Giovanna Gray
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Giovanna Gray
''Giovanna Gray'' is a tragic opera () in three acts composed by Nicola Vaccai. The libretto by Carlo Pepoli is based on the last days of the English noblewoman Lady Jane Grey who was executed for treason in 1554. The opera premiered on 23 February 1836 at La Scala, Milan, with Maria Malibran in the title role. It was a failure at its premiere, and the work never entered the repertoire. Malibran's performances in ''Giovanna Gray'' were the last time she appeared on the stage of La Scala. Background ''Giovanna Gray'' marked Vaccai's return to opera composing after a hiatus of almost 8 years. He composed it specifically for Maria Malibran who had often sung Romeo in his earlier opera (and his only major success), ''Giulietta e Romeo''. As a vehicle for one of the reigning prima donnas of the day, the tragic story of Lady Jane Grey was an apt one and had been the inspiration for numerous plays, poems, and paintings. Donizetti had thought of using it when his opera ''Maria Stuarda'' ra ...
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Maria Malibran
Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary. Life and career Malibran was born in Paris as María Felicitas García Sitches into a famous Spanish musical family. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his ''The Barber of Seville''. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between t ...
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Poetaster
Poetaster , like rhymester or versifier, is a derogatory term applied to bad or inferior poets. Specifically, ''poetaster'' has implications of unwarranted pretensions to artistic value. The word was coined in Latin by Erasmus in 1521. It was first used in English by Ben Jonson in his 1600 play ''Cynthia's Revels''; immediately afterwards Jonson chose it as the title of his 1601 play ''Poetaster.'' In that play the "poetaster" character is a satire on John Marston, one of Jonson's rivals in the Poetomachia or War of the Theatres. Usage While ''poetaster'' has always been a negative appraisal of a poet's skills, ''rhymester'' (or ''rhymer'') and ''versifier'' have held ambiguous meanings depending on the commentator's opinion of a writer's verse. ''Versifier'' is often used to refer to someone who produces work in verse with the implication that while technically able to make lines rhyme they have no real talent for poetry. Rhymer on the other hand is usually impolite despite a ...
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John Dudley, 1st Duke Of Northumberland
John Dudley, 1st Duke of Northumberland (1504Loades 2008 – 22 August 1553) was an English general, admiral, and politician, who led the government of the young King Edward VI from 1550 until 1553, and unsuccessfully tried to install Lady Jane Grey on the English throne after the King's death. The son of Edmund Dudley, a minister of Henry VII executed by Henry VIII, John Dudley became the ward of Sir Edward Guildford at the age of seven. Dudley grew up in Guildford's household together with his future wife, Guildford's daughter Jane, with whom he was to have 13 children. Dudley served as Vice-Admiral and Lord Admiral from 1537 until 1547, during which time he set novel standards of navy organisation and was an innovative commander at sea. He also developed a strong interest in overseas exploration. Dudley took part in the 1544 campaigns in Scotland and France and was one of Henry VIII's intimates in the last years of the reign. He was also a leader of the religious re ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Henry Grey, 1st Duke Of Suffolk
Henry Grey, 1st Duke of Suffolk, 3rd Marquess of Dorset (17 January 151723 February 1554), was an Kingdom of England, English courtier and nobleman of the Tudor period. He was the father of Lady Jane Grey, known as "the Nine Days' Queen". Origins He was born on 17 January 1517 at Westminster, London and was the son and heir of Thomas Grey, 2nd Marquess of Dorset (1477–1530) by his wife Margaret Wotton, Marchioness of Dorset, Margaret Wotton (1485–1535), daughter of Sir Robert Wotton (c. 1463–1524) of Boughton Malherbe in Kent. Through his father, he was a great-grandson of Elizabeth Woodville, the wife of King Edward IV, by her first marriage to Sir John Grey of Groby. Marriage and progeny Before 1530, Grey was betrothed to Catherine FitzAlan, the daughter of William FitzAlan, 18th Earl of Arundel, whom he later refused to marry. In 1533, with the permission of King Henry VIII, he married his half-second cousin Lady Frances Brandon (1517–1559), the daughter of King He ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Lord Guildford Dudley
Lord Guildford Dudley (also spelt Guilford) ( 1535 – 12 February 1554) was an English nobleman who was married to Lady Jane Grey. King Edward VI had declared her his heir, and she occupied the English throne from 10 July until 19 July 1553. Guildford Dudley had a humanist education and was married to Jane in a magnificent celebration about six weeks before the King's death. After Guildford's father, the Duke of Northumberland, had engineered Jane's accession, Jane and Guildford spent her brief rule residing in the Tower of London. They were still in the Tower when their regime collapsed and they remained there, in different quarters, as prisoners. They were condemned to death for high treason in November 1553. Queen Mary I was inclined to spare their lives, but Thomas Wyatt's rebellion against Mary's plans to marry Philip of Spain led to the young couple's execution, a measure that was widely seen as unduly harsh. Family and marriage Lord Guildford Dudley was the ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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The Maid Of Artois
''The Maid of Artois'' is an opera by Michael William Balfe, written in 1836 to a libretto by Alfred Bunn, manager of the Theatre Royal, Drury Lane in London, who based his work on Eugène Scribe's stage version of Abbé Prévost's novel ''Manon Lescaut''. Overview The opera opened on 27 May 1836, starring Maria Malibran as the title character, Isoline. The story concerns a girl in love, who is poached by a rich Marquis. The lovers seem destined to end their days in the wastes of the desert, until an unexpected rescue comes. The opera received good notices, and the overture was much admired. Balfe's music shows the influence of his earlier training in Italy, especially of Bellini and Donizetti, as well as the French works that Balfe had sung (as a baritone) at the Paris Opéra, where he and Malibran had appeared together. Balfe wrote ''The Maid of Artois'' partly as a vehicle for her. Malibran was a mezzo-soprano with a three octave range. She had died in September 1836 before the ...
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Italian Opera House
Her Majesty's Theatre is a West End theatre situated on Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation '' Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the current (June 2022) production of Andrew Lloyd Webber' ...
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