Giovanni Battista Locatelli (sculptor)
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Giovanni Battista Locatelli (sculptor)
Giovanni Battista Locatelli (1734–1805), also called John Baptist Locatelli was an Italian sculptor known for a well publicized dispute with George Walpole, 3rd Earl of Orford and the Royal Academy. Biography Locatelli was born in Verona on 17 November 1734. After working in Verona and Padua during his early career he was working in London from at least 1775 until 1796 when he returned to Italy. There is some evidence to suggest he may have worked for a time in the late 1790s in Paris before ending his career in Milan under the patronage of Napoleon Bonaparte. English contemporaries often referred to him as John Baptist Locatelli – an Anglicization of his common Italian forenames. Career Early career He began his career in his native Italy and was a member of the Venetian Academy. Early examples of his work include several sculptures for the Villa Bettoni near his hometown of Verona. When he first arrived in London he was living at the Haymarket with fellow Italian immigr ...
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Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ...
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Matthew Craske
Matthew Craske is an art historian at Oxford Brookes University. He is art adviser to the Church of England Diocese of Oxford.Membership of the DAC.
Diocese of Oxford. Retrieved 5 April 2016. He received his PhD in 1992 from for a thesis titled, "The London trade in monumental sculpture and the imagery of the family in monumental art, 1720-1760".


Selected publications

*''Art in Europe 1700-1830: A history of the visual arts in an era of unprecedented urban growth''.

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John Thomas Smith (engraver)
John Thomas Smith, also known as Antiquity Smith (1766–1833), was an English painter, engraver and antiquarian. He wrote a life of the sculptor Joseph Nollekens, that was noted for its "malicious candour", and was a keeper of prints for the British Museum. Biography John Thomas Smith was born in the back of a Hackney carriage on 23 June 1766. His mother was returning home to 7 Great Portland Street. He was named John for his grandfather and Thomas after his great uncle, Admiral Thomas Smith.Obituary
'''', 1833, accessed August 2010
His father Nathaniel Smith was at that time a sculptor working for

