|
Gimme Some Head
"Gimme Some Head" is a single by American punk rock musician GG Allin. It was released through Orange Records on November 1, 1981 with "Dead Or Alive" as the B-side. History It features members of his first backing band The Jabbers as well as Wayne Kramer (guitarist), Wayne Kramer and Dennis Thompson (drummer), Dennis Thompson of proto-punk band the MC5 (credited as the MC2) on lead guitar and drums respectively. The recording sessions for the song took place in fall 1980; these sessions also produced a third song entitled "Occupational Hazard", which was not released until the 1990s when it began circulating on Bootleg recording, bootlegs as "Occupation". The single sold around a couple thousand copies at the time of its release, making it Allin’s best selling effort up until that point. Personnel * GG Allin - lead vocals * Rob Basso - rhythm guitar * Alan Chapple - bass * Wayne Kramer (guitarist), Wayne Kramer - lead guitar (credited as MC2) * Dennis Thompson (drummer), Denn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GG Allin
Kevin Michael "GG" Allin (born Jesus Christ Allin; August 29, 1956 – June 28, 1993) was an American punk rock musician who performed and recorded with many groups during his career. Allin was best known for his controversial live performances, which often featured transgressive acts, including self-mutilation, defecating on stage, and assaulting audience members, for which he was arrested and imprisoned on multiple occasions. AllMusic called him "the most spectacular degenerate in rock n' roll history", while G4TV's ''That's Tough'' labelled him the "toughest rock star in the world". Known more for his notorious stage antics than for his music, Allin recorded prolifically, not only in the punk rock genre, but also in spoken word, country, and more traditional-style rock. His lyrics often expressed themes of violence and misanthropy. Allin's music was often poorly recorded and produced, given limited distribution, and met with mostly negative reviews from critics, although he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Punk (fusion Genre)
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues and early R&B, and surf rock. The term "garage punk" often also refers to the original 1960s garage rock movement rather than the 1980s-90s fusion style. The 1980s-90s style itself is sometimes referred to interchangeably as "garage rock" or "garage revival". The term "garage punk" dates back as early as 1972 in reference to the original 1960s garage rock style, although "punk" as it is known today was not solidified as its own distinct genre until 1976. Therefore, despite earlier references to 1960s garage rock as "garage punk", the usage of the term "pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop-punk
Pop punk (or punk pop) is a rock music genre that combines elements of punk rock with power pop or pop. It is defined for its emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes, and is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, rap, emo, and boy bands. It is sometimes considered interchangeable with power pop and skate punk. Pop punk emerged in the late 1970s with groups such as the Ramones, the Undertones, and the Buzzcocks. 1980s punk bands like Bad Religion, Descendents and the Misfits were influential to pop punk, and it expanded in the 1980s and early 1990s by a host of bands signed to Lookout! Records, including Screeching Weasel, the Queers, and the Mr. T Experience. In the mid–late 1990s, the genre saw a massive widespread popularity increase w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jabbers
The Jabbers are an American punk rock band. Perhaps best known for having GG Allin as the frontman at the beginning of his career in the late 1970s to early 1980s, many of his most well-known songs were recorded with the band, such as "Don't Talk to Me" and "Bored to Death". One review of the only Jabbers album with Allin, ''Always Was, Is and Always Shall Be'', states: "Amazingly enough, the violent hatred, sexual and psychological degradation, and staggering stupidity only hint at the heights (or depths) Allin would reach later." Embryonic versions of the band appeared as early as 1977, focused around Allin (singing and occasionally playing drums), his brother Merle Allin on bass, and various local guitarists. By 1979, the live group featured bassist Alan Chapple and guitarist Rob Basso; guitarist Chris Lamy joined in 1980, and Michael O'Donnell became the group's drummer in 1983. The group disbanded in May 1984, and Allin next led The Scumfucs. Their complete recordings wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayne Kramer (guitarist)
