1659. He then composed the music for the opera ''Gl'amori d'Apollo e di Leucotoe'', which premiered in the same theatre in 1663. He composed at least one more opera for the theatre. Volpe was the preferred choice of composers ''in absentia'' when changes had to be made to their work. Compositions *''La costanza di Rosmonda'', libretto by Aurelio Aureli Aurelio Aureli (Venice, before 1652 – id. after 1708) was an It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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