Giorgio Sanguinetti
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Giorgio Sanguinetti
Giorgio Sanguinetti is an Italian musicologist, music historian and music theorist. He is best known as the author of ''The Art of Partimento: History, Theory, and Practice'', the first monograph dedicated to the history, theory, and practice of partimento instruction as practiced in the music conservatories of Naples from the end of the 17th century to the middle of the 19th century. Sanguinetti is full professor of theory and analysis of music at the University of Rome Tor Vergata.Universitá degli Studi Tor Vergata
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Education

Sanguinetti graduated in piano at the in 1976 and in

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Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Carl Schachter
Carl E. Schachter (born June 1, 1932"Carl E. Schachter," in "New Jersey, Passenger and Crew Lists, 1956-1964" on ''Ancestry.com'') is an American music theorist noted for his expertise in Schenkerian analysis. Born in Chicago, he attended Austin High School, graduating at age 16. Beginning in 1948 he began studies at the Mannes School of Music. He studied piano with Sara Levee, Isabelle Vengerova and Israel Citkowitz, and conducting with Carl Bamberger. Most significantly he studied with Felix Salzer, who was later co-author with Schachter of the influential text ''Counterpoint in Composition''. He received a Bachelor of Science from Mannes; an MA from New York University (musicology); and a DM from Mannes College of Music. Among Schachter's noted students are Murray Perahia, Richard Goode, Frederica von Stade, Rami Bar-Niv, Myung-whun Chung, and Edward Aldwell (who was co-author with Schachter of another influential text, ''Harmony and Voice Leading''). Schachter has held v ...
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Year Of Birth Missing (living People)
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the ...
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21st-century Musicologists
The 1st century was the century spanning AD 1 (Roman numerals, I) through AD 100 (Roman numerals, C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or History by period, historical period. The 1st century also saw the Christianity in the 1st century, appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and inst ...
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Italian Music Theorists
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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Music Theorists
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ...
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Journal Of Schenkerian Studies
A journal, from the Old French ''journal'' (meaning "daily"), may refer to: *Bullet journal, a method of personal organization *Diary, a record of what happened over the course of a day or other period *Daybook, also known as a general journal, a daily record of financial transactions * Logbook, a record of events important to the operation of a vehicle, facility, or otherwise *Record (other) *Transaction log, a chronological record of data processing *Travel journal In publishing, ''journal'' can refer to various periodicals or serials: *Academic journal, an academic or scholarly periodical ** Scientific journal, an academic journal focusing on science ** Medical journal, an academic journal focusing on medicine **Law review, a professional journal focusing on legal interpretation * Magazine, non-academic or scholarly periodicals in general **Trade magazine, a magazine of interest to those of a particular profession or trade ** Literary magazine, a magazine devoted to li ...
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Robert Gjerdingen
Robert O. Gjerdingen is a scholar of music theory and music perception, and is an emeritus professor at Northwestern University. His most influential work focuses on the application of ideas from cognitive science, especially theories about schemas, as an analytical tool in an attempted "archaeology" of style and composition methods in ''galant'' European music of the eighteenth century. Gjerdingen received his PhD from the University of Pennsylvania in 1984 after studying with Leonard B. Meyer and Eugene Narmour. His 2007 book ''Music in the Galant Style'', an authoritative study on galant schemata, received the Wallace Berry award from the Society for Music Theory in 2009 and has become influential in the field of music theory.In a 2011 review of the book for the journal ''Theory and Practice'', Paul Moravitz Sherill writes that the book "is a work that needs little introduction. In 2009, it received the Society for Music Theory's Wallace Berry Award, and papers extending the p ...
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Partimento
A Partimento (from the Italian: ''partimento'', plural ''partimenti'') is a sketch (often a bass line), written out on a single staff, whose main purpose is to be a guide for the improvisation ("realization") of a composition at the keyboard. A Partimento differs from a basso continuo accompaniment in that it is a basis for a complete composition. Partimenti were central to the training of European musicians from the late 1600s until the early 1800s. They were developed in the Italian conservatories, especially at the music conservatories of Naples, and later at the Paris Conservatory, which emulated the Neapolitan conservatories.The History of Partimenti
Monuments of Partimenti


Concept


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Wallace Berry
Wallace Berry (10 January 1928 – 16 November 1991) was an American music theorist and composer who taught at the University of Michigan and later at the University of British Columbia. Mid-way through his career, Berry shifted focus from music composition, and became a leading figure in the research and teaching of music theory. Life and career Berry was born in La Crosse, Wisconsin. Berry was educated at the University of Southern California (BMus 1949, PhD 1956), where he studied with Halsey Stevens. His composition ''Spoon River'', on texts by Edgar Lee Masters (1952), won him national recognition. In 1953-54, he studied under Nadia Boulanger in Paris. He taught at the University of Michigan (1957–77), becoming chair of music theory in 1968. He was chair of the music department in the University of British Columbia from 1978–84, and thereafter taught theory. Berry was the founding Vice President of the Society for Music Theory from 1977-1982, and then became the societ ...
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