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Giovanni Paolo Colonna
Giovanni Paolo Colonna (16 June 1637 – 28 November 1695) was an Italian composer, teacher, organist and organ builder. In addition to being chapel-master and organist of San Petronio Basilica in Bologna, he served prominent members of the courts of Ferrara, Parma, Modena and Florence. He was a founder-member and president of the Accademia Filarmonica di Bologna. Emperor Leopold I collected manuscripts of his sacred music, which reflects the Roman church cantata style of Giacomo Carissimi and looks forward to the manner of George Frideric Handel. Biography Colonna was born on 16 June 1637 in Bologna (at the time, the second largest city of the Papal States after Rome), the third of four brothers in a family of five children, son of Antonio Colonna (c. 1600–1666), a well-known organ builder, and his wife, Francesca Dinarelli. Colonna's father, nicknamed Dal Corno, was the adopted son of Stefano Colonna, a member of a large and successful family of organ-builders which had been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paolo Colonna
Giovanni Paolo Colonna (16 June 1637 – 28 November 1695) was an Italian composer, teacher, organist and organ builder. In addition to being chapel-master and organist of San Petronio Basilica in Bologna, he served prominent members of the courts of Ferrara, Parma, Modena and Florence. He was a founder-member and president of the Accademia Filarmonica di Bologna. Emperor Leopold I collected manuscripts of his sacred music, which reflects the Roman church cantata style of Giacomo Carissimi and looks forward to the manner of George Frideric Handel. Biography Colonna was born on 16 June 1637 in Bologna (at the time, the second largest city of the Papal States after Rome), the third of four brothers in a family of five children, son of Antonio Colonna (c. 1600–1666), a well-known organ builder, and his wife, Francesca Dinarelli. Colonna's father, nicknamed Dal Corno, was the adopted son of Stefano Colonna, a member of a large and successful family of organ-builders which had been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Maria Abbatini
Antonio Maria Abbatini ( or 1610 – or 1679) was an Italian composer, active mainly in Rome. Abbatini was born in Città di Castello. He served as maestro di cappella at the Basilica of St. John Lateran from 1626 to 1628; at the cathedral in Orvieto in 1633; and at Santa Maria Maggiore in Rome between 1640 and 1646, 1649 to 1657, and 1672 to 1677.Garvard Concise Dictionary of Music and Musicians, ''Abatini, Antonio Maria'', 1999 He composed church music, and published three books of Masses, four of Psalms, various 24-part Antiphons (1630, 1638, 1677), five books of Motets (1635), and a dramatic cantata, ''Il Pianto di Rodomonte'' (1633). He also worked with Athanasius Kircher on the ''Musurgia Universalis''. In addition, he produced three operas: '' Dal male il bene'' (Rome, 1654; in collaboration with Marco Marazzoli), which was one of the earliest comic operas, and historically important as it introduced the final ensemble; ''Ione'' (Vienna, 1666); and ''La comica del cielo'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Innocent XII
Pope Innocent XII ( la, Innocentius XII; it, Innocenzo XII; 13 March 1615 – 27 September 1700), born Antonio Pignatelli, was head of the Catholic Church and ruler of the Papal States from 12 July 1691 to his death in September 1700. He took a hard stance against nepotism in the Church, continuing the policies of Pope Innocent XI, who started the battle against nepotism but which did not gain traction under Pope Alexander VIII. To that end, he issued a papal bull strictly forbidding it. The pope also used this bull to ensure that no revenue or land could be bestowed on relatives. Biography Early life Antonio Pignatelli was born on 13 March 1615 in SpinazzolaOtt, Michael. "Pope Innocent XII." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton Company, 1910. 4 February 2019 (now i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallel Fifth
In music, consecutive fifths or parallel fifths are progressions in which the interval of a perfect fifth is followed by a ''different'' perfect fifth between the same two musical parts (or voices): for example, from C to D in one part along with G to A in a higher part. Octave displacement is irrelevant to this aspect of musical grammar; for example, a parallel twelfth (i.e., an octave plus a fifth) is equivalent to a parallel fifth.Thus, the word "parallel" is not truly synonymous with "consecutive", as a fifth followed by another fifth approached with contrary motion would still count as consecutive fifths. The term ''parallel fifths'' may therefore be misleading because some consecutive fifths occur with contrary motion: from a true uncompounded fifth to a twelfth, for example. If parts move by oblique motion (for example, one part moving from a C to a higher C, and another part repeating a G higher than both of those Cs), the intervals are not considered to differ in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcangelo Corelli
