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Giovanni Battista Mercati
Giovanni Battista Mercati (1591–1645) was an Italian painter and engraver, active in a Baroque style. Biography He was born in Borgo San Sepolcro, in Tuscany, but was also active in Rome. He is best known from his engravings, many made after other artists including Pietro da Cortona, Annibale Carraci, and other masters. He painted several altarpieces and frescoes in Sansepolcro, including two frescos on the ''Life of the Virgin'' for the church of Santa Chiara, and an altar-piece in San Lorenzo. He also has paintings in Livorno and Gubbio. Among his engravings are: *Four antique figures from the Arch of Constantine, in the style of Giovanni Battista Gallestruzzi. *''The Marriage of St. Catherine''; after Correggio. *''St Bibiana refusing to sacrifice to false Gods''; (1626) after a fresco in Santa Bibiana by Pietro da Cortona. One interesting set of engravings are his depictions of some of the extant Ancient Roman ruins in Rome, collected in an edition of about fifty-two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Vasi
Giuseppe Vasi (27 August 1710 – 16 April 1782) was an Italian engraver and architect, best known for his ''vedute''. Biography He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in thCalcografia Camerale the main public institution of Rome devoted to engraving and etching, founded some years before by Pope Clement XII. His views for the Calcografia include panoramas of the Trevi Fountain and of the Spanish Steps. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists. The first series of akin consists in the ''Vedute di Roma sul Tevere'', i.e. ''Views of the Tiber'', circa 1743 and later adapted to become part of the ''Magnificenze di Roma antica e moderna''. In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suburra
The Suburra, or ''Subura'' (unknown etymology), was a vast and populous neighborhood of Ancient Rome, located below the ''Murus Terreus'' on the '' Carinae'' and stretching on the slopes of the Quirinal and Viminal hills up to the offshoots of the Esquiline (Oppian, Cispian and Fagutal hills). Since the lower part of the neighborhood - although overlooking an area of monuments and public services - was home to urban underclass who lived in miserable conditions, as well as a pleasure district, the term ''suburra'' has remained in the Italian language with the generic meaning of "disreputable place", "place of ill repute" or similar. Julius Caesar lived in a family home (''domus'') in the Suburra until, in 63 BC, he was elected '' pontifex maximus'' at the age of 37, as the Suburra had grown up around the property many years before his birth. The poet Martial also lived there. History The Suburra was originally part of the so-called ''Septimontium'', an area of the city associat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navicella Fountain , a large mosaic after Giotto of a "Ship of the Church" which dominated the porch of Old Saint Peter's in Rome, or similar subjects in art
{{Disambiguation, genus ...
Navicella, an Italian word meaning "little ship", may refer to: * ''Navicella'' (diatom), a genus of diatoms in the family Cymbellaceae * ''Navicella'' (fungus), a genus of fungi in the family Massariaceae * ''Septaria'' (gastropod), a genus of fresh and brackish water snails where ''Navicella'' is a synonym * Navicella (mosaic) The ''Navicella'' (literally "little ship") or Bark of St. Peter, of Old Saint Peter's Basilica in Rome, was a large and famous mosaic by Giotto di Bondone that occupied a large part of the wall above the entrance arcade, facing the main facade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Stefano Rotondo
The Basilica of St. Stephen in the Round on the Celian Hill ( it, Basilica di Santo Stefano al Monte Celio, la, Basilica S. Stephani in Caelio Monte) is an ancient basilica and titular church in Rome, Italy. Commonly named Santo Stefano Rotondo, the church is Hungary's "national church" in Rome, dedicated to both Saint Stephen, the first Christian martyr, and Stephen I, the sanctified first king of Hungary who converted to Christianity and promoted it in his kingdom. The minor basilica is also the rectory church of the Pontifical Collegium Germanicum et Hungaricum. Since 1985, the cardinal priest who holds the title of S. Stephano has been Friedrich Wetter. History The earliest church was consecrated by Pope Simplicius between 468 and 483. It was dedicated to the protomartyr Saint Stephen, whose body had been discovered a few decades before in the Holy Land, and brought to Rome. The church was the first in Rome to have a circular plan. Its architecture is unique in the La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veduta
A ''veduta'' (Italian for "view"; plural ''vedute'') is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of ''vedute'' are referred to as ''vedutisti''. Origins This genre of landscape originated in Flanders, where artists such as Paul Bril painted ''vedute'' as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class. An archetypal example is Johannes Vermeer's ''View of Delft''. The Ghent architect, draughtsman and engraver Lieven Cruyl (1640–1720) contributed to the development of the ''vedute'' during his residence in Rome in the late 17th century. Cruyl’s drawings reproduce the topographical aspects of the urban landscape. 18th century As the itinerary of the Grand Tour became somewhat standardized, ''vedute'' of familiar scenes like the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Pietro In Vincoli