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James Barry (painter)
James Barry (11 October 1741 – 22 February 1806) was an Irish painter, best remembered for his six-part series of paintings entitled '' The Progress of Human Culture'' in the Great Room of the Royal Society of Arts in London. Because of his determination to create art according to his own principles rather than those of his patrons, he is also noted for being one of the earliest romantic painters working in Britain, though as an artist few rated him highly until the fully comprehensive 1983 exhibition at the Tate Gallery led to a reassessment of this "notoriously belligerent personality", who emerged as one of the most important Irish artists. He was also notable as a profound influence on William Blake. Life and work James Barry was born in Water Lane (now Seminary Road) on the northside of Cork, Ireland on 11 October 1741. His father had been a builder, and, at one time of his life, a coasting trader between England and Ireland. Barry actually made several voyages as a b ...
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William Godwin
William Godwin (3 March 1756 – 7 April 1836) was an English journalist, political philosopher and novelist. He is considered one of the first exponents of utilitarianism and the first modern proponent of anarchism. Godwin is most famous for two books that he published within the space of a year: '' An Enquiry Concerning Political Justice'', an attack on political institutions, and ''Things as They Are; or, The Adventures of Caleb Williams'', an early mystery novel which attacks aristocratic privilege. Based on the success of both, Godwin featured prominently in the radical circles of London in the 1790s. He wrote prolifically in the genres of novels, history and demography throughout his life. In the conservative reaction to British radicalism, Godwin was attacked, in part because of his marriage to the feminist writer Mary Wollstonecraft in 1797 and his candid biography of her after her death from childbirth. Their daughter, later known as Mary Shelley, would go on to wri ...
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Houghton Hall
Houghton Hall ( ) is a country house in the parish of Houghton in Norfolk, England. It is the residence of David Cholmondeley, 7th Marquess of Cholmondeley. It was commissioned by the ''de facto'' first British Prime Minister, Sir Robert Walpole, in 1722, and is a key building in the history of Neo-Palladian architecture in England. It is a Grade I listed building surrounded by of parkland, and is a few miles from Sandringham House. Description The house has a rectangular main block which consists of a rustic basement at ground level, with a ''piano nobile'', bedroom floor and attics above. There are also two lower flanking wings joined to the main block by colonnades. To the south of the house is a detached quadrangular stable block. The exterior is both grand and restrained, constructed of fine-grained, silver-white stone. The Gibbs-designed domes punctuate each corner. In line with Palladian conventions, the interiors are much more colourful, exuberant and opulent than ...
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Scagliola
Scagliola (from the Italian ''scaglia'', meaning "chips") is a type of fine plaster used in architecture and sculpture. The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. The scagliola technique came into fashion in 17th-century Tuscany as an effective substitute for costly marble inlays, the pietra dura works created for the Medici family in Florence. The use of scagliola declined in the 20th century. Scagliola is a composite substance made from selenite, glue and natural pigments, imitating marble and other hard stones. The material may be veined with colors and applied to a core, or desired pattern may be carved into a previously prepared scagliola matrix. The pattern's indentations are then filled with the colored, plaster-like scagliola composite, and then polished with flax oil for brightness, and wax for protection. The combination of materials and technique provides a complex texture, a ...
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Joseph Wilton
Joseph Wilton (16 July 1722 – 25 November 1803) was an English sculptor. He was one of the founding members of the Royal Academy in 1768, and the academy's third keeper. His works are particularly numerous memorialising the famous Britons in Westminster Abbey. Life He was born the son of an ornamental plasterer in the Charing Cross area of London, where his father had sculpted the ceilings of the Foundling Hospital. His father wished that Joseph should become a civil engineer but instead Joseph strongly desired to be a sculptor. Wilton initially trained under Laurent Delvaux at Nivelles, in present-day Belgium. In 1744 he left Nivelles and went to the Academy in Paris to study under Jean-Baptiste Pigalle. In 1752 he went to Italy with his sculptor friend Louis-François Roubiliac to learn to sculpt in marble, and stayed for seven years, living first in Rome and then in Florence.Whinney 1971, p. 97. Whilst in Rome he met and befriended his first patron, William Locke of No ...
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William Tyler (architect)
William Tyler (18 April 1728 – 6 September 1801) was an English sculptor, landscaper, and architect, and one of the three founding members of the Royal Academy, in 1768. He was Director of the Society of Artists. Early life Tyler went to Westminster School, and then studied for some years with leading sculptor Louis François Roubiliac who had moved to London in 1732. Tyler married in 1750, aged 22, and is said to have initially lived in Dean Street. Sculpture Tyler's office was in Vine Street, St James's, London from 1763 to 1784. In 1768 he was one of the three sculptors (the others being Joseph Wilton and Agostino Carlini) who founded the Royal Academy. He was one of the 40 original members and also served as their auditor. As a sculptor, he produced various monuments, including that to George Lee, 3rd Earl of Lichfield at Spelsbury in Oxfordshire, and one to Sir John Cust, 3rd Baronet of Stamford, Speaker of the House of Commons (1770). The monument to Thomas Le ...
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Agostino Carlini
Augostino Carlini or Agostino Carlini (c. 1718 – 15 August 1790) was an Italian sculptor and painter, who was born in Genoa but settled in England. He was also one of the founding members of the Royal Academy in 1768. Life He features in a group portrait, by Johann Zoffany, of the founders, and is one of three sitters (with Francesco Bartolozzi and Giovanni Battista Cipriani) in a 1777 portrait displayed in the National Portrait Gallery in London. He was Keeper of the Royal Academy from 1783 until his death in 1790. He exhibited a portrait in oil in 1776. He worked, with fellow Italian sculptor Giuseppe Ceracchi at Somerset House, and on statues at Custom House in Dublin. He is particularly noted for various church monuments, including a memorial to Lady Sophia Petty at All Saints' Parish Church, High Wycombe, Buckinghamshire, and one commissioned by Joseph Damer in 1775 to commemorate his wife Caroline, which stands in the north transept of Milton Abbey in Dorset. ...
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Thomas Banks
Thomas Banks (29 December 1735 – 2 February 1805) was an important 18th-century English sculptor. Life The son of William Banks, a Surveyor (surveying), surveyor who was land steward to the Duke of Beaufort, he was born in London. He was educated at Ross-on-Wye. Banks was taught drawing by his father, and from 1750 to 1756 was apprenticed to a woodcarver, William Barlow, in London. In his spare time he worked at sculpture, spending his evenings in the studio of the Flemish émigré sculptor Peter Scheemakers. During this period he is known to have worked for the architect William Kent. Before 1772, when he obtained a travelling studentship given by the Royal Academy and proceeded to Rome, he had already exhibited several fine works. Returning to England in 1779 Banks found that the taste for classical poetry, long the source of his inspiration, no longer existed, and he spent two years in Saint Petersburg, being employed by Catherine II of Russia, Catherine the Great, who p ...
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John Bacon (sculptor, Born 1740)
John Bacon (24 November 1740 – 7 August 1799) was a British sculptor who worked in the late 18th century. Bacon has been reckoned the founder of the British School of sculpture. He won numerous awards, held the esteem of George III, and examples of his works adorn St Paul's Cathedral and Westminster Abbey in London, Christ Church, Oxford, Pembroke College, Oxford, Bath Abbey and Bristol Cathedral. Biography John Bacon was born in Southwark on 24 November 1740, the son of Thomas Bacon, a clothworker whose family had formerly held a considerable estate in Somersetshire. At the age of fourteen, John was apprenticed to Mr Crispe's porcelain manufactory at Lambeth, where he was at first employed in painting small ornamental pieces of china. He was swiftly promoted to modeller and used the additional income to support his parents, then in straitened circumstances. Observing the models sent by different eminent sculptors to be fired at the adjoining pottery kiln dete ...
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