Arcangelo Corelli (, also , , ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony. He was trained in Bologna and Rome, and in this city he developed most of his career, due also to the protection of great patrons. Even if his entire production is limited to just six collections of published works — five of which composed by Trio Sonatas or solo and one by Concerti grossi — he achieved great fame and success throughout Europe, also crystallizing models of wide influence. His writing was admired for its balance, refinement, sumptuous and original harmonies, for the richness of the textures, for the majestic effect of the theatricality and for its clear, expressive and melodious polyphony, a perfect quality of classical ideals, although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philharmonic Academy Of Bologna
The Accademia Filarmonica di Bologna ("philharmonic academy of Bologna"; sometimes known in English as the Bologna Academy of Music) is a music education institution in Bologna, Italy. The Accademia de' Filarmonici was founded as an association of musicians in Bologna in 1666 by Vincenzo Maria Carrati. Saint Anthony of Padua was chosen as the patron saint, and an organ with the motto ''Unitate melos'' as the emblem. Through the influence of Pietro Ottoboni, the statute of the academy was approved by Clement XI in 1716. In 1749 the Benedict XIV decreed that the Accademia could award the title of Maestro di cappella. Among the early members of the academy were Giovanni Paolo Colonna (one of the founders of 1666), Arcangelo Corelli (1670), Giacomo Antonio Perti (1688), Giuseppe Maria Jacchini (1688), Giuseppe Maria Orlandini, Antonio Maria Bernacchi (1722), Giovanni Carestini (1726) and the celebrated castrato singer Carlo Farinelli (1730). The composer and teacher Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France—Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled the G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranuccio II Farnese, Duke Of Parma
Ranuccio II Farnese (17 September 1630 – 11 December 1694) was the sixth Duke of Parma and Piacenza from 1646 until his death nearly 50 years later and Duke of Castro from 1646 until 1649. Biography Birth and Succession Ranuccio was the eldest son of Odoardo Farnese, the fifth sovereign duke of Parma, and his Tuscan wife, Margherita de' Medici. After his father's sudden death, Ranuccio succeeded as duke. As he was a minor and had not yet reached his majority, he ruled the first two years of his reign under the regency of his uncle, Francesco Maria Farnese and his mother. Ranuccio belonged to the House of Farnese, whose duchy were founded by his patrilineal ancestor, Pope Paul III, formerly Alessandro Farnese. The Farnese Dukes had been ruling Parma and Piacenza since Pope Paul's illegitimate son Pier Luigi Farnese was given it as a possession. Pier Luigi was also Duke of Castro, a title he was bestowed upon by his father, after the latter created it from the lands recovered af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquis
A marquess (; french: marquis ), es, marqués, pt, marquês. is a nobleman of high hereditary rank in various European peerages and in those of some of their former colonies. The German language equivalent is Markgraf (margrave). A woman with the rank of a marquess or the wife (or widow) of a marquess is a marchioness or marquise. These titles are also used to translate equivalent Asian styles, as in Imperial China and Imperial Japan. Etymology The word ''marquess'' entered the English language from the Old French ("ruler of a border area") in the late 13th or early 14th century. The French word was derived from ("frontier"), itself descended from the Middle Latin ("frontier"), from which the modern English word ''march'' also descends. The distinction between governors of frontier territories and interior territories was made as early as the founding of the Roman Empire when some provinces were set aside for administration by the senate and more unpacified or vulnerab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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