Giovanni Battista Magnani
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Giovanni Battista Magnani
Giovanni Battista Magnani (21 September 1571 – 1653) was an Italian architect working entirely in Parma in the first half of the 17th century. He was the most successful of a family of masons and architects that included his father Nicostrato and his son Carlo. He was trained in the workshop of Giovan Battista Aleotti, with whom he collaborated at the hexagonal church of Santa Maria del Quartiere, and which he completed after Aleotti's death, altering the design (1604–1610). He completed Aleotti's Teatro Farnese, indoor theatre for Ranuccio I Farnese, Duke of Parma, Ranuccio Farnese, the first theatre with changeable scenery. Among his early works on his own are the monument erected in the Duomo to his friend, the painter Agostino Carracci (died 1602), the altar to Saint Joseph in the Sanctuary of Santa Maria della Steccata (1608) and, in fulfilment of a vow, that for the Carmelites in Santa Maria Maddalena de' Pazzi (1611). In 1622 he was nominated architect to the city, in th ...
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Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmigiano-Reggiano, cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the Parma (river), stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma (shield), Parma''. The Italian literature, Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. Histor ...
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