Giovanni Balducci
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Giovanni Balducci
Giovanni Balducci, called Il Cosci after his maternal uncle, (c. 1560 — after 1630) was an Italian mannerist painter. Biography Born in Florence, Balducci was trained by Giovanni Battista Naldini. Under the guidance and supervision of Vasari, he worked as an assistant to Federico Zuccari in the fresco painting of the ''Final Judgment'' (1575–1579), on the inside of the Brunelleschi dome of the Duomo in Florence. He also frescoed a ''Last Supper'' in the church. These paintings, in addition to other transient ornamented arches and banners, were part of decorations developed to celebrate the wedding of Ferdinand I de' Medici, Grand Duke of Tuscany, to Christina of Lorraine. During this time, Balducci also painted an altarpiece of the ''Mystical Marriage of St Catherine'' for the church of Sant'Agostino in San Gimignano. From 1577-1580, he aided Naldini in the fresco decoration of the Altoviti Chapel in the church of Trinità dei Monti in Rome. He returned to Florence, to ass ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Oratorio Di Gesù Pellegrino
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as we ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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1630s Deaths
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 ''Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103) * Marcus Annius Libo Marcus Annius Libo was a Roman Senator active in the early second century AD. Life Libo came from the upper ranks of the Roman aristocrac ...
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1560s Births
Year 156 ( CLVI) was a leap year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Silvanus and Augurinus (or, less frequently, year 909 ''Ab urbe condita''). The denomination 156 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place America * The La Mojarra Stela 1 is produced in Mesoamerica. By topic Religion * The heresiarch Montanus first appears in Ardaban (Mysia). Births * Dong Zhao, Chinese official and minister (d. 236) * Ling of Han, Chinese emperor of the Han Dynasty (d. 189) * Pontianus of Spoleto, Christian martyr and saint (d. 175) * Zhang Zhao, Chinese general and politician (d. 236) * Zhu Zhi, Chinese general and politician (d. 224) Deaths * Marcus Gavius Maximus, Roman praetorian prefect * Zhang Daoling, Chinese Taoist master (b. AD 3 ...
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Maddaloni
Maddaloni (Campanian: ) is a town and ''comune'' of Campania, Italy, in the province of Caserta, about southeast of Caserta, with stations on the railways from Caserta to Benevento and from Caserta to Naples. Main sights The city is at the base of one of the Tifata hills, the towers of its medieval castle and the Church of San Michele crowning the heights above. The fine old palace of the Caraffa family (once dukes of Maddaloni), the old college now named after Giordano Bruno, and the institute for the sons of soldiers are the chief points of interest. The Gothic church of Santa Margherita has a series of 15th-century frescoes by the Florentine painter Giovanni Balducci. The church of the Annunziata has a series of early 17th century paintings that decorate the rich wooden ceiling. Many of the works were patronized by the local feudal lords, the Carafa family. The town has two museums, the Museo Civico and the Museo Archeologico, which contains pre-Roman tombs and objects fro ...
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Avellino
Avellino () is a town and ''comune'', capital of the province of Avellino in the Campania region of southern Italy. It is situated in a plain surrounded by mountains east of Naples and is an important hub on the road from Salerno to Benevento. History Before the Roman conquest, the ancient ''Abellinum'' was a centre of the Samnite Hirpini, located on the Civita hill some outside the current town, in what is now Atripalda. The city could correspond to the ancient ''Velecha'', documented by coins found in the area. ''Abellinum'' was conquered by the Romans in 293 BC, changing name several times in the following centuries (''Veneria'', ''Livia'', ''Augusta'', ''Alexandriana'', and ''Abellinatium''). However, the construction of a true Roman town occurred only after the conquest by Lucius Cornelius Sulla in the civil wars in 89 BC. He razed the old site and in 82 BC founded the colony Veneria Abellinatium on the left bank of the river Sabato. The new city was surrounded by mass ...
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Gesualdo (Italy)
Gesualdo may refer to: *Gesualdo, Campania, a town in Italy Given name *Gesualdo Bufalino (1920–1996), Italian writer * Gesualdo Francesco Ferri (1728–1788), Italian painter * Gesualdo Lanza (1779–1859), Italian teacher of music who made his career in London * Gesualdo Piacenti (born 1954), Italian professional football player Surname * Alfonso Gesualdo (1540–1603), Italian Cardinal *Ascanio Gesualdo (died 1638), Italian archbishop *Carlo Gesualdo (1566–1613), Italian late Renaissance composer **'' Gesualdo: Death for Five Voices'', a film about the composer **''Gesualdo'', opera by Alfred Schnittke **''Gesualdo'', opera by Bo Holten * Eddy Gesualdo (born 1968), Canadian professional football player *Scipione Gesualdo Scipione Gesualdo (died 1608) was a Roman Catholic prelate who served as Archbishop of Conza (1584–1608). ...
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Carlo Gesualdo
Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century. He is also known for killing his first wife and her aristocratic lover upon finding them ''in flagrante delicto''. Biography Early life Gesualdo's family had acquired the principality of Venosa in what is now the Province of Potenza, Southern Italy, in 1560. He was probably born on March 30, 1566, three years after his older brother Luigi, though some sources have stated that he was born on March 8. Older ones give the year of birth as 1560 or 1561, but this is no longer accepted. A letter from Gesualdo's mother, Geronima Borromeo, indicates that the year is most likely 1566. Gesualdo's uncle was Carlo Borromeo, later Saint Charles Borromeo. His mother was the niece of Pope Pius IV. Most likely Carlo was born at Venosa, then par ...
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Il Perdono Di Gesualdo
' (in English, ''The Pardon of Gesualdo'') is an altarpiece created in 1609 by the Florentine painter Giovanni Balducci for a commission from the madrigal composer Carlo Gesualdo, Prince of Venosa, of the kingdom of Naples. Conserved in the private chapel of Gesualdo's church, Santa Maria delle Grazie, the painting underwent important restorations in the late twentieth century, following the destructive Irpinia earthquake of 1980. A unique testimony, in the field of religious painting, to the devotion of the composer prince, ''Il Perdono di Gesualdo'' has been the object of numerous commentaries and analyses since the seventeenth century. These interpretations, focusing on the musician's murder of his adulterous wife and her lover, have shrouded the artwork in mystery. In the early twenty-first century, art historians and musicologists agree that certain ambiguities in the ''Perdono'' reflect the fascinating personality of its patron. The American musicologist Glenn Watkins beli ...
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