San Pietro in Vincoli (; Saint Peter in Chains) is a Roman Catholic titular church and minor basilica in Rome, Italy, best known for being the home of Michelangelo's statue of Moses, part of the tomb of Pope Julius II. The '' Titulus S. Petri ad vincula'' was assigned on 20 November 2010, to Donald Wuerl. The previous Cardinal Priest of the basilica was Pío Laghi, who died on 11 January 2009. Next to the church is hosted the Faculty of Engineering of La Sapienza University, in the former associated convent. This is named "San Pietro in Vincoli" ''per antonomasia''. The church is on the Oppian Hill near Cavour metro station, a short distance from the Colosseum. History Also known as the Basilica Eudoxiana ( it, Basilica Eudossiana, it was first rebuilt on older foundations in 432–440 to house the relic of the chains that bound Saint Peter when he was imprisoned in Jerusalem, the episode called "Liberation of Saint Peter". The Empress Eudoxia (wife of Emperor Valentinia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baths Of Diocletian
, alternate_name = it, Terme di Diocleziano , image = Baths of Diocletian-Antmoose1.jpg , caption = Baths of Diocletian, with the basilica of Santa Maria degli Angeli e dei Martiri built in the remains of the baths. , map_dot_label = Baths of Diocletian , map_type = Italy Rome Antiquity , map_caption = The location of the baths in Rome during Antiquity , map_size = 270 , image_size = 270 , mapframe-frame-width=270 , mapframe = yes , mapframe-caption=The location of the baths today , mapframe-zoom = 12 , mapframe-marker= monument , coordinates = , location = Rome, Italy , region = '' Regio VI Alta Semita'' , type = Thermae , part_of = Ancient Rome , builder = Maximian , built = AD , abandoned = circa AD , epochs = Imperial , condition = partially in ruins, partially reused in other structures , public_access = Museum The Baths of Diocletian (La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septimius Severus
Lucius Septimius Severus (; 11 April 145 – 4 February 211) was Roman emperor from 193 to 211. He was born in Leptis Magna (present-day Al-Khums, Libya) in the Roman province of Africa (Roman province), Africa. As a young man he advanced through cursus honorum, the customary succession of offices under the reigns of Marcus Aurelius and Commodus. Severus seized power after the death of the emperor Pertinax in 193 during the Year of the Five Emperors. After deposing and killing the incumbent emperor Didius Julianus, Severus fought his rival claimants, the Roman generals Pescennius Niger and Clodius Albinus. Niger was defeated in 194 at the Battle of Issus (194), Battle of Issus in Roman Cilicia, Cilicia. Later that year Severus waged a short punitive campaign beyond the eastern frontier, annexing the Osroene, Kingdom of Osroene as a new province. Severus defeated Albinus three years later at the Battle of Lugdunum in Roman Gaul, Gaul. Following the consolidation of his rule over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Vittorio Emanuele II (Rome)
Piazza Vittorio Emanuele II, also known as Piazza Vittorio, is a piazza in Rome, in the Esquilino rione. It is served by the Vittorio Emanuele Metro station. Description Surrounded by palazzi with large porticoes in the 19th-century style, the piazza was built by Gaetano Koch shortly after the unification of Italy. Umbertine in style, it is the largest piazza in Rome (316 x 174 metres). In the centre of the piazza is a garden with the remains of a fountain built by Alexander Severus (so called ''Trophy of Marius''), and the ''Porta Alchemica'' (''Alchemist's Portal'' or also called Magic Gate or ''Porta Magica''), the entrance to Villa Palombara, former residence of the alchemist Marquis Palombara. Cultural References In Vittorio De Sica's Bicycle Thieves (Ladri di biciclette), it was in Piazza Vittorio that the protagonist Antonio Ricci and his young son Bruno seek desperately to recover his stolen bicycle, but realise the futility of their task as the vast square is filled w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Bibiana
Santa Bibiana is a small Baroque style, Roman Catholic church in Rome devoted to Saint Bibiana. The church façade was designed and built by Gian Lorenzo Bernini, who also produced a sculpture of the saint holding the palm leaf of martyrs. History According to an ancient, not documented tradition, the church was built in 363 by Roman matron Olimpina (or Olimpia) on the house where, during the supposed persecution of emperor Julian (361-363), Bibiana, her mother Dafrosa and her sister Demetria would have suffered martyrdom, while her father Flavian of Montefiascone would have been exiled and martyred in a place called ''ad Aquas Taurinas'' (perhaps the present Montefiascone). The church rose in the area of the ''Horti Liciniani'', not far from the nymphaeum usually known as Temple of Minerva Medica. Near the church there was an ancient cemetery, called ''ad ursum pileatum''. On the other hand, according to the Liber Pontificalis the church was erected in 467 under the pontificate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Of Minerva Medica (nymphaeum)
The Temple of Minerva Medica is a ruined nymphaeum of Imperial Rome which dates to the 4th century CE. It is located between the Via Labicana and Aurelian Walls and just inside the line of the Anio Vetus. Once part of the Horti Liciniani on the Esquiline Hill, it now faces the modern Via Giolitti. It was once thought to be the temple to Minerva Medica ("Minerva the Doctor") mentioned by Cicero and other sources. The decagonal structure in ''opus latericium'' is relatively well preserved, though the full dome collapsed in 1828. It is surrounded on three sides with other chambers which were added at a later date. There is no mention of it in ancient literature or inscriptions. The structure represents a transition in Roman secular architecture between the octagonal dining room of the Domus Aurea and the dome of the Pantheon, and the architecture of nearby Byzantine churches. The diameter of the hall was approximately 24 meters, and the height was 33 meters. Inside the nymp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
