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Giovanni Battista Magnani
Giovanni Battista Magnani (21 September 1571 – 1653) was an Italian architect working entirely in Parma in the first half of the 17th century. He was the most successful of a family of masons and architects that included his father Nicostrato and his son Carlo. He was trained in the workshop of Giovan Battista Aleotti, with whom he collaborated at the hexagonal church of Santa Maria del Quartiere, and which he completed after Aleotti's death, altering the design (1604–1610). He completed Aleotti's Teatro Farnese, indoor theatre for Ranuccio I Farnese, Duke of Parma, Ranuccio Farnese, the first theatre with changeable scenery. Among his early works on his own are the monument erected in the Duomo to his friend, the painter Agostino Carracci (died 1602), the altar to Saint Joseph in the Sanctuary of Santa Maria della Steccata (1608) and, in fulfilment of a vow, that for the Carmelites in Santa Maria Maddalena de' Pazzi (1611). In 1622 he was nominated architect to the city, in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmigiano-Reggiano, cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the Parma (river), stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma (shield), Parma''. The Italian literature, Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Of San Lazzaro, Parma
The Arch of San Lazzaro ( it, Arco di San Lazzaro) is a triumphal arch that stands just outside and east of the city of Parma, Region of Emilia-Romagna. It was constructed in 1628 under the designs of Giovanni Battista Magnani to celebrate the arrival to the city of Margherita de’ Medici, the new wife of the then Duke Odoardo Farnese. At the time of its construction, the panels of the arch were painted by Pomponio Amidano with historical tableaus, depicting # Marcus Aemilius Lepidus founds a Roman Colony in Parma. # Parma sends Citizens to Rome to aid them during Floods. # The siege of Parma by Legates of Sulla Lucius Cornelius Sulla Felix (; 138–78 BC), commonly known as Sulla, was a Roman general and statesman. He won the first large-scale civil war in Roman history and became the first man of the Republic to seize power through force. Sulla had ... urging rebellion against Rome. # Parma offers 1,000 citizens to protect Julius Caesar. # Frederick II defeat in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Architects
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Architects
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architects From Parma
An architect is a person who plans, designs and oversees the construction of buildings. To practice architecture means to provide services in connection with the design of buildings and the space within the site surrounding the buildings that have human occupancy or use as their principal purpose. Etymologically, the term architect derives from the Latin ''architectus'', which derives from the Greek (''arkhi-'', chief + ''tekton'', builder), i.e., chief builder. The professional requirements for architects vary from place to place. An architect's decisions affect public safety, and thus the architect must undergo specialized training consisting of advanced education and a ''practicum'' (or internship) for practical experience to earn a license to practice architecture. Practical, technical, and academic requirements for becoming an architect vary by jurisdiction, though the formal study of architecture in academic institutions has played a pivotal role in the development of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Moschino
Simone Moschino (12 November 1553 - 20 June 1610) was an Italian Renaissance sculptor and architect, born in Orvieto as Simone Simoncelli. The son of the court sculptor Francesco Mosca and nephew of Simone Mosca, he was trained in the Tuscan Mannerist school, particularly under Ammannati and Buontalenti. He began working as a sculptor with work for the villa Orsini in Bomarzo, before working on the statues for the Sacro Bosco di Bomarzo - at "Il Sacro Bosco di Bomarzo". In September 2007, a conference was held at Palazzo Orsini in Bomarzo, where Simone Moschino was proven to be the main artist behind the 'Bomarzo monsters' sculptures. On his father Francesco's death, Ottavio Farnese summoned Simone to Parma on the recommendation of Vicino Orsini. In October 1578 he arrived in Parma but the following year he temporarily returned to Bomarzo, probably to complete a number of incomplete works. After returning to Parma he and Giovanni Boscoli co-produced the huge now-lost fount ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giovanni Evangelista, Parma
San Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery. History Works for the abbey and church were started in the 10th century over a pre-existing oratory associated with St. Colombanus. In 1477 the whole complex was damaged by a fire. The abbey basilica was rebuilt from around 1490, with the present design by Bernardino Zaccagni dating from 1510. The construction ended around 1519. The design included since the beginning a thoroughly painting decoration of the interior, and a contract had been signed with the young Correggio, who a had already worked in another Benedictine monastery, in the Camera della Badessa of San Paolo. Correggio executed five frescoes groups. The first includes the lunette with ''St. John and the Eagle'' (c. 1520), followed by the dome, with the ''Ascension of Christ'' and the drum and the four pendentives decoration. The third work was the decoration of the vault and the apse ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Santa Maria Delle Grazie, Parma
The Oratory of Santa Maria delle Grazie (''Holy Mary of the Graces''), sometimes called a church, is a Baroque religious edifice in central Parma. Construction of the Oratory began in 1617, under the designs of the local architect Gian Battista Magnani. In 1644, the architect Girolamo Rinaldi installed the peculiar octagonal lantern. The interior contains a number of Baroque paintings, including works (1715) by Sebastiano Galeotti Sebastiano Galeotti (1656–1746) was a peripatetic Italian painter of the late- Baroque period, active in Florence, Genoa, Parma, Piacenza, Codogno, Lodi, Cremona, Milan, Vicenza, Bergamo, and Turin. Born in Florence, he was a pupil of the p .... entry on church. References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Della Pilotta
The Palazzo della Pilotta is a complex of edifices located between Piazzale della Pace and the Lungoparma in the historical centre of Parma, region of Emilia Romagna, Italy. Its name derives from the game of pelota played at one time by Spanish soldiers stationed in Parma. History Built around 1583, during the last years of reign of Duke Ottavio Farnese, it developed around the corridor (''Corridore'') which connected the keep (''Rocchetta'', traces of which can be seen next the river Parma) to the Ducal Palace: the latter, begun in 1622 under Duke Ranuccio I, was never completed. the façade on the ''Piazza della Ghiaia'' is missing and the annexed Dominican church of St. Peter was demolished only in recent times. The existing complex includes three courts: the ''Cortile di San Pietro Martire'' (now best known as ''Cortile della Pilotta''), ''Cortile del Guazzatoio'' (originally ''della pelota'') and the ''Cortile della Racchetta''. The Pilotta was to house a large hall, later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Alessandro, Parma
The ancient church of Sant'Alessandro is found on in via Garibaldi in Parma, Italy. History The church of Sant'Alessandro and the adjacent Benedictine monastery was founded first in the year 835, putatively patronized by Cunegonda, widow of Bernard of Italy, King of the Lombards. In 837, Pope Gregory IV donated the remains of Pope Alexander I (Saint Alexander) to this church. The church was rebuilt in 1527 under the direction of the architect Bernardino Zaccagni, and in 1622-1624 under designs by Giovanni Battista Magnani. entry on church. The monastic community was dissolved by Napoleon in 1810, and the abbey was mostly later supplanted by the Royal Theater of Parma. Interior Decoration The ceiling of the nave was frescoed by Angelo Michele Colonna, while Alessandro Tiarini completed th ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campanile
A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Such a tower commonly serves as part of a Christian church, and will contain church bells, but there are also many secular bell towers, often part of a municipal building, an educational establishment, or a tower built specifically to house a carillon. Church bell towers often incorporate clocks, and secular towers usually do, as a public service. The term campanile (, also , ), deriving from the Italian ''campanile'', which in turn derives from ''campana'', meaning "bell", is synonymous with ''bell tower''; though in English usage campanile tends to be used to refer to a free standing bell tower. A bell tower may also in some traditions be called a belfry, though this term may also refer specifically to the substructure that houses the bells and the ringers rather than the complete tower. The tallest free-standing bell tower in the world, high, is the Mortegliano Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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