Giorgio Ronconi
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Giorgio Ronconi
Giorgio Ronconi (6 August 1810 – 8 January 1890) was an Italian operatic baritone celebrated for his brilliant acting and compelling stage presence. In 1842, he created the title-role in Giuseppe Verdi's ''Nabucco'' at La Scala, Milan. Personal life Ronconi was born in Milan and had been taught to sing by his father, Domenico Ronconi, who was a leading tenor. He married soprano Elguerra Giannoni on 8 October 1837 in Naples, Naples, Italy. By some accounts Giannoni had sung with some success at the Lyceum Theatre, London, Lyceum Theatre and at the Her Majesty's Theatre, King's Theatre in London. However, Harold Rosenthal has written: "This lady, who failed on virtually every opera stage in Europe, was considered a good concert-room singer only, but so indispensable was her husband to any Italian company that willy-nilly she had to be engaged as well." In his later years, Ronconi founded a school of singing at Granada in Spain and also accepted a professorial post at the Madrid R ...
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Georgio Ronconi-baritone
Georgio is a variant of George. It may refer to: Mononyms *Georgio (singer) (born 1966), full name Georgio Alentini, born George Allen. American singer, songwriter, and musician *Georgio (rapper) (born 1993), birth name Georges Édouard Nicolo, French rapper and singer of Gudeloupean origin First name / Given name *Georgio Georgiades, from cast of TV series ''The Only Way Is Essex'' *Georgio Psychoundakis (1920–2006), Greek Resistance fighter on Crete during the Second World War) See also *George (name) * Georgios *Giorgio (other) Giorgio may refer to: * Castel Giorgio, ''comune'' in Umbria, Italy * Giorgio (name), an Italian given name and surname * Giorgio Moroder, or Giorgio, Italian record producer ** ''Giorgio'' (album), an album by Giorgio Moroder * "Giorgio" (song), ...
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Teatro Alla Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ...
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Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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Theatre Royal, Covent Garden
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, makin ...
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Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ...
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Maria Di Rohan
''Maria di Rohan'' is a ''melodramma tragico'', or tragic opera, in three acts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, after Lockroy and Edmond Badon's ''Un duel sous le cardinal de Richelieu'', which had played in Paris in 1832. The story is based on events of the life of Marie de Rohan. Performance history The opera premiered at the Kärntnertortheater, Vienna on 5 June 1843. In newer times, it was staged by the Grand Théâtre de Genève in 2001 and by the Donizetti Festival, Bergamo, in 2011. The opera was performed in concert by Opera Rara, London, in 2009 and by Washington Concert Opera in 2018. Roles Synopsis ''The story of ''Maria Di Rohan'' is both simple (the classic love triangle) and complicated. Chalais loves Maria, who has been forced to secretly marry Chevreuse. Chevreuse is in deep trouble, because he has killed a nephew of Richelieu. The opera is divided into three parts: Unfortunate Consequences of Duels; Not Lo ...
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Maria Padilla
''Maria Padilla'' is a ''melodramma'', or opera, in three acts by Gaetano Donizetti. Gaetano Rossi and the composer wrote the Italian libretto after François Ancelot's play. It premiered on 26 December 1841 at La Scala, Milan. The plot is loosely based on the historical figure María de Padilla, the mistress of Pedro the Cruel, King of Castile. Performance history The American premiere took place in 1990 when the young Renée Fleming made her major debut with Opera Omaha. Among other performances, the opera was presented by the Buxton Festival in 2003 and by the Minnesota Opera in 2005. Roles Synopsis :Place: Castile :Time: 14th century Maria tells her sister Ines that she hopes to marry Don Pedro, the ruler of Castile. When he sneaks into her room disguised as Mendez, Maria tells him that she knows his true identity and demands marriage to save her honour. Don Pedro acquiesces, although the marriage must be kept secret. After their elopement, a faction of the Don Ped ...
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Maria De Rudenz
''Maria de Rudenz'' is a ''dramma tragico'', or tragic opera, in three parts by Gaetano Donizetti. The Italian libretto was written by Salvadore Cammarano, based on "a piece of Gothic horror",Osborne 1994, pp. 262-263 ''La nonne sanglante'' by Auguste Anicet-Bourgeois and Julien de Mallian, and ''The Monk'' by Matthew Gregory Lewis. It premiered at La Fenice in Venice, on 30 January 1838. Performance history 19th century While the initial performances were not very successful (Donizetti regarded them as "a fiasco"),Weinstock 1963, pp. 354-355 the opera was withdrawn after two performances. It was given 14 performances in Rome in 1841 but, again, it was received with little enthusiasm. Finally, an "excellent production and superior singing this time won vigorous approval" in a production in Rome in 1841, and this was followed by one in Naples in 1848 at the Teatro Nuovo and three years later for a production at the Teatro San Carlo. 20th century and beyond The opera did not ...
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Pia De' Tolomei (opera)
''Pia de' Tolomei'' is a ''tragedia lirica'' (tragic opera) in two acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language, Italian libretto after Bartolomeo Sestini's verse novella ''Pia de' Tolomei (novella), Pia de' Tolomei'', which was based on Canto V, vv. 130–136 from Dante's narrative poem ''The Divine Comedy'' part 2: ''Purgatorio#Purgatorio, Purgatorio''. It premiered on 18 February 1837 at the Teatro Goldoni (Venice), Teatro Apollo in Venice. Composition history Background Pia de' Tolomei is a tragic figure whom Dante encountered in Purgatory. Her story was so familiar to Dante's readers that an understated allusion was enough to call it to mind: Performance history 19th century Donizetti agreed to write ''Pia de' Tolomei'' for the Teatro La Fenice in Venice and began composing it in October 1836 before the premiere of ''L'assedio di Calais'' in Naples in November. In early December he left for Venice, but was delayed in Genoa by an eighteen ...
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Il Campanello
''Il campanello'' or ''Il campanello di notte'' (''The Night Bell'') is a dramma giocoso, or opera, in one act by Gaetano Donizetti. The composer wrote the Italian libretto after Mathieu-Barthélemy Troin Brunswick and Victor Lhérie's French vaudeville ''La sonnette de nuit''. The premiere took place on 1 June 1836 at the Teatro Nuovo in Naples and was "revived every year over the next decade". Performance history The opera was presented in Italian at the Lyceum Theatre in London on 6 June 1836 and in English on 9 March 1841. It was also given in English in 1870. It was first performed in Italian in the US in Philadelphia on 25 October 1861; this production went on to New York three days later. An English translation was seen in that city on 7 May 1917. Among other performances, the work was staged by Teatro Regio di Torino in 1995 and by the Donizetti festival, Bergamo in 2010. Roles Synopsis :Time: Early 19th century :Place: NaplesOsborne 1994, p. 248 At the l ...
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