Wayne Kramer (born Wayne Kambes; April 30, 1948) is an American guitarist, singer, songwriter, producer and film and television composer. Kramer came to prominence as a teenager in 1967 as a co-founder of the Detroit rock group MC5, a group known for their powerful live performances and radical left-wing political stand. The MC5 broke up amid government harassment, poverty and drug abuse. For Kramer, this led to several fallow years as he battled drug addiction before returning to an active recording and performing schedule in the 1990s. ''Rolling Stone'' ranked him among the "100 Greatest Guitarists of all Time". Career With MC5 In 1967, the MC5 were designated “House Band” at Detroit's famous Grande Ballroom and was managed by Poet, John Sinclair, a radical left-wing writer and co-founder of the White Panther Party, until 1969 when he was sentenced to nine and a half years in the Michigan Department of Corrections for giving two joints to an undercover police woman. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Thompson (drummer)
Dennis Thompson (born September 7, 1948) is an American drummer, most famous for being a member of the 1960s–70s Detroit proto-punk/ hard rock group MC5, which had a No. 82 US single with " Kick Out the Jams" and a No. 30 US album with the same name. Biography Thompson began playing drums by the time he was nine years old. Joining the MC5 by 1965, Thompson was later given the nickname "Machine Gun" because of his "assault" style of fast, hard-hitting drumming that sonically resembles the sound of a Thompson machine gun (commonly referred to as a "Tommy Gun"). His drumming pre-figured and influenced punk, metal, and hardcore punk drumming styles. After MC5 broke up in the early 1970s, Thompson was a member of the 1975–1976 Los Angeles-based supergroup The New Order, the 1981 Australia-based supergroup New Race, The Motor City Bad Boys, and The Secrets. In 2001, he guested for Asmodeus X on the song, "The Tiger" (St. Thomas Records). His influences include Elvin Jones, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-punk
Proto-punk (or protopunk) is rock music played mostly by garage bands from the 1960s to mid-1970s that foreshadowed the punk rock movement. The phrase is a retrospective label; the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes. Definition According to the Allmusic guide: Most musicians classified as proto-punk are rock music, rock performers of the 1960s and early-1970s, with garage rock/art rock bands Them (band), Them, the Velvet Underground, the Shaggs, los Saicos, MC5 and the Stooges considered to be archetypal proto-punk artists, along with glam rock band the New York Dolls. Origins and etymology One of the earliest written uses of the term "punk rock" was by critic Dave Marsh who used it in 1970 to describe US group Question Mark & The Mysterians, who had scored a major hit with their song "96 Tears" in 1966. Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootleg Recording
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as ''bootlegging''. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases. The practice of releasing unauthorised performances had been established before the 20th century, but reached new popularity with Bob Dylan's ''Great White Wonder'', a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the Rolling Stones' ''Live'r Than You'll Ever Be'', an audience recording of a late 1969 show, received a positive review in ''Rolling Ston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Footnotes
A note is a string of text placed at the bottom of a page in a book or document or at the end of a chapter, volume, or the whole text. The note can provide an author's comments on the main text or citations of a reference work in support of the text. Footnotes are notes at the foot of the page while endnotes are collected under a separate heading at the end of a chapter, volume, or entire work. Unlike footnotes, endnotes have the advantage of not affecting the layout of the main text, but may cause inconvenience to readers who have to move back and forth between the main text and the endnotes. In some editions of the Bible, notes are placed in a narrow column in the middle of each page between two columns of biblical text. Numbering and symbols In English, a footnote or endnote is normally flagged by a superscripted number immediately following that portion of the text the note references, each such footnote being numbered sequentially. Occasionally, a number between brack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GG Allin Songs
GG may refer to: Gaming * GG (gaming), an abbreviation used in video games meaning "good game" * GameGuard, a hacking protection program used in some MMORPGs * Game Gear, a handheld game console released by SEGA * Game Genie, a video game cheat cartridge * ''Guilty Gear'', a fighting game series by Arc System Works * ''The G.G. Shinobi'', a side-scrolling action game by Sega released for the Game Gear in 1991 Music * ''G. G.'' (album), a 1975 album by Gary Glitter * Girls' Generation, Korean girl group Television * ''Game Grumps'', a video gaming web series * ''Gossip Girl'', an American teen drama series * GG, the production code for the 1967 ''Doctor Who'' serial ''The Underwater Menace'' Transportation * GG (New York City Subway service) * Sky Lease Cargo's IATA designation * GG, a version of the Subaru Impreza station wagon * GG Duetto, a motorcycle+sidecar built by Swiss Grüter+Gut Motorradtechnik GmbH (GG) Other uses * .gg, the top-level domain country code fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
